Senses in “UFO in Kushiro” Essay

narrator because we only know what she wants us to know, resulting in leaving out important facts. “I did write for a while in spite of them; but is does exhaust me a good deal---having to be so sly abut it, or else meet with heavy opposition.” (Gilman, p326) She is not honest about writing with her husband, and this proves that she is more than willing to tell her story her way.

In all of the sources there is a common theme of how a significant event has affected the protagonist and the choices they may make in the future. We see this first in THE TENT DELIVERY WOMAN’S RIDE. The women in the story has a very dark and negative outlook on life we see this when she says things like “I hated knots, and looking at the butterfly got me riled up again” we don't know a lot about their life but we can assume they had a negative upbringing because thinking about her mother made her mad and she says she ran away. This poor upbringing has possibly changed the way she views the world. At one point she thinks “I had in mind To swerve against the side and shoot on past The safety lights, another kind of tit for tat, But what’s the use in one way to die? I kept on going.” this is a crossroad she has come to, she either has a choice to move on and continue driving or just end everything. This is where she comes to the realization that there is no point of ending anything, because then what would have been the point of making it as far as she had. She figures that despite anything that may have happened in the past she needs to keep moving forward with the understanding that life isn't comfortable but we must carry on. We see this further when she says things like “I feel like that, pulled out, unraveled. But I like it fine.”

Anderson’s story contains a four-page description of the events that led to Melinda, the main characters, rape scene. These four pages were enough for Scroggin and Swier to challenge this novel in its entirety and hide it from students, hindering their horizons of literature.

As anyone can imagine it is fascinating to read a story about something we would never want to happen to ourselves. Whether it be a disappearance or a murder, the suspense intrigues the reader and triggers them to want to find out the ending. The main character in The Abduction is a seventeen year old girl with the so called maturity of someone much older, who slips up and puts herself into a dangerous situation. She is abducted. Joyce Carol Oates immediately turns the reader's attention towards the girl directly into the situation, personally placing them into the story trying to find out how to escape. In Stanton’s Ted Talk he explains the concept of “Don't give them four, give them two plus two.” Give the reader two pieces of information separately and let them put it together on their own. Oates uses this concept from the beginning when she says, “it wasn’t actually right away that she understood something was wrong” and “he was making an effort not to talk too fast or get too excited and wasn’t paying all that much attention where he was driving” to lead the reader in the direction of an abduction occurring. This concept of leading the reader to the answer allows them to work for what they want in the end.

     In 1947 a UFO was seen near the town of Roswell, New Mexico. It was

This story was written in the first-person perspective. More specifically, the story is a dramatic monologue in which the narrator is responding to ambiguous questions asked by an ambiguous character. The narrator is a major participant taking part in the story as she is the main character, but she isn’t necessarily a reliable source of information because of her extremely emotional state of mind. She is repressing memories from the night of the incident and from her life in general, and this is shown when she says, “I hate to repeat it, my life” (41), and “I don’t want to talk about her” (43). The narrator is also highly unreliable because she isn’t even certain of the validity of the story she is telling. She says, “What? Did I say that?...Then maybe I do remember it, it’s all so confusing and…” (45). Because this story is first-person, we can know only what the narrator reveals. We don’t know the questions being asked of the narrator or the response of that person, and the narrator doesn’t always finish her sentences or thoughts, either. She drifts off and this is shown by the abundant use of ellipses. This is when the reader starts to speculate what is being left out of the narration. The narrator is repressing memories and refusing to talk about them, like when she says, “I don’t want to talk about it again” (41), so there is some

“All right, she [tells] herself. So I’ve killed him”(Dahl 2). She does not care about the death penalty for herself, but worries what they will do to her unborn child. She immediately plans her next move, putting the leg in the oven and making herself look as normal as possible, going to the store to give herself a cover story. She does not care about anything on the way to or from the store, but when she returns home, the reality of her husbands death sets in and she returns to loving

It’s 5:15 AM, and the streets are quiet. By 5:30, the streets are torn apart, and rubble is strewn everywhere. What happened in those fifteen minutes was the San Fransisco earthquake. When you look at “Comprehending the Calamity” by Emma Burke and Laurence Yep’s Dragonwings, you can truly imagine the extent of the damage and fear, even though Burke’s purpose is to inform, while Yep’s is to entertain.

In the story of The Island of “Kora”, the island had been devastated by a violent earthquake that had been triggered by a volcano eruption four years earlier. The island which had prior to the disaster been about twenty square miles in size and been reduced to less than a fourth that size to about four square miles. The island prior to the earthquakes had previously been able to support comfortably 850 to 900 people. It was a peaceful island where the inhabitants got along well. Because of the disasters the lives of the inhabitants had been changed forever.

She wanted to be a role model for her children and at the same time, she wanted to become friend with them. Helen valued education, and she wanted Julie to go to college and have a successful life. However, after she found out that Julie had secretly being together with Tod, the poor, unambitious man. She was disappointed, betrayed, sad. Julie moved out of Helen’s home. Later, when Helen found out that Julie and her husband Tod had nowhere to live, she let them move in with her. She is a permissive parent, yet, she cares about her children, provides them as much support as she can. Helen stayed calm when Gary told her he wanted to live with his dad for a while. I can see her heart was bleeding when she heard her son’s words. She gave Gary his father’s phone number anyway, and Gary talked to his dad over the phone and figured out the cruel fact that his dad didn’t care for them anymore. Helen wanted to comfort Gary but he refused to talk. I felt Helen’s guilt and desperation at that moment. After she broke into Gary’s room and found out that Gary was carrying the bag that contains pornography, she immediately asked Tod’s help to talk to Gary. She had a chance to talk to Tod and had learned that Tod came from a broken family. She had a better idea of who Tod was and his help to Gary gained Helen’s respect. Helen supported Tod and helped her daughter Julie overcame the tough situation in marriage. Helen

When the readers meet the young, subordinated wife of a physician, who remains nameless throughout the entire story, perhaps hinting at the commonness of such situations where all those women are the same: faceless and nameless, this woman’s dilemma becomes obvious. She has been stripped off the only function a woman in those times had, the domestic one, due to the fact that she suffers from a mysterious illness which requires the infamous bed cure. Gradually, she is treated more and more as a child, unable and even forbidden to express herself in a creative way, namely to write, being persuaded that it cannot do any good to someone in her condition. This is why the protagonist (who is simultaneously the narrator), takes it upon herself to write a journal about her experiences and the mysterious woman that haunts her from the

Before analyzing the narrative, I would like to address Jacobs’ choice in writing a fictional narrative instead of a personal narrative told in first person. I believe this decision also contributes to the craft that Jacobs writes with in that the fictional narrative allows for a window of reaching out to the reader, while the personal narrative approaches the reader directly. By using a fictional narrative, Jacobs is able to form a connection and bond between her character and her reader by having a beginning, middle, and an end to her novel. This medium allows for

The main character, Edie, provides the narration of the story from a first person point of view. She tells her story based on an event from her past. Because she narrates the story the reader is unable to be sure if what she tells of the other characters is completely accurate. Because one does not hear other character's thoughts one could question whether Edie

I think that the author wanted the reader to believe that the pilot was going to let the girl live. For example, in the beginning of the story, when he realizes that the stowaway is a girl, he decides not to dispose of her immediately, but instead try to find a different way to let her live. During the story, you can see that the pilot is upset that this girl became a stowaway without knowing the consequences and shouldn't blame

In this passage, Murakami depicts about Komura’s reaction in front of two women when his wife left after the earthquake. Seems, Komura does not make any emotional reaction. Like, “he waited a moment before answering. No, she didn’t die.” (page 6, Murakami). His gentle reaction makes everyone believes his wife is just left him because she is thought he’s too perfect for her, and she feels uncomfortable when she lives with him. Besides, he believes she lives well somewhere else. This shows Komura is struggling with understanding about the disappear of his wife. Komura does not know why his wife left, so he takes a week vacation, and he is also helping his colleague to deliver a small package to Hokkaido. This tour is maybe