Sentence Structure In Anthony Burgess A Clockwork Orange

“One Flew Over The Cuckoo’s Nest” by Ken Kesey tells the story of a psychiatric ward in Oregon through a schizophrenic patient named Chief Bromden, and how his world as well as the lives of those like him take a dramatic turn after Randle McMurphy, a conman, is introduced into the ward. The novel makes heavy use of symbolism in order to continue the biblical allusions that are introduced early on in the novel. The biblical allusions used in “One Flew Over the Cuckoo’s Nest” are the crucifixion of Jesus in the form of the Shock Shop, and a savior of the sinned in Randle McMurphy.

Character in both novels use unsuccessful escape methods to cope with their loss of identity. Alex, the protagonist in A Clockwork Orange, turns to classical music such as Beethoven when his gang members question his hierarchy within the group. Alex describes his bedroom where he goes after an argument with his gang members : "the little speakers of my stereo were all arranged round the room, on ceiling, walls, floor, so, lying on my bed slooshying the music, I was like netted and meshed in the orchestra." (Burgess. 37). We see Alex return to his bedroom many times after confrontations where his identity is disputed. Eventually, Alex is conditioned to feel sick whenever he hears classical music so Alex loses this escape method as he can no longer listen to classical music. Also, Alex relies heavily on the use of drugs when he is unable to deal with his loss of identity, " officially sanctioned "milk bars" that serve a variety of drug tonics to send one off on incoherent fantasies" (Gottlieb). These "milk bars" are locations where young

The created patch-work language of Nadsat in the novel, A Clockwork Orange, satirizes the social classes and gang life of Anthony Burgess's futuristic society. The most prominent of these tools being his use of a completely new language and the depiction of family life from the eyes of a fifteen year old English hoodlum. Burgess effectively broke arcane traditions when he wrote A Clockwork Orange by blending two forms of effective speech into the vocabulary of the narrator and protagonist, Alex. Burgess, through his character Alex, uses the common or "proper" method of vernacular in certain situations, while uses his own inventive slang-language called "Nadsat" for others. Many

First, the style and syntax of the first two paragraphs shifts in the third. The first paragraph has a few short sentences, but shows overall sentence length, and the second paragraph has quite short sentences. The third paragraph however, is characterized by one long compound-complex sentence, much like how one would write out their thoughts. This shift from varying sentence length

Besides presenting utter terror and an extremely innovative approach to the use of language, A Clockwork Orange manages to be extremely philosophical. As Alex encounters different people throughout his process of becoming a better person through tests and manipulation, he encounters the issue of whether or not it is better to live a life of crime than to be forced into not doing so. The question presented by these various people, the main proponent of the belief being the jail chaplain, is that if a man can no longer make that decision, one which could possibly be the most colossal decision of Alex’s life, can he be considered a man? Alex eventually answers

Research shows that children are more susceptible to commit crimes, fail in maintaining long lasting relationships and develop depression as well as other psychological disorders from the effects of bad parenting. In fact, many people grow up treating others the same way their parents have treated them with reference to their parents’ values, behaviours and attitudes. Harper Lee, an American author, expressed her childhood experiences in Alabama through writing the novel, To Kill a Mockingbird. In this novel Harper Lee highlights the prevailing racist attitudes that existed in Alabama in the 1930s. Lee does this by having the parenting style of Atticus, and its impact on his children, stand in contrast to these prevailing racist attitudes. In To Kill a Mockingbird, Harper Lee conveys that Atticus Finch is a great parent because he is not a hypocrite, he has a sense of fairness and he has good morals and values.

Anthony Burgess's writing style in his most famous novel, A Clockwork Orange, is different to say the least. This novel is praised for its ingenuity, although many are disturbed by Burgess's predictions for the future. However, for many, it is close to impossible to comprehend without outside help. This is because Burgess created a language specifically for this novel, called Nadsat. This Russian-based language forms conversations between the narrator, Alex, and his teenage, delinquent friends. There are many assumptions as to why Burgess chose to complicate A Clockwork Orange by filling it with the confusing Nadsat language. Some opinions are that the language shows A Clockwork Orange readers

One of the main things I that is important in both films are the costume, in both film are ‘uniforms seen on many of the characters throughout the film, in a clockwork orange, set in a dystopian future Britain, Alex and his ‘Droogs’ wear a specific uniform and so do other ‘gang’ type groups of youths in the film, this is intertextuality of youth at the time were many teenager became part of a group by the way they dressed with the Mods, Rockers, Teddy boys and later the Punks, it was very commonly know that wore these types of uniforms. The youthful characters in if…. Also wear a uniform, the film is set in a boarding school in England so most of the characters you see, except the teachers wear a school uniform. In both films there is also a clear difference between the teenage characters and the character that represent authority in each film, in A Clockwork Orange when Alex is arrested all of the prisoners wear matching suits and the prison guards and anyone that has authority over is wearing a suit, this is the a stereotype a the typical ‘man’ accepted in society showing how Alex is being changed to fit this stereotype in the film when is his realised from prison and he’s wearing a suit and so are some of this old friends.

Structure in A Clockwork Orange By: Alex Green At first, it seems as if the novel will be in the form of a quest. That is, Alex leaves his life of crime behind and grows as an individual after his treatment. And then, it seems as though it will end as a circular structure after Alex's suicide attempt and return to his former, violent self. But finally, near the end of the novel, it is apparent that it was after all, a hero quest. Alex learned the life of crime is not all that and he even has thoughts of having a child.

The society of A Clockwork Orange is constructed upon struggles for power. Crime is a part of the everyday. Violent street gangs seek power through anarchism, direct authority is represented by a network of corrupt police, and on the highest social level a struggle for political and administrative power is fought. Alex reflects: "Power, power, everybody like wants power." As a microcosm of the social mentality, he seems to fit the notion of being a product of his environment.

In the book To Kill a Mockingbird, written by Harper Lee, during chapters seventeen through twenty-one, one of the leading characters, Atticus, has to defend a black man in a court case against two white people. Before the jury is sent to make their decision, Atticus gives a closing argument speech. During his speech, Atticus uses three main types of persuasion called: ethos, pathos, and logos.

“A Clockwork Orange” starts with Alex posing the question: “what’s it going to be then, eh?”. Burgess begins the story by demonstrating that Alex

Jane Austen, author, successfully used the literary technique of sentence structure (or syntax) to showcase identity in Pride and Prejudice. Austen uses an extremely characteristic voice in order to construct an authentic selfhood. Austen gives each character a distinct voice, sentence structure, and communication style.

     The created patch-work language of Nadsat in the novel, A Clockwork Orange, satirizes the social classes and gang life of Anthony Burgess’s futuristic society. The most prominent of these tools being his use of a completely new language and the depiction of family life from the eyes of a fifteen year old English hoodlum. Burgess effectively broke arcane traditions when he wrote A Clockwork Orange by blending two forms of effective speech into the vocabulary of the narrator and protagonist, Alex. Burgess, through his character Alex, uses the common or “proper” method of vernacular in certain situations, while uses his own inventive slang-language

     A Clockwork Orange is a novel about moral choice and free will. Alex’s story shows what happens when an individual’s right to choose is robbed for the good of society. The first and last chapters place Alex in more or less the same physical situation but his ability to exercise free will leads him to diametrically opposite choices—good versus evil. The phrase, “what’s it going to be then, eh?,” echoes throughout the book; only at the end of the novel is the moral metamorphosis complete and Alex is finally able to answer the question, and by doing so affirms his freedom of choice. The capacity to choose freely is the attribute that distinguishes