Separating the Flames of Reality Essay

After dinner Wangero shows the true meaning of her visit when she starts to examine different artifacts in the house and asking Mama if she can have them. Mama and Maggie show their love of the items Wangero has requested by being able to state who had made them and what they had been made of. Maggie emphasizes Wangero's lack of understanding and compassion by stating accurately that the dasher from the butter churn had been carved by Aunt Dee's first husband Henry who everyone called Stash. Wangero makes a joke of Maggie's memory (72) by saying she had the brain of an elephant. Once again Mama displays patience of astronomical proportions. To Wangero, the churn top and the dasher are items that she can use to impress her peers. They have no sentimental value and she would probably not even know how to use them. She does not need them and yet, knowing how poor her mother and sister are, she still has the gall to confiscate a valuable kitchen tool only to put them on display.

In the story Everyday Use, Dee otherwise known as Wangero, is the rebellious character just as Jing-Mei was in Two Kinds. These stories show relation because the two kinds of daughters Jing-Mei’s mother describes in Two Kinds are evident in Everyday Use. Maggie would be the obedient daughter explained while Dee would be the one who chose to follow her own mind. Though both stories represent different cultures, the both embody the importance of customs and tradition.

     Dee believes she is more cultured than her family. She may have more knowledge about different cultures and religions that she learned in school, but she does not know as much about the family heritage as she thinks she does. For example, when Dee changes her name to “Wangero Leewanika Kemanjo” she destroys important links to her heritage that she will never understand. Her mother tries to explain to her that her name is significant because it belonged to particular beloved ones. However, Dee seems to reject the names of her ancestors, yet she is eager to seize their handmade goods. When Dee realizes she is not going obtain possession of the quilts, she storms out of the house without saying a word. It is apparent that the only reason for her visit is to get the family heirlooms, not to see the house, her mother, or Maggie.

Here the tone shifted from prideful to authoritative. Dee demanded to own the two quilts. Mama said the quilts had been made by her ancestors and she “hung up on them on the quilt frames on the front porch and made them (762).” The quilt frames symbolize the object which helps organize and keep the family's generations alive, and the front porch symbolizes the connection of the family with the world. Mama knew the quilts were what kept the generations together, regardless of what the people around thought or did.The quilts needed to be used in order to keep the family traditions alive. Soon after, the protagonist came up with an excuse and said the “lavender [pieces], [came] from old clothes” which had been “handed down (762).” The lavender symbolizes love and devotion. The old clothes symbolize the legacy of the family's heritage. Although Dee only wanted to the quilts, Mama felt her past family's love and devotion through the quilts. Dee wanted the quilts because to preserve them, not because of an emotional connection to them. In addition, the young woman continued to offend her mother to the point where Mama told her the quilts were for Maggie, the youngest sister, and Dee exclaimed how her sister could never “appreciate the quilts.” She continued and said “She'd probably be backward enough to put them to everyday use (762).” Everyday use represents the “everyday use” of customs and true purpose of the quilts. Although Dee thinks her sister will destroy the blankets through sex and daily use, Mama wanted her to understand how everything she wanted had a special purpose in their

While the two sisters perspectives on heritage contrast each other, Walker employs a case of dramatic irony to prove that Dee's perspective is wrong, which automatically proves that Maggie is right, considering their opposite characteristics. Dee

Dee on the other hand, represents more of a modern, complex, materialistic way of life. She moves to the city to become educated. She is ashamed of where she comes from. In a letter mama receives, Dee writes “no matter where we ‘choose’ to live, she will manage to come see us” (Walker 281). Furthermore, when she comes home to visit she tells mama that she has changed her name to Wangero Leewanika Kemanjo because “I couldn’t bear it any longer, being named after the people who oppress me” (Walker 282).

When we are first introduced to Dee, we learn that she no longer wants to be called by her given name but instead she would want to be called ‘Wangero’. Dee comments, “I couldn't bear it any longer, being named after the people who oppressed me” (Walker 62). Although Dee may have only known that she was named after Grandma Dee, Mama could have “carried back beyond the Civil War” (Walker 62) the name of her daughter. This offended Mama because it was the beginning of how Dee began to reject her heritage. In addition, Mama also realizes how Maggie acts around Dee because of the way she treats her. When Maggie gives into Dee’s wanting of the blankets, Mama sees that Maggie is hurting and Dee couldnt care less. Mama comments that Maggie answered Dee “like somebody used to never winning anything or having anything reserved for her” (Walker 65). These conflicts lead mama to take a stand against her daughter as well as drawing her closer to Maggie. This showed Dee that she could not just barge into the house and take things she did not even truly know the meaning of. Therefore the reader understands that Dee’s actions led Mama to act differently with both of her children, all for the sake of honoring her heritage and

Mama said” I never had an education myself” (745) but Dee went off to college. This demonstrates how times were different and now Wangero does not want to be held back by old times. Also, because she is independent and intellectual and doesn’t want to be embarrassed by her family. To emphasize, Maggie character shows her being described as “lame animal perhaps a dog run over by some careless person rich enough to own a car.” (744) This shows how Maggie isn’t educated with having any potential. Also, Maggie is an introvert and does not like to talk except to Mama. Wangero insults her sister by “Maggie brain is like an elephant” (747) which is saying she stupid. Then Wangero brings up the quilts and talks with Mama and Mama said “I promised to give them to Maggie, for when she marries John Thomas.” (748) Dee states ““Maggie cannot appreciate these quilts” (748) “She probably be backward enough to put them to everyday use”” (748). This represents again how Maggie is viewed as not bright person to not be able to have the

Second, there were some cultural differences, Maggie and Mama lived in a house located in a pasture with animals, and you could tell through Mama's description of Dee that she was more modernized probably a city Girl. When Dee/Wangero came to visit she wore a bright dress with loud colors, bangles and gold earrings. Mama said Dee's dress had so many yellows and oranges it was enough to throw back the sun (109). Maggie wore a pink skirt and red blouse that enveloped her body (107). Dee was an educated woman having graduated from High School. Mama on the other hand never made it past the second grade because the school she attended was closed down in 1927. Mama said that, "Colored asked fewer questions than they do now" referring to why the school closed (109). Circumstances such as age, education, and living arrangements dictated their

Wangero only thinks about herself all the time, now that she has come back she wants everything her mother and sister have. “Out she pecks next with a polaroid.” Wangero thought everything was so “cute and old.” She had to make it known she wasn’t the same person as before. Now she’s more selfish then she has ever been. Dee is a determined individual that makes her best effort to get what she wants. What Dee wants is her reality not the real reality. She wants everything to be different she wants it all her

Thus revealing that Walker split herself into two different characters, Dee and Maggie. It is because they represent two completely different parts of her; the shy one that keeps to herself due to a detriment during childhood, and the well education one who has driven herself away from the life she use to live before.

From all of the vivid descriptions used to describe Dee and Maggie, it is obvious that Maggie and Mama's perspective of heritage is more respectable than that of Dee's, because of the way that Dee acts as though she is ashamed of it. It is ironic that Dee wants the family quilts so badly, when in many ways she tries to disown her family in attempts to lose her heritage. Washington argues that Dee is a character who "is awakened to life by a powerful political force... and puts up a consequent effort to reintegrate themselves into their culture to rediscover its value"; which explains her actions when she comes back for her family items only when it seems fashionable to display them (23). Maggie and Mama both know that a true appreciation of one's heritage comes from learning their family history and about personal experiences. Dee fails

Johnson has promised to Maggie as a wedding present. These hand sewn quilts were priceless in both women's eyes but for very different reason. Mrs. Robinson looked at them as a part of her life, her everyday use, made from her mother and grandmother's old dresses. "Wangero" saw them in regards to their monetary value. She tells her mother and Maggie that they do not appreciate them for their value, and they do not understand their heritage. She wants to hang them up on a wall, as if to display her heritage, her family's customs. It is clear that Alice Walker disdains Wangero's attitude towards her past, as does the reader. We know who it is who really does not appreciate their heritage, Wangero.

During an evening after dinner, while Wangero rummages through Walker's trunk, she finds two quilts. The quilts that Wangero holds were sewn by Grandma Dee. The quilts each symbolize Maggie's heritage. For instance, "One quilt is the Lone Star Pattern. The other is Walk Around the Mountain. In both of them are scraps of dresses Grandma Dee wore fifty and more years ago. Another one has bits and pieces of Grandpa Jarrell's Paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that is from Grandpa Ezra's uniform that he wore in the Civil War" (125).

Dee, on the other hand, is portrayed in a very different light by Walker. Commencing with her physical appearance; “Dee is lighter than Maggie, with nicer hair and a fuller figure” (141). However, their differences do not end there. Dee is intelligent,