Septimus Madness Analysis

Through traumatic events many people lose their sanity. Some people are born insane, while others are driven to their breaking point by life experiences. In the memoir “Night” insanity is a major theme, through various characters like Mrs. Shockter and Moishe the beedle. In “Night” insanity is experienced through horrific events and continues to make itself present throughout the book.

Mental illness and madness is a theme often explored in literature and the range of texts exploring these is tremendously varied. Various factors can threaten a character's sanity, ranging from traumatic events which trigger a decline to pressure from more vast, impersonal sources. Generally speaking, writers have tried to show that most threats to sanity comprise a combination of long-term and short-term factors - the burning of the library in Mervyn Peake's novel 'Titus Groan' precipitated Lord Sepulchrave's descent into madness, but a longer term problem can be discerned in the weight of tradition which caused him to worry 'that with him the line of Groan should

In Poe’s “The Tell-Tale Heart,” the narrator is so bothered by an old man’s eye that he decides to kill him. In the end, he thinks he hears the beating of the old man’s heart even after he has died, so the narrator confesses to the police. Throughout the story, the narrator keeps insisting he is sane, “but why will you say that I am mad? The disease has sharpened my senses – not destroyed-not dulled them... How, then, am I mad?” (Poe). However, despite his constant justification of his judgment, on cannot help but question the narrator’s true sagacity.

Reading a narrative from a psychoanalytic perspective can prove to be a sometimes frustrating experience. Psychoanalysis often disregards the actual texts and verbal context of a piece of literature in favor of the Freudian and Lacanian ideas, which seek to find encrypted motifs in the depths of every creation in order to reveal the author’s unconscious mind. Nevertheless, the critiques of psychoanalytic interpretation of literature claim that such interpretations focus on the content of the text at the expense of the literary form and temporal dimension, which can reduce the literary plots to lifeless machinations. Furthermore, psychoanalytic interpretation of a text may tell us less about the author’s unconscious mind and more about the

Mark Drolsbaugh presentation titled “Madness in the Mainstream” encompassed Deaf education and challenges Deaf children face with mainstream education. Drolsbaugh was born hearing and as he grew up, he had progressive hearing loss and became Deaf by college. Luckily for him, he was born into a Deaf family. Drolsbaugh went on to Graduate from Gallaudet and wrote for different deaf newspapers and publications and became a school counselor. He had written four books by 2014 pertaining to the Deaf community. Madness in the Mainstream was actually his fourth book and was the basis to this presentation.

Edgar Allan Poe was an extraordinary author whose horror and mystery stories leave an impression on readers even today. In some of Poe’s works, the narrator’s thoughts and actions make the reader question the narrator’s sanity. Two good examples are Poe’s poem “The Raven” and his short story “The Black Cat”; there is plenty of evidence to support that both of the narrators are not completely sane. In Poe’s “The Raven” and “The Black Cat,” both narrators exhibit symptoms of mental illness, including hallucinations, illogical thinking, mood swings, and substance abuse.

What happens when an individual descends into madness? This process is the focus of both Edgar Allan Poe’s short story “The Tell-Tale Heart”, and Emily Dickinson’s poem “I Felt a Funeral in my Brain.” Both texts use many structural techniques and literary devices to draw attention to the central idea of insanity. This insanity takes the form of a deviation from what the reader would consider normal. In spite of the two authors’ drastically different writing styles, one element remains constant, the masterful use of punctuation.

Eye.” Select a novel or play in which a character’s apparent madness or irrational behavior plays an important role. Then write a well-organized essay in which you explain what this delusion or eccentric behavior consists of and how it might be judged reasonable. Explain the significance of the “madness” to the work as a whole. Do not merely summarize the plot. 2000: Many works of literature not

The narrator’s mysterious illness exemplifies the tenets of Dark Romanticism. Supposedly the narrator is told that he is mad and he refuses to accept this ; therefore, he tells the story on how he

William Shakespeare’s “Macbeth”, a tragedy based upon the fallen hero, by whom the play is written after, is commonly discussed with attention focused upon Macbeth’s mental health. While people in the Shakespearean era had very little understanding of the human brain, modern readers and psychologists have examined the thoughts, speech, and actions of Macbeth to determine the accumulation of his mental illnesses.

            One of the most critically-acclaimed short stories, “The Cask of Amontillado,” is well-known ­for covering one of the you used "one of the" twice in one sentence most intriguing topics: retaliation.  The author, Edgar Allan Poe, lived an interesting life full of alcoholism and drug-addiction, but still managed to write many unforgettable pieces.  like what? In this short story, Edgar Allan Poe focuses on Montresor and his determination to exact revenge on Fortunato, the man who had continuously insulted him in the past.  Although no one has ever been able to fully comprehend the reasoning behind Poe’s choices in creating the characters, it has popularly been assumed that anger drove Montresor

The descent into madness is like falling asleep, painstakingly slow and then all at once. As humans, we spend our lives running in circles, always searching for something, a meaning to our existence. Slipping into madness appears to go unnoticed at first, but as time goes on, a person can completely lose their mind. A person’s mental state is so fragile that one simple act can shatter their psyche and trigger a chain of reactions that are able to lead to an episode of complete and utter insanity. Throughout his countless works, Edgar Allan Poe portrays his own thoughts and fall into madness through his characters and with various literary techniques.

Psychological criticism has roots as far back as the fourth century BC, when Aristotle “commented on the effects of tragedy on an audience, saying hat by evoking pity and fear, tragedy creates a cathartic of those emotions” (Dobie 54). More recently, however, psychological criticism has been shaped and influenced by the work of Sigmund Freud. He developed theories concerning “the workings of the human psyche, its formations, its organization, and its maladies” that, while further refined by other theorists, are still the basis of the modern approach to literary criticism (Dobie 54). Freud’s theory of the tripartite psyche is used to classify and define the conscious and unconscious mind into the id, ego, and superego. When examined using this theory, Margaret Atwood’s The Handmaid’s Tale, a dystopian novel about a patriarchal totalitarian government that has replaced the United States of America, is particularly interesting.

Authorial intrusion, which is uncommon in most works of contemporary fiction, is arguably the most important literary device Poe uses to construct the narrator’s manic voice. Though the entire story is written as a confessional, the unnamed chronicler frequently interrupts his recount to attempt to convince the reader that he actually isn’t insane. After explaining his egregious crime along with the motivation; the narrator proceeds to state  “You fancy me mad. Madmen know nothing. But you should have seen me” (92). These erratic sentences interrupt the flow of the writing but are extremely important in developing the narrator's voice as it further  Following the quote he explains the methodical lengths he went through; lengths that only an absolute psychopath would find rational, and attempts to justify them as his own cunning intellect rather than an insatiable desire to kill. He reiterates a similar variation of this sentence multiple times throughout his recounting of the events, “If you still think me mad, you will think so no longer” (95) and “have I not told you that what you mistake for madness is but over-acuteness of the senses?” (94), which again helps to reinforce this idea that the narrator is truly unaware of his own madness.