Sethe's Past In Beloved

In Toni Morrison’s novel, Beloved is a character whose identity is primarily unknown. She retains some of her memories, although they are mostly obscure and symbolic. Even though she become increasingly obsessed with Sethe, her true objectives are only later revealed, when Sethe realizes that she is most likely the reincarnation of the daughter she killed to protect from slavery. Beloved uses Sethe’s guilt to subjugate her, she forces her mother to give, and then forfeit, everything she has to her, including her own sanity. “Beloved didn’t move; said, ‘Do it,’ and Sethe complied. She took the best of everything – first” (Morrison 277). Beloved starts wearing her mother’s clothes and mimicking her behaviors; Beloved becomes the mother, and Sethe the child. “The bigger Beloved got,

Sethe says she believes she won't even have to explain her motives for killing her (a love so great she can't let her be taken into a life of slavery). "I don't have to remember nothing," Sethe tells herself on page 183. "I don't even have to explain. She understands it all." Sethe believes the one true way she will find restitution and understanding with Beloved, is by knowing the mark she has left on her daughter. "I only need to know one thing. How bad is the scar?" Sethe feels that by knowing the scar, by touching the "memory of a smile under her chin," she can feel her daughter's pain and connect with her.

Even after she acknowledges Beloved's identity, Sethe shows herself to be still enslaved by the past, because she quickly succumbs to Beloved's demands and allows herself to be consumed by Beloved. Only when Sethe learns to confront the past head-on, to assert herself in its presence, can she extricate herself from its oppressive power and begin

Destruction of identity, another theme of the novel, relates to the violent scenes. In the second part of Beloved, Sethe takes a stand and expresses her feeling on the violent acts being performed on her. “Nobody will ever get my milk no more except my own children. I never had to give it to nobody else—and the one time I did it was took from me—they held me down and took it. Milk that belonged to my baby” (Morrison 200). Sethe finally comes to terms with her past and vows to never let such a horrendous act happen to her again. Beloved’s reincarnation occurs because Sethe needs to face her dark past head on and free herself from living in shame. It took time, but, Sethe eventually overcomes the odds and begins to live freely and peacefully in her house.

Sethe’s relationship is in a balance at the beginning. She has the two poles of attraction, Paul’s desire to settle down and start a family, and Beloved’s desire to draw Sethe back into the past. Throughout the novel, acts of cruelty wind into her life and alter the outcome of her days. Cruelty in Beloved affects both the perpetrator and victim in that the perpetrator becomes consumed by such acts, and the victim simply devolves to be more and more vulnerable to such acts. In Toni Morrison’s Beloved, Beloved’s acts of cruelty reveal how one’s inner desires can overcome the perpetrator, and dehumanize victim in the long term.

We learn a lot about the healing process of Sethe due to what Beloved has done to her. Beloved forces Sethe to confront her past so much that she is

It is shown that after the act of taking the life of Beloved and attempting the life taking of Denver, Howard, and Buglar, that Sethe truly does love her children. The way Sethe tried to go about saving her children seems unethical and horrible, but there did not seem to be all too many options for Sethe to save her children from the slave life. Howard and Buglar left Sethe and Denver to get away from Sethe, they had even warned Denver about what she had attempted to do to them. Although Howard and Buglar ran from Sethe and there was the attempted murder in the barn, Sethe still thinks of them because they are her children. Denver was tossed as an infant that day in the barn, and she clearly survives. Even after all the events and situations created from the presence of Beloved there is still a strong bond of love between Sethe and Denver. Sethe loves Denver very much, she is her one surviving child that is still with her.

Sethe understands that her history, filled with the pain of slavery, grief over losing her children, and guilt over Beloved's death, and tries to hide from all the anguish. However, she admits that the past seems to "always be there waiting," thereby emphasizing the idea that past horrors of life continue to haunt forever. It appears as though the power of her experience in slavery influences her so greatly that the memory triggers great pain, causing the horrifying incidents to "happen again." Even though Sethe understands that she cannot ever fully escape her history as it will come back to trouble her, she still tries to avoid them and thus attempts to shield her daughter from the horrors of history: "As for Denver, the job Sethe had of keeping her from the past that was still waiting for her was all that mattered" (45). It seems as though Sethe tries to deny the fact that history does not simply disappear. She still tries to protect Denver "from the past" even though history "waits," prepared to cause trouble and inflict the pain Sethe tries to repress. It appears as though Sethe continuously tries to fight against her memories and ignore her past in part one. For example, after she wakes, she begins "Working dough. Working, working dough. Nothing better than that to start the day's

Beloved is seen as the resemblance of Sethe’s dead baby. Beloved is portrayed as a teenage girl, however she is different from other black teenager, “…and younger than her clothes suggested – good lace at the throat, and a rich woman’s hat. Her skin was flawless except for three vertical scratches on her forehead so fine and thin they seemed at first like hair, baby hair before it bloomed and roped into the masses of black yarn under her hat.” (Morrison 62). Beloved unexpectedly came to 124, the house where Sethe, Denver, and Paul D lived. However, Sethe became attracted to her, “Sethe was deeply touched by her sweet name; the remembrance of glittering headstone made her feel especially kindly toward her. Denver, however, was shaking. She looked at this sleepy beauty and wanted more.” (Morrison 63) represent Sethe’s fascination towards Beloved, because she made Sethe recall her dead baby, which also has the word Beloved engraved in the gravestone. The name Beloved itself makes Sethe sentimental from

Sethe lives in the shadow of her act of infanticide throughout the entire length of the book. This is because its legacy pervades itself throughout the entire novel, showing events leading up, and ways the future has been affected. The novel begins as such: “124 was spiteful. Full of a baby’s venom. (Page 1)” This baby refers to Beloved, who became a ghostly presence in Sethe’s house and continuously terrorizes the house

Through character development, the story also portrays the theme of escaping the past. Sethe’s actions are influenced heavily by her dead child, Beloved. When the “human” form of Beloved arrives while sleeping

In Beloved, Morrison discusses the power that the past can hold over a person. Sethe murdered her daughter and was stopped before she had the chance to murder her other children. However, the murders did not occur out of malicious intent. After escaping her owner, Sethe is terrified that someone will catch her and her children and force them into slavery. She feels that the worst thing in the world is

Sethe begins to nurture her children, only for her children to have a growing fear that Sethe would kill them one day, enacting her children to distance themselves. Due to Sethe mother’s abandonment, Sethe in fact has never been a “daughter” and the love she displays, Paul D. describes as “too thick” (193) causes resentment from her children. As Sethe undergoes mental and physical abuse from Beloved, causing her strong personality to wither away and becoming fully dependent on Beloved, Sethe gives herself to Beloved, “[a]nything she wanted she got” (283). This is a story not to be passed on for Sethe, she allowed herself to be swallowed up by her own inability to move past her dreadful memories at Sweet Home. The past, “Beloved” began to slowly creep on her, draining away the strong woman she once was. Sethe always tried to nurture her child, the way her mother never nurtured her. However, in the end when she becomes dependent on Beloved, she becomes old and weak. Yet, her positive development occurs when Paul D tells her that she, herself is the most important thing and finally then Sethe moves on.

Her healing actions toward Sethe, not only gives Sethe the physical strength to go on, but the restoration of self-worth and dignity.

 Sethe learned the value of motherhood from an early age.  Not wanting the children of the white men that raped her, Sethe?s mother, Ma?am (as she is called in the book), threw all the unwanted children away.  But, Sethe?s father was a black man whom Ma?am loved, and so she kept Sethe.  Recalling the story, Sethe thinks back on what Nan (the woman who knew Sethe?s mother and raised Sethe, herself) said, ?She threw them all away but you.  The one from the crew she threw away on the island.  The others from more whites she also threw away.  Without names, she threw them.  You she gave the name of the black man? (Morrison, 62).  Thus having an identity because of her mother, ?Sethe learns Ma?am?s history and grounds her personality in motherly-love? (Kubitcheck 123).  Kubitcheck also says, ?mother-love offers the strongest defense against slavery.  When Nan tells Sethe that her Ma?am chose to conceive and bear her, Sethe acquires the base on which to build feelings of self-worth? (135).  She could also identify with her mother by the mark branded below Ma?am?s