Topic: Comparative analysis between Seven Samurai and Magnificent Seven
Introduction:
Seven Samurai a 1954 classic, critically acclaimed as one of the greatest films and has been a notable reference point for reworked films of this genre. In succession with one of the more notable remakes, the 1960 version of the Magnificent Seven, leading through to the current version in 2016. The Magnificent Seven aired in cinema recently and was not the first time an adaptation of Seven Samurai has been re booted. In theory, an entire text book could be written on the many adaptations and their differences. These alterations focus on some key themes being setting, the threat, the client, the master, heroism and the lover, these themes within the films
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But film sets the most helpless as the peasants, trying to make a living in the war-torn world. The first scene develops the plot by one of the peasants from the village overhearing a group of bandits planning to raid their village for food after the barley harvest. The setting backs up the financial state of the villagers and acts as a structural convention for the other adaptations, due to the villagers stating they have nothing to the elder of the village that they don’t have anything to pay samurai’s with and he responds with “find hungry samurai”, composing the key aspects that the setting is based in low income areas. Current adaptations of the Seven Samurai, include the Magnificent Seven changed the details of the setting but remained otherwise faithful to the original material. The Magnificent Seven was not given a specific time period but is insinuated that it occurs during the end of the Old West in America. Alternations in the setting are shown by the Magnificent Seven taking place in a small Mexican village, where bandits enter the town casually taking the food and goods at their will. Ultimately this downgrade causes a debauch in living standards for the villagers, causing them to speak up, resulting in a farmer being shot after trying to protest and the bandit leader promised to strike again. As a result, this then causes an elder of the village to call upon its citizens so they can
One of the main similarities between the Seven Samurai and Magnificent Seven is the plot. In both movies bandits annually pillage a small village and the farmers are left with barely enough food to survive. In the Magnificent Seven Calvera and his men actually stop in the town and talk to the farmers, however, in Seven
The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.
Films are created for many reasons. Some of these include to entertain, inform, and raise awareness. Whilst the film ‘Kokoda’ is entertaining, it also has some value as a historical source. However, its information is limited and some aspects of the battle are not portrayed. The battle conditions for Australian soldiers in Papua New Guinea is presented in an informative way in the movie yet it does not cover the conditions the Japanese soldiers had to face as well. The portrayal of the conditions for the 39th battalion full of Australians is depicted effectively in the film through scenes that emphasise the struggle and difficulties the soldiers faced due to them. We can see the tough terrain in many scenes in the movie such as when the
“The perfect blossom is a rare thing. You could spend your life looking for one, and it would not be a wasted life” (Zwick). These are the words of Katsumoto, an important samurai warrior. The movie The Last Samurai directed by Edward Zwick is about an American War Captain named Nathan Algren who is hired to train, lead and modernize a group of Japanese soldiers to defeat a rebellion of the country's remaining Samurai in 1876. Algren is captured by the Samurai and soon becomes part of the village he is being held hostage in. There, Algren learns from the Samurai and comes to respect them. He finds that his true warrior is becoming unleashed as he trains to become a Samurai with the very people we once called his
The film “Juvies” really made me think about how the criminal justice system treats young children. Before watching the film, I was under the impression that children were treated fairly and with care when they commit a crime. After all, they are just kids. However, to my surprise, this was not the case. Many children have been cheated by the law because they are put through the adult system and are not given a fair trial. Meanwhile, these children are expected to make the rational decisions that an adult would make. There is biological evidence that kids do not have the ability to control impulsive behavior because their brains are underdeveloped. Thus, I believe this system is extremely unfair because children are not protected in adult prisons, which makes it very difficult for them to succeed once they are released back into the free world.
The films, “The Magnificent Seven”, and, “Seven Samurai”, essentially portray the same events in action, especially in the introductory scene. However, “The Magnificent Seven”, portrays the western version while “Seven Samurai”takes place in an eastern village. The films also choose a different order to show events and to go about each event. They do, however, portray the same basic idea: an innocent village faces bandits who have no intentions besides pillaging and stealing all belongings from the villagers, even if death of villagers must come from their intentions. The scene I have chosen to compare between the two films is the introduction scene. I have chosen to analyze and compare this scene from each film because while they show direct similarities in events as well as camera angles, the films differ in many ways as well.
The last Samurai was a movie directed by Tom Cruise and Edward Zwick, it was filmed in 2003, and was based on the Satsuma Rebellion. The Last Samurai does portray Japanese culture of the Meiji Era correctly in some ways as it was the men who would go off to war, and mainly women who would stay home and farm. But parts were incorrect. The Last Samurai does lack historical accuracy as it shows us Japan with more of an East-West culture. In real life, the man named Nathan Algren was actually a man called Jules Brunet, who was a French man who went to Japan to fight, but was captured. At the time of these events, Japan was still modernising; so these aspects of the film may vary to the truth.
Glory is the story of Robert Gould Shaw and his command over the 54th Massachusetts Infantry, which was one of the first all-black active duty regiments in the Union Army in November of 1862. The movie speaks of Colonel (Col) Shaw’s bravery, his pride, his empathy and love for his Soldiers. Col Shaw himself was from a wealthy Boston family with parents who were influential abolitionists. At 23 years old, Robert Shaw dropped out of Harvard to be commissioned in the Union Army to fight in the Civil War of the States. This movie is based on a true story and the letters that Robert Shaw wrote home and in his personal journal are currently located in the Houghton Library of Harvard University. The movie is based on the factual accounts of these letters. The manner in which Robert Shaw led the 54th Infantry was a direct result of his first experience in combat; it was the Battle of Antietam (Maryland).
The film Warrior was released September 9, 2011 by director, writer and producer Gavin O’Connor. O’Connor takes us through a story of two former MMA fighting brothers dealing with a harsh family past (“Warrior”). Gavin has also directed the 2000 film, Tumbleweeds, and the winner of the Best Sports Movie Award in 2004, Miracle (“Gavin O’Connor”). Tom Hardy (Tommy Conlon) was also featured in a major 2010 film, Inception, and This Means War in 2012. He also played one of the main roles in The Dark Knight Rises as villain Bane (“Tom Hardy”). Joel Edgerton is most recognized for his role as a main character in an Australian Television show, The Secret Life of Us, but is also famous for his role as Uncle Owen in Star
The movie, Glory, tells a story of the 54th regiment of Massachusetts journey in the Civil War. The 54th regiment was the first group of freed African Americans who volunteered to fight in the Union army. The film describes the journey of these brave men as they face prejudice to fight in the Union army and how they sacrificed their lives to fight for the cause of freedom. The film captures the heroic acts of the 54th regiment of black soldiers and their leader Colonel Robert Shaw.
The Magnificent Seven is a movie from 1960 in which a small Mexican farming village that was plagued with a bandit who terrorized a small Mexican farming village every year. After growing tired of this treatment, as the bandit had killed a villager, the village people sent three farmers up into the United States to look for weapons to help defend them against the bandit. They instead come back to the village with seven gunmen, all of who came for different reasons. Together, they create a plan to secure the town against the bandit. This plan ends with a shootout, where many deaths take place. In the end, only three of the seven gunmen have
Twilight Samurai is a movie that revolves around the live of a samurai, years before the Meiji Restoration. The main issues that the movie looked at include stereotype of samurais, genders and social class differences. Unlike many typical samurai-themed movies which involve fighting, woman and pride, the director of Twilight Samurai focused on the everyday life and difficulties faced by the main protagonist, Iguchi Seibei.
When it comes to the film industry, entertainment is the tool used to acquire what is desired, money. The main goal for filmmakers when they create a film is to attain money in addition to the money spent to make the movie. Therefore, in some films that they like to base off of true accounts, it is somewhat necessary to dramatize or embellish the story to really tug at the heartstrings of the films audience. They achieve this goal by the use of dramatic music, ambient lighting, and a small amount of tweaked diction. The Fighter is an excellent example of this dramatization in action because throughout the film the characters are faced with a multitude of decisions that must be made. The choices they make require the characters to choose
Taxis are in a rush. That’s a known fact (that I thought as I did my usual ritual of staring down a cab driver today). It’s also a vital part of the game Crazy Taxi. The arcade-style driving game has you speeding around a time, picking up customers and dropping them off as quick as you can. It’s fun, and an excellent time and/or quarter sink.
The Samurai is very angry at some parts, but in others he softly in love with a fair girl and his attitude is gentle. The girl, Sayoko, is sweet, but small part she plays, for she was only for a little while, but according to the Samurai, she was everything. The Tiger who kills Sayoko is vicious and swift. Once the tiger kills his fiancé , the Samurai is filled with revenge and wants the creature dead. The warrior found tiger, he aimed wrong. Shockingly, the arrow went into a large rock! The villagers were