Seventeen Syllables

After Pearl Harbor, people were making generalizations and stereotyping Japanese Americans. “For it was true, they all looked alike. Black hair. Slanted eyes. High cheekbones. Thick glasses. Thin lips. Bad teeth. Unknowable. Inscrutable (Otsuka 49). People tended to stereotype that Asian people “all look alike” which shows that nobody took the effort to know them personally. The mother is unable to cope with the reality of the present so she retreats into her past memories. Her depression takes over as the camp will slowly chip away at her

An African American single mother raises two daughters that have different meanings of life and heritage. Maggie is the youngest daughter, the girl who is shy who is not attractive and is pleased with her culture and life. Then there is Dee the girl who is attractive, sophisticated and knows what she wants in life and wants to be something more than her family. Even though Dee is sophisticated she does not know the true importance of heritage. This is what starts struggle between mother and Dee, because Dee desires the quilt for decoration which her mother would not give it to her for that reason. The mother believes the quilt is not for ornamenting it is more meaningful and signifies the heritage of her family. Only Maggie can transmit

“The Brown House”, a short story within Yamamoto’s novel, Seventeen Syllables and Other Stories, depicts the three themes that were previously mentioned above. “The Brown House” displays a story about a Japanese American family, the Hattoris, residing in the state of California. The Hattoris underwent financial struggles as their strawberry picking season came to an end. This being stated, in an attempt to make some quick cash, Mr. Hattori becomes desperate and gets involved in the gambling business at the brown house, in a nearby neighborhood.

In the story, she introduces two sisters with almost opposite personalities and different views on heritage: Maggie and Dee. She uses the contrast between the two sisters to show how one should accept and preserve one's heritage. Beyond the contrast between two sisters there exist the judge figure mom, the narrator and the Dee's irony. The irony on Dee's opinion is the key to understand the story and why the mother let Maggie keep the quilts, which symbolize the heritage.

Even more shocking was the fact that she accepted these feelings as perfectly normal. Also distinct about her schooling at Manzanar was the fact that she felt very prepared to enter American schools. This showed how eager Jeannie was to be a part of mainstream American cultures, even though she may not have been welcomed. Jeannie’s experience in American schools was drastically different from her experience at Manzanar. She had problems making friends because the parents of the other children would not allow their children to befriend a Japanese girl. For Jeannie, the first thing an American girl said to her, “Gee, I didn’t know you spoke English” defined people’s attitudes toward her and other Japanese people at that time in history. However, most of the other children slowly accepted her, regardless of her race. On the opposite end of the spectrum, most of the parents and some of the teachers were very unreceptive to Jeannie for the simple fact that she was Japanese. This fact very much disappointed her, and she directly stated that when she said “From that point on, part of me yearned to be invisible. In a way, nothing would have been nicer for no one to see me.” However, she was not excluded from all activities, as she was an active participant in athletics, scholarship, yearbook, newspaper, and student government. Her

Second, there were some cultural differences, Maggie and Mama lived in a house located in a pasture with animals, and you could tell through Mama's description of Dee that she was more modernized probably a city Girl. When Dee/Wangero came to visit she wore a bright dress with loud colors, bangles and gold earrings. Mama said Dee's dress had so many yellows and oranges it was enough to throw back the sun (109). Maggie wore a pink skirt and red blouse that enveloped her body (107). Dee was an educated woman having graduated from High School. Mama on the other hand never made it past the second grade because the school she attended was closed down in 1927. Mama said that, "Colored asked fewer questions than they do now" referring to why the school closed (109). Circumstances such as age, education, and living arrangements dictated their

'Even with all the mental anguish and struggle, an elemental instinct bound us to this soil. Here we were born; here we wanted to live. We had tasted of its freedom and learned of its brave hopes for democracy. It was too late, much too late for us to turn back.' (Sone 124). This statement is key to understanding much of the novel, Nisei Daughter, written by Monica Sone. From one perspective, this novel is an autobiographical account of a Japanese American girl and the ways in which she constructed her own self-identity. On the other hand, the novel depicts the distinct differences and tension that formed between the Issei and Nisei generations. Moreover, it can be seen as an attempt to describe the

Throughout the book, the racial tensions between the people of Japanese descent and the people of Caucasian descent are clearly evident. After World War Two, relations between Americans and Japanese Americans are strained, since the Japanese were placed in internment camps for the war. Ever since then, the people view themselves as two separate groups of people, and not as a whole population. In the trial, one fisherman makes a racist remark at Kabuo. ‘"Suckers all look alike," said Dale. "Never could tell them

Through her adolescence, Jeanne is ashamed of being Japanese. At Jeanne’s award dinner/ ceremony, her father mortify her, by creating a perceptible array between her and the other families.   “He was unforgivably a foreigner then, foreign to them, foreign to me, foreign to everyone, foreign to everyone but Mama, who sat next to him smiling, with pleased modesty.   Twelve years old at the time, I wanted to scream.   I wanted to slide out of sign under the table and dissolve.” (168) Jeanne wants to be out of sight because she is so humiliated by Papa’s traditional Japanese bow.

The differences in Ichiro’s family contributed to his self-hatred and seemingly lost identity. To him, he was the “emptiness between the one and the other and could see flashes of the truth that was true for his parents and the truth that was true for his brother” (Okada, 19). He did not want to be Japanese because he did not know the language and was consumed with anger and hatred towards his parents because even they weren’t any less Japanese even after living in America for thirty-five years, thus utterly rejecting America (Okada, 19). In addition, his mother’s defiance of the reality of Japan’s loss in the war and their inability to go back to Japan as she hoped for, as well as his father’s lack of control and courage only increases his desire to not be Japanese. However, Ichiro’s

The Japanese and their rabid ethnocentrism have their effect on the narrator’s family. The family is generally happy and well structured. The narrator lives with his mother, father, little sister and grandfather. As mentioned before, the narrator’s family pressures him to be better than the Japanese students. Upon returning home after being beaten, the men of the house invite him to eat with them and drink wine. This is a strong scene that is filled with the proudness of a parent for their son. Simply standing up to a

"Yamamoto does reveal through her fiction the sorry plight of many female immigrants caught in unhappy marriages. What made the lives of these Issei women especially bleak was that unlike Black women, for example, who in similar situations often turned to one another for support, rural Issei women were not only separated by the Pacific from their mothers and grandmothers, but often cut off from one another as well. Having to take care of children and to work alongside their husbands on isolated farms, they had little time and opportunity to cultivate friendships with other women. The only members of the same sex to whom they could embosom their thoughts were their own daughters, who all too often had

In the 1940’s and the 1950’s, America was going through a world war and several difficulties that included problems in civil and woman rights on the home-front. In two different nonfiction memoirs by female authors, we see different yet similarities in the novels. Nisei Daughter by Monica Sone is a memoir by a Japanese-American woman, in which she describes her childhood, adolescence, and young womanhood while growing up in a Japanese immigrant family in Seattle, Washington in the 1930 's. In the second narrative, Coming of Age in Mississippi by Anne Moody is a memoir by an African-American woman whom writes about her childhood, adolescence, and young adulthood life and growing up in her home state during the Civil Rights Movement in the 1950’s. Moody and Sone had childhoods that lacked positive influences in certain areas and tell their stories to help others in understanding the issues that surrounded them as being minority women in a society that don’t accept them.

Not only do these poems share differences through the speakers childhood, but also through the tones of the works.

As they tried to get adjusted in New York City it was very hard for them to do since their families wanted them to maintain their cultural roots but yet the girls wanted to be like everyone else was so that they could feel comfortable. Trying to adjust to their new way of life is very difficult especially in a city like New York where if you're not high-class you struggle along in often dangerous community which is something their mother doesn't want them to become exposed to. As they search for their cultural identity this also interferes with their personal identity.