The show, “Sex Signals”, was a beautiful performance entertaining and educating college students about the importance of about consensual sexual relations. I thought the play was hilarious, especially when they allowed the audience to participate in some of the skits and parts of the play. I also felt that the play did an intelligent job of answering all questions that were asked from the audience, and informing them about the importance and safety of consensual sex. The play really improved my views on consensual sex, and revitalized my thoughts on rape and rape culture. The actors played many skits, one was a scene where they were in a bar and the male actor asked the audience for advice on a pickup line. The chosen line was “What dat
I felt like this was a good break from the sadness taken on by the audience from the depth of the sister. The play then goes on to show us that this guy is the leader of a game called Dungeons and Dragons played by the dead sister. To try and understand more about her sister the cheerleader plays the game. At first she thinks it is dumb, but then the audience is shown a first person view of the game through the eyes of the cheerleader as she lives through her character. The audience is then introduced to the friends of the dead sister, but not as real people. Rather, they are introduced through the characters in the game. As the story progresses we find out that the game is based on the geek's diary. This turns out to be important because it reveals important information to the cheerleader about her sister. One of these important details is the fact that her sister might have actually been homosexual. Information like this really gets the audience thinking about how time has changed
The theatrical work being discussed in this critique is the 2016 revival of the broadway musical She Loves Me. This production was directed by Scott Ellis and produced by the Roundabout Theatre Company. The first revival performance of She Loves Me took the stage on February 19th, 2016 with the final performance being on July 10th, 2016. This romantic comedy is describing the story of two pen pals who fall in love through countless letters , addressing each other as “ Dear Friend “. Set in 1930s Hungary , mainly taking place in and outside of Mr.Maraczek’s Parfumerie . Amalia Balash and Georg Nowack, work in the shop together, strongly disliking each other, but coincidentally are the two letter correspondents. When the “Dear Friends” are finally supposed to meet at the Cafe Impériale, Georg realising that his pen-pal is
This play allowed people to visually see the real-life effects of what it would be like to be sexually assaulted. The effects of what happens to the surrounding people within the community is also shown in the play. The play allows people to further understand the universal message of taking the proper steps to prevent sexual assaults from occurring. If proper preventative steps would have been taken, then Chloe would not be living as a sexual assault victim whose sexual assault was filmed and posted on social media for everyone to see. The play allowed people to see the horrible effects of phones and social media by showing how those two things ruined multiple peoples life. The play was worth doing, because if showed the effects of social media and the effects of sexual
On October 10, 2017 I saw “Guys and Dolls”, at The Milwaukee Repertory Theater, and it was astonishing.
Many, if not all, plays are written to evoke thoughts from people in the audience. Through their scripts, authors deliver messages about their opinions on various issues ranging from gender roles to class ranks. These messages are developed to provoke thoughts and questions from people who experience performances. In the play Rome Sweet Rome, the Q Brothers Collective use both new and old theatrical techniques to make parallels between the Roman and United States governments by addressing issues involving women’s roles in society, class rank, and homosexuality. The play uses methods both similar and different to other classic plays to deliver a message that is relatable to issues in today’s world. This message is enhanced through the use of acting styles, set design, costumes, music, and lighting.
However, the awareness of this issue can benefit the audience. The audience for this play is most likely high school students, college students and parents as well. In this modern day use of social media with the youth of this society, it is more than likely this is the perfect audience for this play. First, the audience is able to recognize that misconception about various groups in the society and in schools. High school and college students of today face a wide variety of critics and ordeals on school campuses. This play depicts the same issues that occurs in these institutions and enables the audiences to be aware of this issue of sexual assault. This play raises so many vital and sensitive questions in regards to the issue of sexual assault which makes the audiences ponder about these
Overall it held my attention. The comedy injected into this play allowed for the more poignant messages to be driven home. I could relate to the respective arguments of the two men. It makes you
The film does a brilliant job of showing and focusing on the personal stories of several survivors (including a few men). Additionally, it shows how sexual assault is an epidemic, by inserting Department of Defense’s own statistical findings and interviews with experts, criminal investigators and psychologists. It builds up to the
Carthage College’s production of Urinetown offers an engrossing visual and aural experience that seamlessly combines spoken dialogue and musical performance to create a unique theatrical event. Playwrights Mark Hollman and Greg Kotis infuse their provocative subject matter with colorful satire and acerbic wit. By simultaneously exposing theatrical conventions and providing commentary on governmental and societal ills, Urinetown compels viewers to reflect on themes of oppression, deception, and rebellion. Although the show suffers from moments of distracting lighting cues and occasional errors in line delivery, a first-rate script and inspired costume design contribute to its ultimate excellence. By closely analyzing these successes and failures, one can better understand the exceptional amount of collaboration, preparation, and creativity required to produce a quality piece of
What’s great about this play is gives us insight into the past and focuses on an average family and provides lots of material to do a feminist analysis of.
In order to witness enough couples interacting sexually two different bars were observed. One was a karaoke bar with pool tables. The other was a club like bar that had little to no seating inside, but many picnic tables outside. The most common behavior made by people who seemed attracted to each other was physical touching. This behavior was shown in a couple ways. The male or female partner would touch the females arm, shoulder, and thigh. While in a dancing environment the couples displayed sexual dancing acts, such as grinding while dancing or kissing. Throughout the night, as people grew more intoxicated, the sexual behaviors expressed were more publicly sexual and aggressive at times.
While the GDS theater program is renowned for taking some great risks in the past by performing controversial pieces that were enjoyed by many, it should not perform Suzan-Lori Parks’ play, Fucking A, for three main reasons. The first issue you would face when putting on Fucking A has to do with the explicit language in the actual title of the play. The second is the toll it would take on some of the students who act in it. And the final problem is censoring all of the horribly vulgar acts that take place in the play.
In December, I watched the televised play of The Wiz, that aired on NBC. While I have mixed emotions about this play, itself, I have a better appreciation and understanding about how a play should be presented now that I have researched the history of american musical theatre, and that is unity of the story being told, thru song, dance, and performance.
The method in which Get Sexy. Get Consent displayed theatricalism was quite unique and definitely contributed to its success. The program made it clear that we were witnessing theatre and that the actors were separate people from the characters that they were portraying. The audience was given the opportunity to name the characters. This really emphasized the separation of the actors from their characters.
In John Patrick Shanley’s play, “Doubt: A Parable”, and Paula Vogel’s play, “How I Learned to Drive”, both have strong themes of sexuality in the forms of sexual predation and pedophilia. Although these two stories are considerably different, the message is the same. “Doubt” is a play that concerns a mystery over whether or not a boy (Donald) has been raped by a priest, and “How I learned to Drive” is a play about a woman (Li’l Bit) who reminisces about the sexual molestation and the emotional manipulation she had to endure at the hands of her uncle. Although these plays both have main theme of sexuality, they each have vastly different settings, desires, and outcomes. In this essay, I will compare and contrast the theme of sexuality in both of these plays.