Sexism And The White Male Gaze Analysis

Although the text, Women: Images and Realities a Multicultural Anthology, has done a wonderful job of showcasing the diversity of women’s experiences, I find Beverly Daniel Tatum’s work “Defining Racism: “Can We Talk?”” to be the most striking. In the essay, Tatum describes how she (and many other feminists) define racism and who can and cannot be racist. Tatum argues that there are important distinctions between prejudice and racism, wherein racism is defined as a ‘system of advantage based on race” or more precisely “prejudice plus power” (388). Through multiple examples Tatum illustrates that if one accepts and uses her definition of racism then only White people (the group of people who ‘dominate’ society) are racist because “people of

One common theme throughout the reading is that “…systemic racist attitudes and negative depictions of people of colour by whites persist” (Feagin & Elias, 2013, p. 937). The historical trajectory of research methods are deeply rooted with systemic forms of racism, which is reflected in literature that was published centuries ago and can still be found in current literature today. Some of the articles that were assigned reference opinions and other forms of literature that state that white Americans believe that race and racism are a thing of the past, while others continue

Wise’s examination of the inconspicuous character of racism 2.0 dovetails fittingly with our course’s recurring theme of institutionalized racism. In class lectures we have defined institutionalized racism as the discriminatory practices that have become regularized and routinized by state agencies, organizations, industries, or anywhere else in society. Although such practices might not be intentionally racist, they end up being racist nevertheless as consequence of the systematized and unspoken biases that have become increasingly convoluted and entrenched within society over time. It also doesn’t help white people to recognize these discriminatory practices considering they have been unconsciously tailored to be consistent with white perspective and mentality. In her article, White Privilege: Unpacking the Invisible Knapsack, Peggy McIntosh examines not only how white folks often consider themselves to be a normative figure within society, but also how they are carefully taught not to recognize the advantages they gain from the disadvantages that impair people of color. In the article, McIntosh acknowledges the reality of her own white privilege and expresses, “In my class and place, I did not see myself as a racist because I was taught to recognize racism only in individual acts of meanness by members of my group, never in invisible systems conferring unsought racial dominance on my group from birth” (McIntosh 4). In fact, even if white folks do not believe themselves to

Sitting on a bench in front of a popular franchise, the woman in the cartoon can’t help but feel discouragement and disbelief. In today's reality the difference between what's sexy and what's not, not only gives the mother a feeling of not being good enough but also effects how the mother chooses to feed her child. The use of pathos, ethos, and logos as well as the vivid imagery used a double standard today to determine that exposing breasts are okay if it is in a sexual way.

Smith created space for the exploration of gender in his book “The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy,” the author failed to follow through and discuss gender’s role in relationship to minstrelsy. This book centers around the works of painter William Sidney Mount and how they serve a way to analyze the world that birthed Blackface minstrelsy. In the section “Class, Race, and Gender: Visual Constructions” in Chapter 1 “Recovering the Creole Synthesis - The Roots of Blackface Minstrelsy”, Smith argues that Mount’s artwork is revealing about musical culture’s attitudes of musical culture about class, race, and gender (Smith 19). However, regardless of the section header noting gender, gender is omitted in the only designated space about gender in the entire book. Embarrassing for Smith, this serves as a powerful example of how gender and sexality serve as afterthoughts in typical male authored discourse about

An ideology or a belief system toward a group of people usually originates from economic need for labor and the distribution of resources. Who will provide the labor with little reward and who will benefit from that labor with little manual labor characterizes many cultural dynamics and institutions. Racism, especially in the U.S., isn’t exempt from this construction, for races is a social construction emerging from power fluctuations that results in an unequal resource distribution. Racial ideology provides reason for the race illusion and in turn strengthens it enough for it to become subtle and seemingly fundamental to American policy, both public and private. The three-part film RACE: The Power of an Illusion, an anthropology textbook Cultural Anthropology: A Toolkit for a Global Age written by Kenneth Guest, Leith Mullings’ article Trayvon Martin, Race, and Anthropology, and Elson Boles’ entry Ruth Benedict’s Japan: the Benedictions of Imperialism all give voice historically and scientifically to explain, not justify, and hopefully inspire the public to work to erase racial prejudice. All of these works expose contemporary American society’s discrimination to combat the “color-blind” ideology that

When one hears the terms “violence” and “horror,” one typically imagines horrible crimes and serial killers; rarely would one think of everyday suburban life. However, this is the exact landscape of violence depicted in Charles Burns’ Black Hole. In Black Hole Burns draws attention to the implicit assumptions about “normal” and “other” made in everyday life by exposing the objectification of women and through the male gaze. The male gaze is a phrase used in film and gender studies to describe the lens through which audiences view popular culture from a heterosexual male perspective. According to Laura Mulvey, the film theorist who coined the term, the male gaze is so ubiquitous that it often goes unrecognized and is considered the norm.

Contrary to popular belief, racism and sexism are not mutually exclusive. More often than not, one can find racial discrimination closely connected to gender discrimination and vice versa. Kelly Brown Douglas, author of Sexuality and the Black Church: A Womanist Perspective, makes this connection evident in her chapter “Stereotypes, False Images, Terrorism: The White Assault upon Black Sexuality”. She discusses elements of gender and sexual stereotypes involved in racism and how they are still a detriment to black women and men today.

Racism has been a constant dilemma in our nation for centuries. No matter how hard someone attempts to ignore that it exists, racism is still prominent in today’s day and age. Although race has been discredited by many, it is still conspicuous in our country. We may not own slaves or have segregated bathrooms anymore, but racism continues to exist.

The development of visual media has introduced the concept of The Male Gaze Theory. The Male Gaze Theory is defined as how women are depicted in the media from a male perspective, such as presenting women as sexual objects for men’s pleasure (Loreck). The article, inexplicitly, talks about the male gaze: “Up to 81% of music videos contain sexual imagery, the majority of which sexually objectifies women by presenting them in revealing clothing, as decorative sexual objects, dancing sexually, or in ways that emphasize body parts or sexual readiness.” The article talks about how women are sexually presented in the media which is what the male gaze encompasses the “male gaze” is a harmful contribution to the sexualization of girls and is also seen throughout the music video. The beginning of the music video shows 50 Cent walking into a brothel-type mansion where the camera pans to focusing on the writhing, half-naked women in the foyer of the mansion. This scene is viewed from a male’s perspective because the camera focuses on their sensual movements and physical assets instead of their normal facial expressions or more appropriate places on their body. Also, since 50 Cent is the only male in the mansion, the camera is only coming from a male perspective because brothels are only truly for a male’s pleasure. The other women in the video are objectified from their revealing clothing

In John Berger’s chapter, from his book Ways of Seeing, he addresses the objectification of women from the beginning tales of Adam and Eve, all the way through business men of the 20th century, and how this objectification has been explicitly carried through European oil painting. W.E.B. Du Bois, co-founder of the NAACP, talks about a social injustice as well, racism towards African-Americans, in his essay “Of Our Spiritual Strivings”. Berger uses his knowledge of both art history and objectification to create arguments through examples. In contrast, Du Bois not only refers to past examples of how racism has slowed the process of African-Americans truly becoming Americans, but also situations in his own life that have made him, and all African-Americans feel like a lesser race.

In the mini-series of three twenty-three to twenty-six minute episodes, Anita Sarkeesian explains in full, attentive detailing, the tropes embedded in video games since the very beginning of the Video Game era. The mini-series uses a systemic, big picture outlook to ultimately examine the plots and designs in video games to explain why women have always been objectified in video games. The most well-known way the female character is objectified is through a video game is by placing her in a Damsel in Distress position, woman in the refrigerator position, or any other position that creates a trope. In the mini-series description, Sarkeesian also states that even though critical analysis of the video games will be done, it is certainly probable

For many centuries racism has being an ongoing problem and occurrence in many societies, especially in America. Many different measures have been taken to try and diminish the racism that clearly infests this beloved country, but none have ever truly worked. Although these measures have never effectively worked to erase racism out of our society as a whole, some have opened people's’ eyes in creative ways to understand that it is no joke. One measure that has somewhat worked is through media and the arts such as cinema, literature, and paintings. An example of cinema is Jordan Peele’s movie, “Get Out” that portrays racism through a sense of horror that captivates a viewer's mind to see and understand the underlying theme of it all. “Get Out” is about a young African-American man named Chris who falls for a young Caucasian woman named Rose. Together they are going up to meet Rose’s family who put on an act to make it seem like they are somewhat normal, but in reality lure young African-Americans into their home every year to auction them off to a group of older white people so they can use their bodies for pseudo-immortality. Peele’s horrific movie “Get Out” opens a viewer's eyes and mind to the different concepts of racism and how brutal and unjust it is to people of color.

Throughout the world women are depicted to be oversexualized among forms of media such as video games and comic books. The idea of oversexualization towards female characters is that they have been often drawn and animated in hypersexual ways. Even going as far as viewing them as a sex object, their revealing body images are eye candy through the eyes of men. Hence women found in comic books and video games are frequently emphasized by their excessive physical appearances, objectification, portrayal, and character role.

The portrayal of men and women in video games, as in other media, is a subject of research in gender studies. This topics is discuss in terms of sexism in video gaming. Especially, women are underrepresented or use as objectification in mainstream games. Women in video games are generally, as a rule of thumb, killed, raped, abused or rescued by the male heroes. This is extremely sad to see because the role of women in society is changing compare to ten years ago. Women has been proven themselves to be stronger and tough in different fields such as sports, politics, education but the representation hasn’t change.