Sexism In Sula

In Toni Morrison’s Sula, gender heteronormative relationships are demonstrated in a very punishable manner. The two main characters Sula Peace, and Nel Right share a very strong, well connected friendship. The two of them are a mirror reflection of each other, with the same desires. Heteronormative institutions in the book do not seem to be stable for the most part. Hannah Peace, the single mother Sula, lives a disordered life in her household while Helene Wright belongs to a conservative and peaceful life, but her husband is never around. With the two daughters of both families being part of each other’s lives, they create a friendship that shows the privilege for female-female bonds over male-male bonds.

In the middle of the trip to Aunt Ida's, Rayona wonders what will happen to her. Standing on a hill overlooking Ida's house, Christine runs and leaves Rayona. In a short lapse of time, Rayona has lost her mother and gained an unwilling caretaker. The treatment from both women causes Rayona to question her own value as a person; she finds herself of little worth. As life on the reservation slowly progresses, Father Tom befriends Rayona. While the priest's intentions are innocent, he ends up causing Rayona to feel more poorly about herself. So Rayona runs, she tries to escape from her difficulties at the reservation. At the lake, she decides to begin a new life. Several things happen to Rayona at the camp. The ways her co-workers behave toward her depress her further, and then the letter she finds causes her to want what is perceived as a normal life. Though also at the lake, begins a turning point for Ray

Nel said, "You can’t do it all. You’re a woman and a colored woman at that. You can’t act like a man. You can’t be walking around all independent-like, doing whatever you like, taking what you want, leaving what you don’t." (142). This imitation of being a man is what Sula did. This is because she wanted to live her life free. Free from the norms of a patriarchal society who sees a woman primarily by the relationship women have with men. Sula’s story shows that when a woman doesn’t have a relationship with a man or doesn't uplift socially accepted responsibilities, she is seen as evil. In the end Sula died doing what she wanted, and staying true to her beliefs. Sulas life experiences shaped her into the women she was and she wasn't ashamed of it. All throughout the novel she did not let the words of others and their perceived societal norms to influence her into

Nel and Sula’s relationship is a complex one, which allows for the novel to become incredibly in depth and driven by interesting characters. Sula’s relationships with her mother and grandmother are opposite of Nel’s relationship with her mother. This is, perhaps, why their personalities differ so much once they reach adulthood. Both become their mothers.

Sula dislikes her disheveled house, and wishes that she could live in a household as clean as that of Nel. Sula?s positive view of Nel?s home challenges Nel to see it in a new light, teaching her to appreciate. This concept stays current throughout the early years of their relationship, each opening the other?s eyes to new idea and ways of living and as they do their friendship grows stronger. The two become practically inseparable, living completely symbiotically and depending on each other for everything. However, this relationship is destined to change.

Although Frome can be held responsible for his moral inactivity, he can be considered a morally inadequate man in his present state. His inadequacy, however, was not a constant in life or a sudden occurrence-- it snowballed from his youth and finally solidified through the ‘smash-up’. His earlier experiences in a university and the joy it brought him was quickly interrupted after a year by his sickly parents. The unfortunate circumstance forces Ethan Frome to move back to the depressing Starkfield he had just escaped. His parents’ illnesses bring along Zenobia, who would be another future, unseen oppression along with Starkfield. For years, Ethan lives in depressing conditions that decline as time goes on. The chance to finally leave them behind, however, comes in Mattie, Zenobia’s cousin and maid. Ethan’s inability to act on this chance of escape finally seals his fate when Mattie is paralyzed and he is critically injured. Although jinxed with unfortunate circumstances, Ethan Frome’s life could have been bettered if one small step or action was taken by him for himself with the intention to create personal joy or pleasure.

Being oppressed by her mother, Nel has an attraction to Sula’s carefree environment, which, unlike her own lacks any oppression. Likewise, Sula has an attraction to Nel’s peaceful and orderly environment. They both desire something that the other has, and that’s where such a strong attraction comes from. Together, they are perfect. Nel finds in Sula the youthfulness and the fun she’s missing, and Sula finds order and stability in Nel.

Toni Morrison’s novel Sula, examines a wide range of topics, delving particularly into morality, the black female experience, and friendship. The narrative follows childhood best friends, Nel and Sula, as they navigate life in the Bottom, a black community in Ohio. Although inseparable as children, even undivided after accidentally killing a two-year-old boy, they follow divergent paths as adults. Nel leads a life of conformity; Sula does the opposite. An enigma to all, society tries to make sense of Sula through her birthmark. It is a blank slate onto which people project whichever meaning most suits them. The different ways characters perceive Sula’s birthmark reveals more about the interpreter

Despite being presented as opposites of good and evil, Nel and Sula are actually quite similar, as both Nel and Sula posses the traits that defined the other, effectively blurring the lines between good and evil. As young girls, Nel pushed herself to become friends with Sula in the first place as “Nel, who regarded the oppressive neatness of her home with dread, felt comfortable in t with Sula, who loved it and would sit on the red-velvet sofa for ten to twenty minutes at a time… As for Nel, she preferred Sula’s wooly house”(29). As a child, Nel yearned to be free and independent, and to be her own individual self separate from who her mother expects her to be. Sula however already lives this life of living in a non-traditional home and

The climax of the story is when Nel finally confronts Sula. Each girl carried demons, guilt, and frustration over their lives and their choices. Nel finally vents her anger and pain and asks for an explanation from Sula. Nel's " thighs were truly empty and dead too, and it was Sula who had taken the life from them" (Morrison pg. 110-111). After leaving Eva at the home, Nel is so upset that she heads to Sula's grave. She sadly thinks about how none of the townspeople mourned her death. Nel calls out for Sula and it is then she finally forgives her for cheating with Jude. She starts crying, for the first time in years. Nel finally finds peace by grieving for Sula. When reading that part I think it was then that she realized it was Sula who she was missing & not Jude. When reading the story I couldn’t help but feel mixed emotions for Sula. It was a combination of sadness for all

Being oppressed by her mother, Nel has an attraction to Sula's carefree environment which, unlike her own, lacks any oppression. Likewise, Sula has an attraction to Nel's peaceful and orderly environment. They both desire something that the other does not have, and that's where such a strong attraction comes from. Together, they are perfect- Nel finds in Sula the youthfulness and the fun she's missing, and Sula finds order and stability in Nel.

Because of the sexual confidence Hannah Peace has, Sula must disguise her difference, just like her grandmother Eva had too. Eva’s drastic measures were repeated by Sula an act of survival and denial of powerlessness and vulnerability. Nel and Sula are regularly picked on by the same group of boys, causing Sula to take matter into her own hands. At one point, Sula takes out a knife and cuts off part of her finger saying, “ ‘If I can do that to myself, what you suppose I’ll do to you?’ ” (54-55). This severe act if Sula’s moment of self-recognition of her connection to her grandmother Eva. Here, Sula realizes that she has to fight against her own vulnerability, and establish her identity, hereby following her grandmother Eva’s example. Though this moment shows Sula’s inner strength, it can never disguise her enough of being different from the rest of her community. Just as Eva and Hannah, Sula continues the unpreventable, mature line of breaking past the typical gender roles of the time. Eva’s overly independent attitude and removal from caring and mothering a daughter correctly, leaves her daughters with unlearned, societal caretaking skills. This results in Sula’s highly inappropriate and unnecessary act of clumsy caretaking within her relationship with Nel. Yet, it is understandable because Sula has never been taught normal and conventional means for problem solving. The denial of motherly love from

While society's view of evil is really based on the disapproval of anything that would break down way society works, Sula's view of evil is based on a different goal and she acts according to a different set of standards. In other words, "Sula was distinctly different" (118). Sula "had been looking all along for a friend" (122) and that is the goal she is really trying to reach. In sleeping with many men, she is sort of looking for a release for her "misery and...deep sorrow" (122). She is trying to find a friend who she can

Nel follows all the stereotypes of what a woman should be. She is a simple God-fearing, church going women who marries young and is very domesticated, tending to the house and her children. Nel chooses to settle into the conventional female role of wife and mother while all throughout her life she has been careful to stick close to the "right" side of conformity. She was raised in a stable, rigid home by a family that has always been careful to keep up a socially respectable persona and an immaculately clean house. Sula on the other hand is the complete opposite. Sula gives social reforms no mind and is in a sense a wild woman that can not be tamed. She defies social conventions by never marrying, leaving her hometown to get an education and having multiple affairs with different men. The home she grew up in was in a constant state of disarray supplied by a steady stream of borders, three informally adopted boys all of whom were renamed Dewey and a line of men waiting for her openly promiscuous mother.

In the novel Sula, by Toni Morrison we follow the life of Sula Peace through out her childhood in the twenties until her death in 1941. The novel surrounds the black community in Medallion, specifically "the bottom". By reading the story of Sula’s life, and the life of the community in the bottom, Morrison shows us the important ways in which families and communities can shape a child’s identity. Sula not only portrays the way children are shaped, but also the way that a community receives an adult who challenges the very environment that molded them. Sula’s actions and much of her personality is a direct result of her childhood in the bottom. Sula’s identity contains many elements of a strong, independent feminist