Sexual Objectification And Sexual Empowerment

Her clothes accentuate her cleavage or have a sexual shock factor, such as wearing “sequined pasties…[that] coordinate with the rest of her attire”. The vulgar, sexual nature of her raps makes it impossible for her to not receive attention from the media. Another artist, Eve, dresses sexually to accentuate her body and appears in videos with music video models but raps about social issues like domestic violence. By comparing the nature of these artists and their music, Perry tries to show that young girls have very few role models in hip hop that promote positive feminists values and body images. But, she neglects to discuss other feminist artists she mentions in the essay such as Destiny’s Child and Mary J. Blige and how their lyrics and actions in the media allow young black girls to have positive role models that show a woman can be independent, strong, and beautiful in their own way. Perry’s focus on the more sexualized female artists in hip hop and how their shocking appearance and lyrics allow them to be as successful as their male counterparts took away from the development of her argument about conservative artists and their success. By leading the reader to believe that artists are either overly-sexual or conservative, Perry limits how the reader forms an opinion on why or why not young girls’ body image may be threatened by the media and the hip hop

Charlotte Church speaks out about this issue saying “The culture of demeaning women in pop music is so ingrained as to become routine, from the way we are dealt with by management and labels, to the way we are presented the public” (Chase par. 9). This leads to questions, for example, must women be sexualized to gain greater earnings? Does sex truly sell? When we examine artists such as Julia Hotter, HAIM, or Polica, we perceive them as strong artists who are unrestricted in their art by their gender or sexuality. However, when comparing their success, sexualized women have dominated the music industry. Chase explains that women are allowed to fill three main roles in modern pop music: One of the Girls’ Girls, the Victim/ Torch Singer, and Unattainable Sexbot. Artists such as Beyoncé would be considered “One of the Girls’ Girls” who are for women power and are considered empowering. Adele is considered a “Victim/Torch Singer” even though she does not use sexuality to sell records, lyrically, she perceives the wronged women and creates a state of despair. An “Unattainable Sexbot” would be, without a doubt, Miley Cyrus, whose main goal is to be the most successful in the music industry by being hyper-sexualized and unrealistic. If an artist does not fit into one of these categories, they generally have a much harder time being one of the most successful in the music

Feminists that approach analyzing popular culture proceed from a variety of theoretical positions that carry with them a deeper social analysis and political agenda. Popular culture has been a critical part of feminist analysis. “Cultural politics are crucially important to feminism because they involve struggles over meaning” (Storey, Intro 136). Analyzing a piece of pop culture through a feminist viewpoint, whether it be a music video or any sort of media, opens up a broader discussion about the structure of our patriarchal society and the ways in which politics are constantly portrayed and

This study works to examine the use of sexual objectification of women in music videos today. The primary purpose was to examine the differences between genres, specifically hip-hop and country. I tested the following; Women are more likely to be sexualized in hip-hop music videos than in country music videos.

In Lady Gaga’s song “Born This Way”, the social issue presented is acceptance. This has been a controversial issue for many years because it is an old topic that is barely starting to be accepted by the public. Gaga chose to use music as the media in which to express the social issue that is accepting others for who they are. Gaga has been judged by the public for many years because of her unique sense of style and music, therefore she was perfect for this song. Lady Gaga uses her voice to gain awareness for this social issue because she believed that everyone should be treated equally no matter what the circumstances are. Lady Gaga’s track “Born This Way”, uses repetition to convey a powerful anti-prejudice, pro-LGBT, and pro-self-acceptance message in hopes of gaining awareness and

In her article “The Venus Hip Hop and the Pink Ghetto: Negotiating Spaces for Women,” Imani Perry argues that the objectification of women in the music industry is normalized in our society. Her purpose is to persuade us that most feminists who fight against the objectification and exploitation of women are ultimately colonized by the sexual fantasies of men. As a law professor at Rutgers Law School, Perry structures her text in a very effective manner. Using a general-to-specific organization scheme, she begins by outlining the recurring image of sexualized women in music videos, then presenting various cases of prominent feminist figures in the music industry.

A livable world is defined from the society you participate in everyday life. We as people make laws and regulations for situations that may or may not happen. This is because humans are imperfect and full of flaws. Laws and regulations are the guidelines for properly living in a society that dictates to the mass instead of hearing individual concern. Then again what is it meant to be “imperfect”? Who designates the description behind being perfect? This is what I believe is “the norm” or normal way of life of a society.

This proves that half the demographics do not see the importance of sexual attraction or making themselves centre of attention while with the opposite sex. The girls that I surveyed were older teenagers between the ages of seventeen and eighteen, and these people were all for Lily Allen’s campaign for slamming the sexualised music videos. This shows that the older girls realise, the ideology of being ‘perfect’ does not exist, and these women shown in these videos are not ‘realistic”.

Taylor Swift, a pop icon and polarizing figure, is often known for her empowering music, feminist attitude, and meaningful lyrics. Many of her fans praise the feminist messages some of her songs deliver, however others say she comes from a position of privilege and only advocates for white women. Still, a common perception of Swift is that she has evolved from an innocent country singer into a more controversial and sometimes provocative pop singer. What is ignored though, is that despite this perception, themes depicted in “old” Taylor’s music still displayed highly problematic concepts about gender, just in less obvious ways. Particularly in her music video for “You Belong With Me,” the audience if presented with a fulfilling love story involving a nerdy girl getting the popular. On its surface, this concept may seem normal, but the narrative of this video unintentionally conveys significant gender issues in today’s society. Thus, through her 2008 music video for “You Belong With Me,” Taylor Swift ironically presents herself as the ideal nerdy girl next door who gets the guy when she suddenly turns beautiful while demonizing a cheerleader, revealing problematic notions of how women are supposed to look and behave in society, as well as reinforcing negative female stereotypes.

This song displays the traditional messages sent by male artists. What about female artists? What do their songs portray? Andsager and Roe’s findings give a good description. According to them, there are two kinds of female artists. The strong, more established female artists portray women as “fully equal.” These women are in their thirties at least, they are more established, and they dress in casual suits. They sang romance, female emancipation, and heartbreak like the rest, but they did not compromise their image in their videos. They use Trisha Yearwood as an example in her song Everybody Knows. The other type, were women who “fell into the lowest level on the consciousness scale.” They used Deana Carter’s song We Danced Anyway as an example. In this song she rolled on the beach in a wet t-shirt. Another one is Faith Hill’s song Breathe. In this song, Hill is seen rolling around in her bed sheets with no clothes on.

Everywhere you turn, there are magazine covers, movies, reality TV shows that portray woman in a sexual light. When was the last time that we as a society sat down and realized the effect that this is having on young girls, teens and even grown women. The portrayal of women as sexual objects in these and many other types of media have greatly affected the mindset of society. What affects has this had you ask? There are there main effects that we will explore. First, is the effect it has on their self-image. Second, is the effect on how they portray themselves in their relationships. Third is the effect it has on their mental state.

I agree, sexualized relationships may be one of the top offense between the client and the professional. I say this because it happen in society today, schools, hospitals, or other medical facilities.

Lady Gaga is a popstar widely known for her jarring outfits, performances and music videos, which are often violent and hypersexual. She is both vilified and praised by popular media, earning the titles artist, blasphemer, inspiration, harlot, and imposter. In her most recent solo album, entitled ARTPOP, she uses symbolism to make a statement about sexual assault, the fluidity of sexuality, addiction, and the significance of fashion to self expression. The entire album, like all of her others, has a religious theme; this album has an ancient Greek motif. The extended music video for her song “G.U.Y.” challenges traditional gender roles, highlights the rise of music and pop culture as art, and how it can impact people’s lives much like religion

Hip-hop sensation Nicki Minaj and Lady Gaga are two exemplary American artists that appear to be making potentially feminist statements about female independency, beauty norms and female sexuality. Lady Gaga is a pop star but she also calls herself as a performance artist. She emphasizes and cherishes the visual images and costumes on stage. This essay’s focus on Nicki Minaj and Lady Gaga’s characteristic that they both are feminist pop star. They look at things from the perspective of progressive women and express in their own ways. Their colours aren’t one off its commonly seen in their oeuvres. In particular this essay will look at the relationship between their music videos, interviews and lyrics and feminism.

From pop star sensation to fashion icon, Lady Gaga has influenced pop culture in many ways. After her 2008 hit single “Just Dance” the singer quickly gained fame for her unique techno pop music. From there on she has acquired a huge following and quickly took over the world of pop music. The singer then used the newly popular twitter website to tweet to her fans. She encouraged them to love themselves, spread positivity to one another, and most importantly funded her Born This Way Foundation in hopes of helping bullied victims. Not only did she use her music and social media account to influence her fans, she also made a broad fashion statement to motivate her fans to be weird, different, and unique. Many people still remember her famous meat dress she walked the red carpet in, while others reminisce on all the outrageous outfits she’s worn over the years. Over the last nine years, this pop star diva continues to top the charts with her music, spreading kindness, and walking the streets wearing memorable outfits.