Essay about Sexual and Class Exploitation In “The Wife’s Resentment”

The Portrayal of the Plight of Women by the Author, In Their Particular Period of Time

In “I Want a Wife” by Judy Brady, the author argues that the roles of a wife are unfair and more demanding than a husband's, thereby they are treated as lesser than a man. Brady supports her claim by first, introducing herself as a wife, showing her empirical knowledge; secondly, cataloging the unreasonable expectations of a wife; finally ending the essay with an emotional and thought-provoking statement, “My God, who wouldn’t want a wife?” Brady’s purpose is to expose the inequality between the roles of a husband and of a wife in order to show that women do not belong to men and to persuade women to take action and stand up for themselves. Based on when this essay was written and since it is about the impossible expectations of a wife, Brady was writing to feminists in the 1960s in order to rally them to create a change in the way people thought.

Women in history stood best known for a less ascendant sex in the mid-nineteen centuries. Since times have gone by women had fought for their equal rights and freedom. There had been many stereotypes, where the women were considered as a slave to the men’s because the women’s position was to be the homemakers and a mother to their children, while the men’s are out socializing with others. If they were not happy with the marriage, they cannot just walk out or complain because a women role is to endure all these pains without a word coming out of their mouths. Two out of the ordinary short stories, “The Yellow Wallpaper” and “The Story of An Hour,” mostly focused on a women’s dilemma that they faced near the 19th century. The two main characters in the short stories show some resemblances in some ways, but both characters portrayed them in different ways of how they dealt their sorrows in their marriages.

The short stories, “The Story of An Hour”, by Kate Chopin and “The Jury of Her Peers”, by Susan Glaspell compare two married women who live under the shadow of their husbands. Both of these stories were written in the late eighteenth and early nineteenth centuries during the time when women were treated unequally. Women had limited rights. For example, they could not vote, voice their opinion or work outside the home. Glaspell and Chopin were considered feminist writers who focus their writing on the struggle of women during the time when the Women’s Suffrage Movement was beginning; these short stories reflect women’s struggles under the control of men. Married women were responsible for taking care of the household, children and wifely duties while the husbands were responsible for consistently managing the title of “the breadwinner.” Married women were expected to be discreet and obedient to their husbands, which meant that the wives could not express their opinions because of society’s expectations of women. In the short stories, “The Story of An Hour”, by Kate Chopin and “The Jury of Her Peers”, by Susan Glaspell, Mrs. Mallard and Mrs. Wright share a prominent similarity concerning the loss of their individual identity during marriage and realize that the death of their husbands allow them to regain their self-identity.-

In "The Story of an Hour" by Kate Chopin, we are introduced to Mrs. Mallard. She is portrayed an unloving, heartless, woman who is overjoyed by the passing of her husband-— or at least that is the common misconception. Mrs. Mallard although perceived as inhuman, is actually more human than most would like to believe. While her actions may seem questionable or even to be condemned, they are hardly unthinkable in light of the issues involving marriage and the woman's role throughout history. The story itself presents a valid argument in favor of Louise as she is portrayed as the oppressed wife finally set free after her husband's death.

In “The Story of an Hour”, “The Yellow Wallpaper”, and “Trifles”, the authors all question the institution of marriage through the emerging theme of the oppression of women. In each of these works, women are shown trapped in confining marriages. While marriage is supposed to be seen as one of the most beautiful and perfect sanctities life has to offer, these authors portray it as more of a bittersweet agony that women are forced to endure. Chopin, Gilman, and Glaspell use a combination of symbolism and perspective in their literature to bring about this theme of female oppression. With this theme, the authors cause the readers to take a more feminist perspective and question the institution of marriage through the eye of the average housewife of the late 19th and early 20th centuries.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

The Story of an Hour is short, yet, contains important examples of gender roles in marriage. They are important because they represent how women felt married in the 19th century due to male dominance that manifested throughout marriages all over the world. In The Story of an Hour, Mrs. Mallard is a wife that is, at first, seen as distraught, because of her husband’s death. She starts to cry and run to her room, to soon be lifted with the joy that she is now free. It is clear that she felt trapped in the marriage and is now happy that there is no one controlling her any longer. Mrs. Mallard is a prime example of women in marriages in the 19th century, and even some today. Unfortunately, they have to experience sexism from their husbands. Women are dominated by men in marriage and are expected to acquire the stereotypical gender roles.

In the stories “The Jewelry” by Guy de Maupassant, “The Story of an Hour” by Kate Chopin, and “The Yellow Wallpaper” by Charlotte Perkins Gilman, the female characters are unequal and less important than the men in society. The duties of women during this time period did not consist of much more than seeing to her husband’s needs and caring for the home and children. The authors show the lack of independence women were allowed in the 1800s, especially in marriage. The stories express women’s cry for equality and their feelings of entrapment in their marriage. Each story elaborates on the importance of social class in the 19th century, how women were presented in society, and how society

The novel “A feminist fantasy: conflicting ideologies in The odd women” by Cormitini Patricia represents two major historical problems that middle class unmarried women faced in the late 19th century. The two major problems were, women’s redundancy and their need to secure economics means of survival. There are three kinds of feminist ideology and activates are depicted as solutions to these historical problems in this novel. Which are reformist domesticity, feminist reformatism, and radical feminism. The effects of the feminism are played out as within the ideological and economic structure; however they are being exposed as being accidental and complicit with the dominant ideologies of womanhood. “A woman ought to go about just as freely

As a convention, marriage for women has been a landmark of success. It is necessary for a woman to enter into marriage to be recognized by the society as successful. The requisites of marriage such as love and affection are often neglected in exchange for some financial value imposed by the husband. In The Story of an Hour it is exemplified in ?a heart trouble? of Mrs. Mallard while in The Girls in Their Summer Dresses points out to Frances? longing to keep her husband in spite of her doubtful interest upon her.

Women are subordinated by men in everyday life situation. The subordination is so raified and many women are still, unconsious about their circumstances. When the opression is so raified, it also indicates that it is difficult to speak out against men, and even more difficult to have their opinion accepeted in the society. Two articles, “When the Boss Wants Sex” written by Yla Elason and “Politics of Housework” written by Pat Mainardi both shows how subordination of women is designed into everyday life, thus into the behavior of men and women. The purpose of this report is to assess Elason and Mainardi’s article.

How would you like it ladies if you were told that your only place in this world was in the home, or that as you were born a woman you were already given the career of marriage? There would be no way out of it, no hope of changing and becoming something new and exciting, you were stuck in this position and either you made the best of it or died trying to revolt. Women held no rights. They were forced to be robots, performing only for the men they had to seek marriage to. The only jobs that women were allowed to hold was that of motherhood, they were not allowed to speak unless spoken to and certainly were not expected to have personal opinion. It was not until the start of the Women's Liberation Movement in the late 1960's and early

All characters in the novel are living in a man’s world; nevertheless, the author has tried to change this world by the help of her characters. She shows a myriad of opportunities and different paths of life that woman can take, and more importantly she does not show a perfect world, where women get everything they want, she shows a world where woman do make mistakes, but at the same time they are the ones that pay for these mistakes and correct them.

Her bold desire to be herself is the first step she takes to break the stereotyping build by the society to limit the progress of women. She shows her resistance toward the reality that the society forces her to accept. As per the society, a wife must adapt to a living condition that suits her husband economic status but the story brings to light the refusal of the mother to accept her husband poor economic status and make her living according to it. The unrealistic behaviour of the mother shows her unsatisfactory position between the ideal mother and her economic status. Her behaviour also shows the repression she undergoes as a mother and a