Sexuality In Chaucer's The Canterbury Tales

The Wife of Bath had five husbands, and she believes that women should have all the power in the marriage. This is very important to her tale, and the Wife of Bath shows just how smart she was, manipulating her

Geoffrey Chaucer’s Canterbury Tales are some of the most widely read and anthologized pieces of medieval poetry. These tales are generally celebrated and enjoyed because of the author’s use of wit and satire, as Chaucer often uses word play and characterization to deliver hard-hitting, yet entertaining truths about his time period. This is the case in “The Miller’s Tale,” which portrays the story of a carpenter with an adulterous wife and the shenanigans that take place during and after one of her affairs. After closely examining “Absalom’s Revenge,” the last section of this tale, it is clear to see that Chaucer uses language, puns, and other writing techniques to provide a commentary on the lewdness of some who lived during the Middle Ages.

She believes that women should have absolute power over their marriage. Sovereignty is one of her significant values. Throughout the tale it is apparent that the storyteller still has those same beliefs. During the knight’s quest to acquire the answer, he finds an old lady. This older woman holds the answer he had been searching for. She will tell him the solution if, he promises her one thing. He is to do as she says, if she is ever to need anything. After presenting the answer that the old lady gave him, his life was spared. As a result the old lady asks the knight to marry her. Disgust filled the knight however, he had no choice. In this case the older woman had the power over the knight. The knight had to abide by her request. His negative attitude towards the old lady does not go unnoticed. A preposition if then offered to the knight. The old lady can stay old and loyal or become beautiful and treacherous. Power is rooted in the woman and not the man. The knight has the choice but no sense of ability to change her. The Wife of Bath’s made it clear that she believed women should be in command. It is decided that the old lady will turn beautiful and remain

While on the way to venerate Saint Thomas Becket’s remains, the entertainment of Chaucer’s Canterbury pilgrims falls upon the requiting of stories between the different estates. However, this requiting quickly turns malicious, the Host’s simple proposition evolving into an aggressive show of social dominance that includes the boasting of both literal and metaphorical rape. The normalization (or, borderline reverence) of aggressive manliness contributes to the creation of both rape culture and compulsory heterosexuality. Consequently, when a man does not dominate a woman—or, does not use his masculinity to humiliate another man—he is seen as weak or effeminate, subsequently placing his sexuality under scrutiny. Such is the motive behind John and Aleyn’s rape of the miller’s wife and daughter—to make Symkin seem weak, and to gain a reputation of superior masculinity. Thus,

He knew nat Catoun for his wit was rude, that bad man sholde wedde his similitude” (Lines 113-120). Absolon on the other hand just wanted sex, and as much Alisoun despised him he would not stop stalking her. The Miller’s tale is cynical, because love is either misguided or lust and humans often are confused between the two. The author wanted to point that humans must know the difference or else the outcome would most likely be devastating thus leading to one’s own fault. While others might say this theme was not about love, but more about sexual desires, it was not the case. Sexual desires was only part of the theme because sex has always been alined with love in every relationship good or bad. Chaucer want readers to get past the sexual imagery and look at the love theme which incorporated in this story. The love theme represented the trouble behind human minds and how lust can be confused as love.

     The Canterbury Tales also present a number of shockingly bizarre for their time descriptions of lust and adultery. In a lot of stories old men in their sixties are shown having young wives, which was probably common in Chaucer’s times. In one example, from the Merchant’s tale, old January, unwilling to die single, decides to marry, but demands that his wife must be younger than twenty. Later in the story, January’s young wife cheats on him in a tree after he had gone blind. “He cast two eyes up to the tree,/ and saw that Damian had managed his wife/ in such a way as may not be expressed/ unless I would speak discourteously.” (Chaucer 293). In the example from the Wife of Bath, lusty human nature led one of the king’s knights to raping a girl. “It happened that he saw a maiden/ walking before him, alone as she was born./ And from this maiden then, against her will,/ and by pure force, he took her maidenhood.” (Chaucer 223). Again, even though neither the knight, January, nor his wife May suffered any serious

that he never went to hell (272). She clearly valued sex as the most important attribute of a husband for, “…in our bed he was so fresh and gay….Heaven knows whenever he wanted it- my belle chose-, thought he had beaten me in every bone…”(272) Even though her final husband had beaten her, because he was good in bed with her she felt she loved him the best of them all (272). Clearly, The Wife of Bath valued three things in her marriages, sex, power, and money. In her tale we find that power is an important role to women in marriage. A knight, after raping a women is spared by a queen (282) but in order to save his life, he has one year (283) to find, “What is the thing that women most desire”(282)? After searching, he finds no answer but on his way home finds an old women who promises she will save him, he must promise to do what she asks of him after however, and he agrees (285). When he and the old lady meet with the queen, he exclaimed, “A women want’s the self-sovereignty over her husband as over her lover, and master him; he must not be above her” (286). This answer is perfectly inline with The Wife of Baths views, she always wants to be more powerful than her husband. When the old lady says he must marry her, he protests but soon she offers him two choices, he can have her be old and ugly till she dies, but loyal, or she can be young and pretty and take chance that she might not remain faithful (291). He gives his answer to be that she may choose, thus giving her the

All through Canterbury Tales, women are dealt with as objects in everyday life. In the “Miller’s Tale,” an old man marries a younger, attractive women for her looks. In the “Wife of Bath’s Tale,” a virgin woman has her virginity and innocence taken from her by what is suppose to be a noble and honorable knight and when his punishment is later to marry an older, less attractive women, all respect for his newly wife vanishes. A woman’s level of recognition in Canterbury Tales are through her class in society, whether she is young and beautiful, or old and disgusting, and her degree of experience in life. Women are not desired for their intelligence, wisdom and capabilities which might of kept a relationship deceitful-free. The “Wife of

In Geoffrey Chaucer’s poem The Canterbury Tales a young Chaucer tells of the people he meets on a pilgrimage to the shrine of Saint Thomas Beckett in Canterbury. One of the most vivacious characters on the pilgrimage is The Wife of Bath. Both the Wife of Bath’s prologue and tale share a common theme of a woman’s control in a relationship with a man. The Wife of Bath and the old hag in her tale share a similar perspective on what women want most in life. In the prologue and tale the reader is exposed to the idea that what women most desire in life is to have control over their husbands and lovers. This tale and its prologue are linked through the way that Dame Alice, the Wife of Bath, fashions the old hag in her tale after herself.

In Geoffrey Chaucer’s The Canterbury Tales, an eclectic mix of people gathers together at Tabard Inn to begin a pilgrimage to Canterbury. In the General Prologue, the readers are introduced to each of these characters. Among the pilgrims are the provocative Wife of Bath and the meek Pardoner. These two characters both demonstrate sexuality, in very different ways. Chaucer uses the Wife and the Pardoner to examine sexuality in the medieval period.

Throughout literature, deep relationships can often be discovered between a story and the author who writes it. Relationships can also be found in stories about a husband and wife. In Geoffrey Chaucer's The Canterbury Tales many of the characters make this idea apparent with the stories they tell. In “The Pardoner’s Tale”, a distinct relationship can be made between the character of the Pardoner and his tale of three friends. Also, the Wife in “The Wife of Bath’s Tale” boldly declares her relationship towards her husband.

There is no question that contradictory values make up a major component of The Canterbury Tales. Fate vs. Fortuna, knowledge vs. experience and love vs. hate all embody Chaucer's famous work. These contrasting themes are an integral part of the complexity and sophistication of the book, as they provide for an ironic dichotomy to the creative plot development and undermine the superficial assumptions that might be made. The combination of completely contradictory motifs leads to the unusual stories and outcomes that come to play out in the tales. And these outcomes draw focus on the larger universal issues that in many cases transcend the boundaries of vernacular periods to all of

In so much that the Wife of Bath fights back against the oppression against women, she in turn ends up treating her husbands in the same oppressive manner. It is interesting to note that in her rants against men being the controlling force in marriages, she herself was a bully to her husbands. This makes it difficult to interpret Chaucer's intentions in creating a strong women character advocating for her due rights. By vocalizing her thoughts and what were most likely many women's thoughts of his day, he gives an identity and power to those without a

The Wife of Bath's greedy need for complete control over men reflects in most of her actions. She seems proud of this, and constantly describes women as cruel creatures that bring great sorrow to men. When talking about her first three husbands, she says that she "governed them" (193), and "chided them cruelly" (193). She makes life for her husbands a living hell, having no respect for their feelings. Just like the women questioned in her story, she cares only for "riches...amusement...rich apparel...," to be "flattered and pampered," and for "pleasure in bed" (225). When talking of her first three marriages, she says: "Since they had given me all their land, why should I take pains to please them, unless it be for my own profit and pleasure" (192). In her story, the moral is that all women want to hold the whip in a relationship, and it is in the man's best interest to let them do so. The Wife of Bath is not a woman to be admired and, worst of all, she insists all

Chaucer breaks the topic of sex into two basic parts: carnality and romanticism. Although carnal love is a controversial topic, Chaucer dives into the subject by creating characters with ferocious appetites for sex and the means to accommodate their desires. Whereas, to address romanticism, he relies heavily on