Sexuality in Sir Gawain and the Green Knight Essay

Sir Gawain and the Green Knight is an Arthurian poem; an enchanting story of chivalry, romance and heroism. With its intricately woven details, parallels and symbols, the reader will often easily overlook these facets in a story of this caliber. Undoubtedly, the author would not have spent time on details that do not add to the meaning of the overall telling of the story. The three hunting scenes in Sir Gawain and the Green Knight, and in parallel, the three temptations, monopolize a considerable portion of the story. In a comparison of the three hunts and their corresponding temptations, we will see how the poet parallels these circumstances to emphasize the meaning of its symbolism.

Essay with Outline  Loyalty, courage, honor, purity, and courtesy are all attributes of a knight that displays chivalry. Sir Gawain and the Green Knight is truly a story of the test of these attributes. In order to have a true test of these attributes, there must first be a knight worthy of being tested, meaning that the knight must possess chivalric attributes to begin with. Sir Gawain is self admittedly not the best knight around. He says "I am the weakest, well I know, and of wit feeblest; / and the loss of my life [will] be least of any" (Sir Gawain, l. 354-355). To continue on testing a knight that does not seem worthy certainly will not result in much of a story, or in

Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this

Sir Gawain and the Green Knight is a classic example of the behaviors of a medieval knight and how the code of chivalry works within the courts and towards women. When Sir Gawain visits Bertiak’s castle, he respectfully treats the elderly woman and Bertiak’s beautiful young wife with the same level of dignity. “To the elder in homage he humbly bows; the lovelier he salutes with a light embrace. They welcome him warmly, and straightaway he asks to be received as their servant, if they so desire” (lines 973-976). The treatment of women is an essential part of the code of chivalry. If Sir Gawain had only given attention to the pretty young woman, then he would not have been abiding by the knight’s code of honor. He also keeps the code of chivalry intact when he says “Lover have I none, nor will have, yet awhile” (line 1790). Sir Gawain says this to Bertiak’s attractive wife, when she tries seducing him in the bedroom, which proved Sir Gawain’s loyalty to Bertiak, upholding his chivalric code. Honorable Sir Gawain demonstrates the knightly code of chivalry throughout the poem.

Many years ago, knights were expected to form a certain type of relationship with their king, this relationship was otherwise known as fealty. Fealty is a knight’s sworn loyalty to their king (in other words a loyal relationship should be formed between the two). The use of this relationship is shown in the poem called “Sir Gawain and the Green Knight” ( the author is unknown). This poem has a classic quest type of formula, with a knight receiving a challenge and then going out on a journey to pursue that challenge, leading to a return home to report the results of his quest. This story begins at Christmas time when a knight (who is completely green) rides into King Arthur 's hall. The Green Knight proposes a game to those who are around him which is that “Any knight brave enough to strike off the Green Knight 's head may do so, but that man must accept a return stroke in approximately one year’s time”. Gawain accepts the challenge because he will not allow King Arthur to accept this. Gawain manages to then cut off the Green Knight 's head. The knight then picks up his severed head and leaves, telling Gawain to look for the Green Chapel when it is time for Gawain to fulfill the other half of the challenge that he has accepted. Near the end of the chosen year, Gawain sets out in search of the Green Chapel because he must complete the given challenge. On his journey in search of the Green knight, he finds a castle in the wilderness. The

The castle grounds are an unusual contrast to the surrounding winter landscape, and this is the first of many unusual characteristics that the mysterious castle has. The castle grounds are described as: “fair and green, in a goodly park with a palisade of palings planted about for two miles and more, round many a fair tree” (Norton, 312). The description of a castle surrounded by lush fauna in the middle of winter is anything but normal. Sir Gawain rides to the great castle and is quickly greeted by a porter. He asks the porter to tell the lord he seeks harbor, and he is soon granted permission to enter the castle. Gawain is royally greeted by the castle’s inhabitants; however, the treatment he receives from the attendants and knights is most unusual because no one knows who Sir Gawain is (or at least they shouldn’t; however, they seem to know that Gawain is a great knight). The lord of the castle soon comes to greet Gawain. Gawain is then taken to a luxurious room where he is undressed, given new clothing, and eats a magnificent dinner while warming by a fire. The following day Gawain identifies himself to the lord and his court. The people laugh and are in high spirits. They seem as if they already know who Gawain is, and know the purpose of his visit. The castle’s inhabitants describe Gawain as “the father of fine manners” (Norton, 315), and he seems to be highly regarded by all of the people of this strange stronghold.

In the fourteenth century, chivalry was in decline due to drastic social and economic changes. Although feudalism-along with chivalry-would eventually fall for other reasons, including a decrease in cheap human resources due to a drop in population caused by plague epidemics and the emergence of a mercantile middle class, the Gawain author perceived a loss of religious values as the cause of its decline. Gawain and the Green Knight presents both a support of the old feudal hierarchies and an implicit criticism of changes by recalling chivalry in its idealized state in the court of King Arthur. The women in the story are the poet's primary instruments in this critique and reinforcement of feudalism. The poet uses the contrast between the

The tale of Sir Gawain and The Green Knight is a well-known piece of literature spawning from the middle Ages. It’s believed to be dated around the year 1400 and it currently survives on a single manuscript in the British Library shared by three other poems. Pearl, is one of the middle-aged poems on the manuscript, the other two are named: “Patience” and “Cleanliness,” and are considered Bible Stories to Historians. These Other Poems however haven’t shown promise of survival in British Literature and Chivalry courses as much as Sir Gawain and The Green Knight has. Not having a known Author also makes this story all the more interesting considering the nature behind the story as well as the mysticism involved in the text. In this essay, a broad

Vern L. Bullough's article, "On Being a Male in the Middle Ages," addresses how vital it was for a man living in the middle ages to be sexually active in order to maintain a masculine identity by explaining:

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

“Sir Gawain and the Green Knight” is an excellent work to reference when examining different relationships within Arthurian legends. The author of “Sir Gawain and the Green Knight” is unknown, but he is sometimes referred to as the “Gawain Poet” or “Pearl Poet” because of his additional works: “Pearl,” “Purity,” and “Patience.” All four poems were part of the Alliterative Revival of the Middle Ages of Northern England, containing mostly religious content. This may be the origin of Gawain’s exaggeratedly religious portrayal in “Sir Gawain and the Green Knight.” “Sir Gawain and the Green Knight” is organized in a stanza arrangement. Each stanza ends with one short line and four longer lines, called the bob and wheel, which “knits” the story together. It may important to note that the work was most likely written in the fourteenth century. The work is set in sixth-seventh centuries, but includes modern advances in armory, dress, and décor from the time the poem was written. “Sir Gawain and the Green Knight” exhibits many different types of love and relationships in which they are demonstrated. Familial love, spiritual love, erotic love, and courtly love are demonstrated within families, friendships, marriages, and Godly relationships.

Part of the essence of drama is conflict. A man cannot be considered a hero unless he has overcome some form of opposition. In many cases, this opposition comes in the form of another character. Typically, the conflict is simplified as a malignant character with wicked intentions committing acts which would be characterized as evil; the protagonist opposes this villain and usually overcomes that character, winning the day and the admiration of all. Sometimes, the main character becomes a hero by overcoming some force within his or her own self. In Sir Gawain and the Green Knight, this is ultimately what Gawain must do in order to be considered a hero.

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

In search of the Green Knight, Gawain travels through the wilderness and comes to recognize his true subordination to nature and not merely social constructs. It is amidst his battling of vicious beasts, cold rain, wild forests and more, where he begins to feel the mortality of mankind and the need to pray to a greater being that “Mary may be his guide” (738). This prayer and recognition of a larger force beyond him leads directly to the discovery of the Palace of Bertilak de Hautdesert.

An abundance of the literary world’s best and most engaging poems or stories took place during the very fictional reign of King Arthur and the knights of the Round Table, who most famously, resided in Camelot. The poem, “Sir Gawain and the Green Knight”, written during the medieval period, is without a doubt one of the best fictional stories to ever come from this era. I found it especially interesting that both Christianity and Paganism intertwine during this heroic story. This encourages whoever is reading it to have a contrasting mindset because the story has not only Christian elements, but many pagan themes as well; it makes you wonder what type of story this really is. Many people speculate, however, whether the Gawain author could