Sexualized Female Symbols Online Changed Ladies

A more in-depth study may look at video games from a Marxist point of view, characterizing the games as a modern day “opiate of the masses” with multi-billion dollar corporations publishing the games to keep the proletariat occupied and oblivious to their plights. A feminist may cite the standard role of female video game characters as being the “damsel in distress” and even strong female characters usually being relegated to sex symbol status.

Kimmel looks at both sides of the argument that video games and other media influence violence in young men in real life, but focuses on the perception that violent video games influence violent young men. In my third informal writing assignment reflecting on that chapter, I stated “I can see the side where it does have an impact of young kids, and I see it in my younger cousins when they can recite the cutscenes in the games they play, and see it when they play fight and pretend they are their favorite game heroes”, concluding with “Today’s violent games weren’t made to teach children how to kill, they’re only made for entertainment” (Brinkman-Sull). Before I took this class, and even at the beginning of the semester, I was extremely defensive of the criticism on violence in gaming, but after reading more into it, I realized just how deep in the industry the problem is– highly sexist notions in a lot of popular games. Many of them portray women as objectified beings, purely used for sex appeal and to attract the larger male gamer population. The male characters are also idealised in a similar way– typically portrayed as muscular, brawny men, with basic levels of thinking and reasoning. These brawny men are typically focused on one thing– complete the mission in whatever means possible. This kind of violent thinking is widely reflected throughout many other typically male-dominated organizations, including the

Student Carmen Tieu, in her opinionated article, “Why Violent Video Games are good for Girls” expounds upon the idea that violent video games are good for girls. Tieu explains that violent video games boost confidence in women. She goes further on to say that it makes aware of the different socialization processes of men and women.

Content analyses show that 89% of video games have some violent content. Half of the video games on the market have extreme violent actions toward other characters. Games, today, are allowing players to not only connect with the game physically, but also emotionally and psychologically. In essence, the player becomes the character. According to Nielson Media Research, at least 45 million households in the United States have at least one video game console (Markey & Charlotte, 2010). The average age of video game players has increased to age 34, and 60% of Americans play interactive games on a regular basis. However, researchers believe that younger children are more susceptible to the negative effects of playing violent video games compared to older teenagers and adults. Furthermore, games that include violence have raised serious concerns among

This text is published by a media company called Mic. Their target audience is young people and they cover a wide variety of subjects such as News, Arts, and Technology (Mic /about). The author of this article is Sophie Kleeman, who, according to her profile on Mic.com, covers the “intersection of tech and culture” (Mic /profiles/152573/sophie-kleeman)

This study researches the potential effects on children by the use of gender representations and violence within popular video games. Outlined by the study of symbolic interactionism, the research questions the line between the representation of males and females, as well as how prominent violent topics are in games. These themes combined are used in order to hypothesize possible implications on young boys and girls.

Video games are generally played for amusement and entertainment; also, they can go about as a support in mitigating anxiety. Because of progressing innovation, feature diversions have developed and developed into an expansive realm affecting those inside this domain. Consequently numerous moral issues are brought to our consideration because of this improvement. Subsequently, we ought to distinguish how new feature recreations are morally influencing individuals who play them. The moral issues of feature gaming that impacts numerous individuals incorporate: viciousness, rating, training, stereotyping against ladies, group and enslavement. Eventually, every point is connected to brutality included in feature recreations. It is

According to several sources around 42% of the American population plays video games, and around 1.2 billion people worldwide play video games today. Gaming has become an increasingly more popular hobby since its creation. As such the medium has obviously attracted a multitude of different people and groups, all consisting of diverse backgrounds, body types, sexes, races, nationalities and the like. However, contrary to the numerous demographics video games have come to attract, it is very evident the vast majority of them do not seem to be marketed toward many of them via game characters, and their importance, if any, in a game. Video games show an overwhelming amount of white male characters, despite the many demographics they reach. Of the characters that are not white, or male, that are represented, are often represented poorly. For example, many black characters represented in video games are often characterized as vulgar, and violent. Women represented in games are often characterized as support characters, or objects of sexual desire. Considering forms of sexism, racism, and other such types of prejudices are still prominent in modern society, and these representations obviously do not help how people see these marginalized groups. Ultimately, these representations, or lack thereof, affect people in society in a number of ways, by perpetuating prejudice and harmful stereotypes.

O'Leary, A. (2012, August 1). In Virtual Play, Sex Harassment Is All Too Real. Retrieved February 23, 2016, from http://www.rrsonline.org/?p=2131

This study examines sexualized representations of women in fashion advertising through a theoretical structure identified as visual rhetoric. Documented findings on explicit images of women in advertising have focused on content analyses of these visuals and how they affect women. This investigation asks how sexualized imagery of women utilities rhetorically as part of a branding message designed to sell

In today’s society video games play a huge role in male’s lives, about ninety- nine percent of boys play video games. Males tend to spend numerous amounts of hours and days playing these games, so the impact these have on a male's life should come as no surprise. In the film The Mask You Live In, by Jennifer Newsom, the movie shows how on average boys spend fifteen hours a week playing video games. That's a large portion of their time. Majority of the video games the boys play show negative behavior towards women.

For definition of the male gaze, this area of the exhibit will focus on Laura Mulvey’s “Woman as Image, Man as Bearer of the Look.” In this piece, Mulvey discusses two theories: voyeurism and fetishistic scopophilia. To briefly explain, voyeurism involves deriving pleasure from the assertion of control, usually done by a male. On the other hand, fetishistic scopophilia transforms the female entity into an object whose sole purpose is to pleasure. An area of this exhibit include an arcade machine of the game “Mortal Kombat” to depict the difference in the way males and females are drawn and portrayed in video games. Male characters within this game are provided armor, or clothing at the least, that covers their vital organs and suits their fighting style. It is obvious the intention of the male characters’ clothing is functionality. However, the same can not be said about their female counterparts. Not only is their clothing minimal, their fighting style is also hypersexualized. This video game is almost the epitome of Mulvey’s fetishistic scopophilia. Next to this will be side-by-side showcasing of famous superhero costumes such as Wonder Woman vs. Superman and Catwoman vs. the Joker. Again, these costumes reinforce fetishistic scopophilia as female characters are purposely clothed with minimal armor that accentuates a female’s breasts and butt. Music videos are another reliable source for elaborating on fetishistic scopophilia. For instance, the popular rock band Van Halen’s “Hot for Teacher” reduces the band’s teacher to nothing but a sexual object to whom they sexually fantasize about instead of respect and learn from. Moreover, the famous “Stacy’s Mom” by Fountains of Wayne reduces the band’s friend’s mom to a sexual object for visual pleasure. The novel “Lolita” by Vladimir Nabokov will be used to further detail how males view women, even young teens, as subjects for their pleasure,

The following essay will delve into the way in which women are represented within the gaming industry. It will reference an article found on an online journalistic website called Polygon. The article is titled 'Dragons Crown Review: Heavy Metal', written by Danielle Riendeau. It is a review of a video game which was critiqued due to over-sexualized female character designs. In spite of Dragon's Crown being a very well crafted game, this article became one of the most popular artifacts associated with it.

The portrayal of men and women in video games, as in other media, is a subject of research in gender studies. This topics is discuss in terms of sexism in video gaming. Especially, women are underrepresented or use as objectification in mainstream games. Women in video games are generally, as a rule of thumb, killed, raped, abused or rescued by the male heroes. This is extremely sad to see because the role of women in society is changing compare to ten years ago. Women has been proven themselves to be stronger and tough in different fields such as sports, politics, education but the representation hasn’t change.

In this article the author says that some men who play video games online make sexually harassing comments to women who also enjoy playing games online. The author describes these young men as “bizarrely embittered.” He takes issue with research that claims men harass women online because they are poorly skilled. His conclusion and his idea for a solution are quite simple.