Shake And Stir By William Shakespeare

William Shakespeare’s Macbeth is a dark play both literally and symbolically. The Tone of the play is ominous and its central characters are evil. The play is considered to be a

Everyone has a quality that they do not like about themselves. Some people struggle to be social, others may be too controlling of people. The list goes on and on, but the point is that everybody has a particular quality that they must learn to control or else that particular quality can get out of hand. Of course, one could write a list of characters that have major flaws. There is no better example than William Shakespeare’s character, Macbeth, in The Tragedy of Macbeth. Anyone who has ever read it, could easily identify the fatal flaw that the character Macbeth possesses which is greed. Even though many readers can all agree that greed is Macbeth’s fatal flaw, the argument as to whether or not

As the play goes, Macbeth shows a character of free will. Although his destiny was pre-determined for him by the witches, he took action to believe and to make sure that his prophecies will come true. Macbeth is a strong character with many deep desires that include gaining power, and so throughout the play with the many crimes he had committed, there was no turning back for him. In all, his decisions help shape the future ahead of him.

In Césaire’s A Tempest one of the main characters, Prospero, decides to remain on the island with Caliban and live out the rest of his life there. He remains there because he thinks the island needs him to be its ruler. As time continues, we see the deterioration of his mind and body. He becomes feeble and weak. He appears to see opossums overrunning the island and he attacks them to "protect civilization". Prospero seems to be hallucinating, and because of this can be seen as a crazy old man who has reached the end of his life. However, in this paper, I will argue that the opossums and other things he experiences aren’t just hallucinations he creates from being in a weakened state, but actually the realization of what he 's done in the

In The Awakening, Edna is constantly looking for the approval and attention of someone. Although she has a husband and kids of her own to console her in her solitude, she strives for the attention of someone else. It seems that although she wants the attention of others, she represses the idea of a man to tell her what to do. The idea of a man taking control of her life would be the reason for the transformation that she undergoes. Throughout the novel, there are varies examples of the men that want to dominate the way Edna lives her life. Edna would be a reminder of the depiction of gender roles that women face. While the men in her life try to suppress the identity that she is discovering, she finds herself straying away from the person they want her to be.

The play, A Midsummer Night's Dream, by William Shakespeare, demonstrates the difficulties of human love. Throughout the course of this play, all the lovers were confused, whether it be from the love potion provided by Oberon, the fairy king, or whether it be through natural terms, (those not affected by the potion). In this essay, we will be looking at how Lysander had agreed with this implication of human love being difficult, the scene where all the lovers are confused, and lastly, the time when Helena was furiously jealous of Hermia.

Relationships are a lot like hills, they tend to be traveled up and down. This is shown in William Shakespeare’s play, “A Midsummer Night’s Dream”. Theseus and Hippolyta, who were once enemies are now getting married. Oberon and Titania mutually rule the fairy kingdom and cannot see eye to eye. The intricacy of the love hate relationships helps to form the plot of the entire play and the fine line between the two drives the story to the end.

In the play, Macbeth is constrained by his significant other Lady Macbeth to accomplish his aspiration of turning into the King of Scotland. However, he is tormented toward the end of the play by the blame of slaughtering the King of Scotland and taking his royal position by settling on wasteful choices. He is compelled to murder anybody that gets in his direction that is debilitating to remove his royal position from him. Macbeth was constrained by Lady Macbeth by her continual scrutiny of his masculinity by his unwillingness and executing the general population that got in his way.He would not like to murder them since he was feeling regretful of slaughtering his ruler that he was faithful to his companions that he battled adjacent to

Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it.

For centuries now, philosophers have studied people and why they have such a lust for power and authority. Conclusions have been made that power gives people an instant gratification and recognition. There are many different references in the play of how a king deals with power and if they use it for better or for their own personal gain. In the play Macbeth, by William Shakespeare, Macbeth’s obsession with his journey to power leads to his failure. This obsession is demonstrated through the prophecies, the murder of his best friend Banquo, and his own demise.

We believe that to obtain a position of power we must acquire, or presently have traits of deception, force, and manipulation, although the people who think this are dead wrong. People with the greatest amount of power get authority through ambition, responsibility, and motivation. In the play Macbeth written by William Shakespeare, it shows a story about a fictional tragedy in which a strong scottish general named Macbeth receives news from witches that he will one day become king. The new king of Scotland would be him one day. He created a large amount of confidence and ambition out of this tale, that he comes to his goal by killing the king to take the throne of the now deceased, king Duncan. The power Macbeth obtains corrupts Macbeth and leads to him being a manipulative, overpowered leader. Macbeth has absolute power and goes against all laws of nature to get to that point of obtaining the position he eventually has through cheating god.

Since Macbeth believes that he must kill Duncan to achieve his goal of becoming king quickly, Macbeth subdues his feelings and thoughts to become more "masculine." From the start, Macbeth recognizes his need to separate his mind from his actions, because his mind overpowers his will to act. Macbeth has the capacity to perform the deeds necessary to achieve his goal; obviously, from the first description of him in the play describing his prowess on the battlefield, he can kill Duncan. However, he is unable to carry them out because he is too caught up in his imaginings. Therefore, instead of overthinking everything, he suppresses his thoughts and begins to act rashly. For instance, he kills Duncan 's guards spontaneously, and then plots the deaths of Macduff 's family, Banquo, and Fleance, without even consulting his wife. He expresses his need to carry out his actions without extended thought, saying, "Strange things I have in head, that will to hand, / Which must be acted ere they may be scanned" (3.4.141-2). This quote brings in elements of the meta-theatrical, since Macbeth 's plans "must be acted" by the player onstage. If they aren 't being performed onstage, then they are being read and "scanned," alluding to the analysis of the play through poetic scansion. Although we do not directly consider metrical elements in this paper, this line still refers to what we are currently doing—analyzing the play. Regardless of the medium through which we experience these lines, this

Throughout Hard Times by Charles Dickens and Much Ado About Nothing by William Shakespeare, societies are conveyed to be significant factors in the development of their characters. Societies establish standards, moral beliefs, and opinions that greatly influence the decisions and learning of characters. Specifically, tragic events in both novels are not only major turning points, but also become defining moments for their characters’ understanding of other characters, conflicts, and of themselves. However, in both novels, societal influences tend to assert their dominance over characters in the novel. In order to reveal the predominant influence of societies on one’s moral beliefs, Dickens and Shakespeare directly attribute how their characters’

Macbeth is a play based on King James I, it was written by William Shakespeare, however this play isn’t a king and queen fairy tale, but it’s a play about greed and guilt, chaos and murder and three evil witches who use prophecies to influence Macbeth to do bad things, using flattery would instigate his inner ambition to become king, which in the end doesn’t lead to a very happy ending.

Shake and Stir Theatre Company is a compelling theatrical voice which aspires to render Shakespeare’s plays to appease modern audiences. However, William Shakespeare penned his last play 400 years ago; despite this, his plays and sonnets are as alive today as they were in the 16th and 17th Centuries. Shakespeare’s plays still appeal to modern society because of the universality of the dramatic themes- desire, domestic relationships, the complications of love and power struggles in relationships - humans still experience these emotions and challenges which gives Shakespeare a foothold in modern times (Bruster, 2014). Shake and Stir sequenced together an array of modified scenes from Shakespeare’s most iconic plays, to implore the dramatic meaning that Shakespearean text can be rendered to engross modern audiences while maintaining its integrity and Elizabethan charm. “Great Shakes” is staged in a graveyard, where three year ten students, Betty, Brock and Ben are incarcerated. However, after appearances from several supernaturals, they are returned to their everyday lives, but not before they are faced with the task to manipulate Shakespeare’s tragedies, comedies and histories to engage contemporary audiences. It is evident that Shake and Stir’s production, “Great Shakes” effectively conveyed the dramatic meaning of Shakespeare’s relevance in contemporary society. This was made explicit through the re-contextualization of the historical context and utilisation of conventions