Shakespeare Twelfth Night

In Twelfth Night, Shakespeare contradicts vapid stereotypes about gender. Through Viola’s disguise as Cesario, he is able to prove that a woman is able to fulfill a man 's role in society. She is able to fool the other characters and is even able to woo another woman. This reinforces ideas about how invalid the rules and regulations society has made since Viola easily broke through them. Later on in the story, Sir Andrew challenges Viola to a duel. Viola expects Sir Andrew to be a great fighter, and he expects the same from her. This creates a comedic situation since they both are too afraid of each other to engage in the fight. (3.4, 223-298)

William Shakespeare’s plays “Hamlet” and “Twelfth Night” are completely opposite plays. However, there are many connections that can be made between the two. Seeing as “Hamlet” is a dark tragedy and “Twelfth Night” is a romantic comedy, both seem to have romantic twists to them developed by the hindering of the truth of one’s appearance. These are shown through major themes, such as deceit through disguises, complex love triangles, and varying opinions of marriage.

However, his statement “Thou say thou art a man.” (Act I, Scene V, line 30) Is short, blunt and definite, proving that he is in fact oblivious to her deception. This is yet another example of dramatic irony, as only the audience and Viola are aware of her true identity. This irony shows us that Orsino has been outsmarted by a female, straying from the traditional patriarchal views of women and consequentially reinforcing Dusinberre’s critique of the text. In our modern society, with this current new wave of feminism, this message is particularly relevant, and so would arguably have a greater impact on an audience than the shame felt from Twelfth Night would. If it is to have a greater effect, then it is superior to Shakespeare’s evocation of shame, and thus feeling ashamed cannot be the ultimate effect of Shakespeare’s Twelfth

love when actually they just loved the idea of it. One such a man is

through his vanity is easily fooled into thinking it is he who she loves although

Shakespeare, the favorite dramatist of all time fascinates himself with the usage of the language of Elizabethan poetic drama. His plays were lived to a full appreciation and pleasure. One of his most common plays full of comedies, twelfth night published in 1623, was written with a well hatched plot where the analysis on love is brought in both comic and tragic situation. The reader will note the three very different story lines within these paragraphs. The following prognostications will outline the final act.

I believe that excessively relying on others is another lesson to be learned in Twelfth Night. Relying on others excessively is a lesson to be learned in Twelfth Night because Orsino never went to confront people that he loved. He said to Cesario “Thou know’st no less but all. I have unclasped / To thee the book even of my secret soul. / Therefore, good youth, address thy gait unto her; / Be not denied access, stand at her doors, / And tell them there thy fixed foot shall grow / Till thou have audience. (I.iv.13-18)”. Eventually when he asked Viola to woo Olivia for him she fell in love with Cesario instead. Leaving him without the love of his life for the time being. Moreover, relying on others excessively is a lesson to be learned because

“You are free to choose, but you are not free to alter the consequences of your decisions.” The words of Ezra Taft Benson describe the position of the characters perfectly, reminding us that our lies and deceitfulness will come back around and remind us of our actions in the form of complication and consequence. From the ongoing theme of disguise and mistaken identity between Viola and Sebastian to the prank played on Malvolio, many examples of dishonesty can be found throughout the play, though this dishonesty may not be intentional; it is clear that Twelfth Night is a play driven by dishonesty. Firstly, along with the main plot of Twelfth Night; or, What You Will by William Shakespeare, there is a sub-plot which includes the secondary

Patients with middle to later stages of Alzheimer’s often have spouses or children who are deceased. But these patients’ failing memories will often lead them to believe his/her loved ones are alive and well. When a patient continually asks a nurse to see their husband or wife, nurses will use a technique called therapeutic lying to reassure the patient by telling him/her that the personhas gone to visit a relative. Telling the person that he/she is dead only brings immense sadness, and patients who have an even shorter term memory will not remember the previous day’s events. Every day it is discovered that the loved one has died. This is extremely emotionally tolling both on the nurses and the patients and lying seems like a kinder option. A situation such as this one would be deception to gain something but is helping the person being lied to. In William Shakespeare 's Twelfth Night, one main characters, Viola, wakes up on the shores of Illyria after a shipwreck in which her brother has presumably died. She formulates a plan to work for the Duke, Orsino who is hopelessly in love with the sought-after Olivia. This causes many complications when Olivia falls in love with Viola’s male character and Viola falls in love with Orsino. people can agree that using deception for harm is unethical. However, using deception to gain something creates a controversy. Society can help determine these ethical gray areas whether through law, or behavior that society accepts. Something

Shakespeare has clearly separated almost all elements of the book into two categories; silliness and seriousness. Viola’s gender and presentation would fit into silliness – at face value, the changes began because of a ridiculously dramatic act of love, and Shakespeare uses many lines of dialogue such as the frivolously dangerous wordplay Viola uses (as described by the Duke in the end, “Boy, thou hast said to me a thousand times / Thou never shouldst love woman like to me.”), which might blow her cover, to inject more unrealism into the entire situation. However, looking deeper at the subject, Viola’s gender presentation is one of the most ambiguously casted elements of the play. She is only

Shakespeare’s play, “Twelfth Night” provides a great deal of insight into gender roles, gender identities, and desire in Elizabethan society. In Shakespearean times, women, and to a much lesser extent, men, were subject to a variety of arbitrary limitations based solely on gender. For example, women could not become actresses, and were practically required to have guardians and protectors. Additionally, both men and women were strictly held to separate sets of explicit standards, expectations and values. These roles that people of each gender were held to were very important to developing and maintaining interpersonal relationships. Those who violated these norms would have generally been looked down upon, or even insulted, especially by

In Twelfth Night, Shakespeare is skeptical of love which is evident when you analyze the characters of Orsino and Malvolio. Orsino experiences the constant rejection of Olivia’s love while Malvolio on the other hand is blind to the fact that he is narcissistic. Viola’s character has the most genuine love within the cast of Twelfth Night since she is willing to put her own love for Orsino aside to try and woo Olivia into loving Orsino. Shakespeare uses numerous kinds of love throughout the play which include self-love, false love, and unrequited love which helps us differentiate between what both men and woman desire from love.

“Some are born great, some achieve greatness and some have greatness thrust upon ‘em.”-Malvolio act III, Scene V. Twelfth Night is a romantic comedy entailing the life of Viola post-shipwreck in Illyria, during this play she assumes that she has lost her brother, Sebastian. In order to make a living, she disguises herself as a man and becomes a servant for the Duke, Orsino. In the end, Orsino and Viola marry, and all are united -living happily ever after. One important character to the development of the subplot of the play is Malvolio, he is the antagonist and without him, the storyline would be rather flat. Malvolio is an underappreciated character, who is vital to the story as he provides a contrast to the other servants, is the central cause of the conflict in the sublot, and teaches readers that arrogance is one’s greatest downfalls.

In William Shakespeare’s comedy play Twelfth Night, a love triangle between the characters Viola dressed as Cesario, Orsino the Duke, and Olivia runs rampant throughout the storyline. This conflict comes to a head in Act 5 Scene 1 lines (in my copy) 109 through 147. This is the first, and only, time during the play that the audience sees all three characters, Viola, Orsino, and Olivia, together. In this climaxing scene, it is apparent that Orsino is distraught with more than friendly feelings for his manservant Cesario, and that Olivia is in love not with Cesario, but with Viola under male clothing.

In the comedy Twelfth Night written by William Shakespeare many of the characters experience emotional pain. The pain that a character name Olivia experiences is the death of her brother, causing her to mourn. Malvolio who is Olivia's steward is involved with emotional pain caused by humiliation, which occurs more than once in this play. Lastly, a great deal of characters battle with the feeling of unrequited love. Even though Shakespeare wrote this as a comedy, there was still a mass amount of emotional pain throughout.