The Bible is controversial on the matter of gender equality. There are numerous contradictions about the status of women in Christian society. Historically, the most prominent interpretation has been rather negative toward women. The Christian Church, with principally male authority, emphasizes the idea that women are inferior to man. They focus on Eve’s sin leading to a punishment that “her husband will have authority over her.” (Drury, 34)
In Shakespeare’s Othello, the nominal character, an honorable Venetian general, is driven to madness through the deceptions of his honest right hand Iago. Iago plots to ruin Othello and through his deception, he drives Othello’s insecurities by implanting the idea of infidelity of his beloved wife Desdemona. Othello goes on to murder his wife, and after he discovers Iago’s plot, he kills himself. In a time when women were looked down upon, Shakespeare crafted a drama in which women took part in major roles. Modeled by Elizabethan England the women in Othello were portrayed in a light justified by society as in Othello, these women were nothing more to than objectified possessions, forced to submit to the ever dying will of their husbands. This is displayed by Desdemona and Emilia’s and relationships with their husbands.
One of many tragedies written by William Shakespeare, Hamlet, takes place in the Kingdom of Denmark and is about the revenge of a grieving prince for the death of his father. Hamlet has a very low perspective of women, as past experiences have influenced him and make him think that they are subservient to him. In Shakespeare’s Hamlet, the two main woman are portrayed in contrast, as lustful and in search of one’s love, which deceives Hamlet of his opinion of them. At first, Hamlet believes that his mother and father, Hamlet Sr. and Gertrude, had infinite love for each other but after marrying the King’s brother only months after his death, Hamlet is given a bad impression of his mother and love itself. Month’s after the death of his father,
The basis of Shakespeare’s plays appears to focus mainly around the dominant male character and his conflicts, which tend to deal with a woman. There are only three women in the play Othello; Desdemona, Emilia and Bianca. The way in which these women behave and present themselves strongly reflects the ideological expectations of women within Shakespeare’s imagined Venetian society as well as the Elizabethan society in which he lived. This patriarchal Venetian society presented in the play depicts women as possessions of men who should remain submissive and meek at all times. The women are expected to unselfishly and unreservedly devote their lives to serve their fathers until they are of age to do so, their husbands. All three women love
William Shakespeare constantly filled his plays with cultural and mythological references that engulfed viewers in the story. He was well educated and progressive for his time; however he still had a few downfalls. His main one was that he often portrayed women as objects. Take Othello, for example; Desdemona is rarely seen as a person and often referred to as an object. Thus Shakespeare portrays women as mere possessions and deprives them of their humanity.
In the play ‘Othello’ written by William Shakespeare, we see not only the main male character leads. But we also see the female characters, Desdemona, Emilia, and Bianca. These three women were portrayed in ways that showed them being inferior to the other male roles as well as society during the Elizabethan Era. But Shakespeare made each of these individual ladies characteristics quite unique to one another having the traits of a feminist. Even though in the play we read how the male characters did somewhat control them and made them look weak compared to them, there were moments where Desdemona, Emilia and Bianca stood up for themselves.
Others have asserted that the roles of women in his plays were prominent for the time and culture that he lived in,his intent in creating characters to inspire much controversy. Two works, Taming of the Shrew, and Twelfth Night, stand out particularly well in regards to Shakespeare's use of female characters. If you could examine these two plays, you would see that Shakespeare, though conforming to contemporary attitudes of women, circumvented them by creating resolute female characters with a strong sense of self.
The role of women and gender representation in Othello challenged the male dominated society in that time period. Women in Shakespeare’s time were seen as being loyal and submissive to their husbands and not going against their husband’s judgment. Shakespeare developed complex and varied female characters in his plays, especially the women portrayed in Othello. In the play, Shakespeare introduces three female characters: Desdemona, Othello 's wife, Emilia, Iago’s wife and mistress to Desdemona, and Bianca, a prostitute who is interested in Cassio. The play examines the positions each woman has in the social hierarchy and also reviews the issue of adultery.
Women are a very important part of this world although they are sometimes not portrayed that way. One would think they would be seen as significant because of the fact that women make up almost half of the world’s population. Throughout all of history, females have been considered the weaker sex. In the play, Hamlet, written by William Shakespeare, women are portrayed as weak minded and unfaithful. The inability to correctly make important life decisions, a weakened mental state, and complete obedience to men all contribute to this point.
Despite its first performance being in 1608 where women were not allowed to take part in theatre, William Shakespeare’s King Lear is arguably dominated by the female characters. The story focuses on a king who is driven into madness and decides to handover his power to his two eldest daughters, Regan and Goneril. These two daughters are exceptionally important to the development of the play since it can be argued that they are the ones commanding a fair share of the events that take place. This can also be said about Cordelia. According to Kate Downey Hickey and Catherine S. Cox, Cordelia is the essence of the play as she offers truth and evasiveness. In the following, the role of women will be discussed in King Lear. How are the female characters
Shakespeare also plays with the role of strong women as undesirable, even evil. As we see throughout many of his plays “it is common in Shakespeare’s plays… for the good characters to easily fall victim to their evil counterparts” (Peterson 12). This is particularly true of Cordelia and King Lear in the play, King Lear, as both become victims of Regan’s and Goneril’s plotting (Shakespeare V.iii.276-280). “Women as the most evil of characters is not a new experiment for Shakespeare” (Peterson 8).
In Macbeth, one of the most tragic and well known plays, William Shakespeare changes women’s part in society. During this time period, women are known to be both mentally and physically weaker than men. Women are called to be only housewives. Shakespeare reflected the image of women in society by giving the men bigger leads in his plays. Only in a few of Shakespeare's plays did he give women strong leading roles. Macbeth is one of the few plays where women play a more powerful role than the men. In Macbeth, he gives the women unusual traits like manipulation and betrayal. In William Shakespeare's play Macbeth, women like Lady Macbeth , the trio witches, and Lady Macduff portray non-feminine traits.
Firstly, the entire play is structured around the women and what they do. If Shakespeare was not trying to make a claim on gender roles then he would not have added merely three women. Right from the beginning, King Lear is foolish enough to think that giving his kingdom away would be wise. The play from then on revolves around Cordelia’s defiance and Regan and Goneril’s hypocritic actions towards their father. In other words, Shakespeare
Shakespeare and Webster represent the female characters in ‘Hamlet’ and ‘The duchess of Malfi’ by using general themes such as the patriarchy and the social control, the female identity and its independence, this institution of marriage, the expressions of sexuality and finally women shown to be either conformist or transgressive. Men were firmly in control in the Elizabethan and Jacobean era, and the expectations for women were to stay home, cook, clean and raise a family. Women’s status and roles were subject to the Tyranny of patriarchy, they were given strict disciplinary rules to follow whether by law or unspoken norms to prevent from rebellion. Women’s rights were restricted, legally, socially and economically, unlike today were women are more powerful and independent. Today women and men are seen to be equal and women can do pretty much everything a man can do (voting, working, becoming president) although there are many people still today who disagree with women having these rights.
Shakespearean tragedy is a story of one, or at most two persons. As a rule, they are male protagonists. But to say that Shakespeare’s female characters are shallow, undeveloped and used just as a decoration on the stage is very wrong. Women in Shakespeare’s tragedies have no leading role and they are, to paraphrase Northrop Frye,[1] not tragic heroines, but heroines in a tragedy.