Shakespeare and Supernatural Elements

The Ghost in Hamlet is a widely controversial topic with arguments determining whether the Ghost is a “goblin damn’d” or a “spirit of health.” (1.4.40) “‘A spirit of health’ is one, which comes from heaven with charitable intentions, and ‘a goblin damn’d’ is one, which comes from Hell with wicked intentions.” The Ghost only has two appearances in the play and is a symbol for uncertainty, yet it is important as it catalyses the play into action and also Hamlet into madness. The Ghost in Hamlet is an evil spirit returning to revenge his killer Claudius; which is a questionable action for a Catholic person leading the audience to believe that the Ghost is evil. He pressures Hamlet into revenging Claudius while destroying Hamlet’s

In the times that Shakespeare lived ghosts were a readily accepted idea, but one had to be wary of them because it was difficult to decipher a good ghost from a bad one.

Instead, Hamlet still doubts the ghost even though he made the promise according to Hamlet’s second major soliloquy: “…The spirit that I have seen. May be the devil: and the devil hath power To assume a pleasing shape; yea, and perhaps…” So the ghost acts like a catalyst that contributes to bring out hamlet’s irresolution. Hamlet begins to dig deeper and deeper for the truth.

In the early 1600’s, William Shakespeare created the masterpiece play Hamlet. Since that day, numerous theaters have performed the play and many publishers have made they’re version of the original playwright (the original copy is at an unknown location.) For these years, there has been numerous debatable aspects of Hamlet - one of which being whether or not the ghost encounter with the deceased King Hamlet was real. Of course, Horatio is the credible witness to tell us of the ghost’s existence - but the ghost never actually talks to him like he does Hamlet. In fact, no one besides Hamlet has actually heard the ghost of King Hamlet speak. Furthermore, Hamlet is already grief-stricken over his father’s death and completely expects this ghost

Hamlet questions the true intentions of the ghost and whether it be “a spirit of health or goblin damn’d,” (1.4.669). The Ghost enlightens the Prince of the treason committed by his uncle Claudius, which Hamlet doubts the legitimacy for an instance. According to “Hamlet’s Precarious Emotional Balance,” “Hamlet conceives a way out of his uncertainty, a way to make certain that he has not, because of his melancholy, simply hallucinated the ghost's revelations or been tricked by an evil spirit,” (Lidz). Hamlet develops a scheme to “catch the conscience of the king” by staging a play that depicts the murder of King Hamlet precisely (2.2.581).

The ghost reveals that King Hamlet was murdered by Claudius; Hamlet swears to avenge this deed. With the ghost’s exhortation, Hamlet ironically “is not to be allowed simply to endure a rotten world, he must also act in it” (Mack 258); the one who least wants to be part of the world must engross himself fully with the things of the world in order to validate the ghost’s accusation and then carry out his wish. In his essay, “Reforming the Role,” Mark Rose discusses the irony involved with the ghost’s appearance:

In  “Judgment in Hamlet” Gunnar Boklund discusses the spiritual dimension of the ghost of King Hamlet:

In this revenge tragedy, which is a play in which the plot typically centers on a spectacular attempt to avenge the murder of a family member, Hamlet’s call to adventure is when the ghost, whom he believes to be the ghost of his recently deceased father, beseeches Hamlet that he avenge his death (Charters and Charters 1251). At first looking at the ghost, he questions the authority of him and contemplates that the apparition is just the devil tempting him:

At around ten o’clock at night, a young girl was laying in bed when all of a sudden someone started rubbing her cheek. She looked around and no one was there. Was this her imagination, or was someone there? Ghosts always make their presence known, just like the Ghost in the tragedy Hamlet written by William Shakespeare. Throughout the character of the Ghost of Hamlet’s father, Shakespeare portrays many Elizabethan beliefs on ghosts. Shakespeare creates the question: is the ghost good or bad? Many people have their own opinion on this question, but in this writer’s opinion, the Ghost of Hamlet’s father is a good ghost because throughout the tragedy the Ghost of Hamlet’s father never physically hurts anyone, instead he persuades Hamlet

Although indecision continues to plague him, Hamlet establishes the certainty of the ghost's claims of murder using a play, written by Hamlet himself and performed before

In William Shakespeare's work Hamlet, Shakespeare uses the ghost of the deceased king, a character with only a brief presence, to play a significant role in the plot of the story as a whole in multiple ways. The first way Shakespeare uses the ghost of King Hamlet is by first using him to play a crucial role in the development of the characters in the play This is especially true regarding Hamlet. An example of the ghost influencing the development of the characters in the play is sending Hamlet into his descent into madness and furthering his complex character. Shakespeare does this by having the ghost inform Hamlet of his father’s murder. Secondly, Shakespeare uses the ghost to influence the theme of revenge and madness that develops in the play by using the ghost as a driving force

    Does the ghost in Shakespeare’s Hamlet conform to the standards for ghosts in the days of the dramatist? This essay will answer this and other questions about the ghost in the drama.

The ghost made the whole situation for Hamlet seem even that much more unreal. He already wished that all of the recent events he had to deal with were not real. He then has to deal with the reality of this ghost. It seems to influence him terribly and takes a negative toll on his emotions. This occurrence continues to further diversify Hamlet’s feelings and emotions (Snider, 67).

    Though Shakespeare cannot claim the invention of the ghosts in tragedies, still he can claim to have clothed his ghost in Hamlet with convincingness. This essay concerns his one supernatural character in the tragedy.

With the appearance of the ghost the reader is, whether they realize it or not, being challenged to take a position on Hamlet's state of mind. At first the reader may take it at face value assuming that a ghost is a ghost and should be accepted as such. But after a deeper look using the psychoanalytic perspective of critical evaluation, it becomes believable that the ghost is just a trick of Hamlet's mind used to justify his urges to avenge his father's death, a sort of madness. It is hard to decide what to think about Shakespeare's introduction of the ghost because of the two different ways he portrays it.