Shakespeare 's Othello - Act II

In Othello every character has their own personalities that makes them the person they are. In Othello there are characters that show true grit, a fixed mindset, and a growth mindset. Each characters are different which makes the book even more interesting. True grit means to endure and push through to do something better no matter what it takes. An example of grit is studying for a long period of time for a test and enduring the amount of work that must be completed. The definition of mindset is the established set of attitude held by someone. There are two other types of mindset as well. There is growth mindset and fixed mindset. Growth mindset is when the person isn 't

That if she lied to her father then why wouldn’t she lie to him? Iago uses this quote to tell Othello that she will deceive him and doesn’t love him like she used to. Soon after in this same scene Iago says this, “Men should be what they seem; Or those that be not would they might seem none!” (Shakespeare iii, III, 130). This is ironic since Iago isn’t at all what he seems and he doesn’t look like the evil that he is. Here Iago uses irony to use reverse phycology on Othello. He says this to make Othello question the man Desdemona is “having an affair with”. This line also influences Othello into thinking that Iago is his friend manipulating him into thinking Iago is saying things in Othello’s best

You have told me she hath received them, and returned me expectations and comfort of sudden respect and acquaintance; but I find none” (IV, ii, 186-190). Roderigo started to see that Iago is cheating on him, but Iago is smart enough, and Roderigo is dumb enough for Iago to confuse him. In the second act during the party after the defeat over the Turks, Cassio becomes very drunk and easily taken advantage of. He then runs into the room where everyone is and attacks Roderigo. Montano intervenes and is then wounded by Cassio; Othello is forced to demote Cassio from his position of Lieutenant. With Cassio devastated he asks for advice from Iago, he then informs Cassio the only way to gain his position back is to talk to Desdemona. Cassio then leaves “good night, Honest Iago” (II, iii, 306). Shakespeare put in those two extra words on purpose; he is trying to show how Iago is already able to play with people’s minds and how manipulative he can be. Us, the audience knowing what Iago really wants to do, but Cassio puts trust into Iago with his position and future. The last person to believe Iago is honest and to trust him is Othello. Iago started to tell Othello of how Desdemona might be sleeping with Cassio, and how she is cheating on him. Othello does not believe him as there is no proof, “I’ll see before I doubt; when I doubt, prove; and on the proof there is no more but this” (III, iii, 190-191). Othello knows

Othello, a play that was written in 1604 by William Shakespeare, is an example of a type of story called a “tragedy.” Throughout the course of the work, Othello proves himself to be very easily misled, despite his heroic status. This causes him to lose his ability to make good judgments and decisions. Even though Othello had a reputation as a hero, he ends up being one of the most gullible characters in the play when he completely falls into the evil trap that Iago set for him. As the story unfolds Othello’s character evolves in an extremely tragic way as Iago manipulates him and leaves him to rot in his misery. Eventually, this leads to Othello’s suicide.

"Now, I do love her [Desdemona] too; not out of absolute lust…but partly led to diet my revenge". Iago is saying that he is sexually attracted to Desdemona but that it is not because of lust, but because of the hatred he has towards Othello and the need he feels to have revenge upon him. He feels that if he was to sleep with Othello's Desdemona than he and Othello would be even,

When pairs of texts are considered together, their universal themes and ideas lead to greater understanding, appreciation and insight of both the old and the new. The texts Othello, William Shakespeare (1600) and Othello, Geoffrey Sax (2001), ring true for this statement. Despite the differing contexts and ages, the universal themes of racism and betrayal bring new meaning to each of the texts. The primary meaning from the juxtaposition of the two is that of the human condition, and how the problems faced in the 17th century are faced in modern times.

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

Even though he genuinely respects her, he can be perceived as provocative. Moving on, Iago tries to get Cassio drunk. Since Cassio is very kind, he eventually gives in and takes some alcohol, which leads to him getting into a brawl with Montano and Roderigo, staged by Iago. Othello becomes aware of the irrational fight and strips Cassio of his lieutenancy, for his foolish behaviour. (II.iii.264-265)

During Act I, Scene I of the play, Iago berates Cassio as he spoke to his fellow conspirator, Roderigo, by saying he was unworthy of his lieutenancy as a man who lacks knowledge in the battlefield. By repeatedly emphasizing Cassio’s inadequacy, Iago uncovers that he likely does this out of envy for Cassio.. Iago also suspects that Othello slept with his wife, and it supposedly sets his mind into emotional turmoil. He explicitly states that the thought of it bothers him, “gnaws his inwards.” Although the truth of Iago’s words here remain unclear, if he is in fact disturbed by this idea, this could give him more incentive to ruin Othello as he eventually

To sneak his way closer to his lord’s position Iago acts sincere and helpful around Othello, and this helps him achieve Othello’s trust. This trust that Othello has in him is exhibited in many instances but most importantly after the brawl between Cassio and Montano. After Othello arrives at the scene he asks Iago to speak the truth who responds: “I had rather have this tongue cut from my mouth than it should do offense to Michael Cassio”(2.3.235-40). After saying this he explains how Cassio started the fight with Montano however, even men sometimes forget to behave appropriately when angered in certain situations. In return Othello replies: “I know, Iago, thy honesty and love doth mince this matter, making it light to Cassio(2.3.260-65). From Othello’s reaction to the incident Iago has recognized the confidence and friendship that has grown between him and his general, and also how he can use this to alter Othello’s perspective on others in the future. Relative to this, Iago later uses the trust Othello has in him to manipulate his relationship and overall perspective of Cassio. Prior to doing so Cassio had been a friend of Othello’s as well as Desdemona, but ever since his brawl with Montano their relationship has waned. For instance while Iago and Othello are conversing about Cassio’s honesty

Now that Cassio is the lieutenant of Othello Iago plots a plan for Cassio to resign off his duty forever so that he can become the lieutenant he always wanted. Iago misdirected Cassio by getting him drunk one night which made Othello appoint Iago as Cassio’s substitute. “O, they are our friends-but one cup; I’ll drink for you” (II.iii.32). This proves that Iago is trying to make Cassio drunk on the night of his watch which was assigned by Othello. Iago convinces him to take another drink, knowing very well that it will only make him drunk. Even though Cassio doesn’t want to drink Iago

In Act 2, Iago is a deceptive person. He is able to effortlessly pretend that he loves Cassio, even though he is plotting to get him fired. There is a part of Act 2 of Scene 3, where a brawl has just taken place between Cassio and Roderigo. Cassio is made drunk by Iago; Roderigo takes advantage of this and picks a fight with him. (IC; IC) Montano is trying to stop the fight; he places himself between them and gets hurt instead. (General IC; Specific IC) The ruckus interrupts Othello’s honeymoon night. He asks Iago to reveal who started the fight. Iago feigns innocence at first, but eventually tells Othello “with reluctance” that it was Cassio: “I had rather have this tongue cut from my mouth / Than it should do offense to Michael Cassio” (Shakespeare 2.3.236-267). (IC: “Quote” (citation).) Iago claims that he does not want to say anything bad about Cassio because he cares for Cassio. The audience obviously knows that Iago set Cassio up to get into a fight and ultimately get fired. This is because Iago despises Cassio; for, he has a greater power and position than Iago. Iago is so easily able to lie in front of

Iago’s indignation arises from knowing that someone with no experience received the position. The bitterness is left unchecked and quickly turns into hate. Instead of going to Othello, he whined and pined over it and eventually he says, “...I hate the Moor” (1.3.369). His hatred toward Othello drives him to become deceptive and manipulative. Iago advises Cassio: “confess yourself freely to her; importune her to help you put you in your place again” (2.3.282-284). Although this seems to be sound advice, Iago plans to deceive Othello by leading him to believe that Cassio and Desdemona are in love. In an aside, Iago says, “I’ll pour this pestilence into his ear, / ...So I will turn her virtue into pitch, / And out of her own goodness make the net / That shall enmesh them all” (2.3.316,320-322). Through deception Iago aspires to bring Othello and Cassio to their knees and achieve the position he so desired. With the first step of his plan complete, Iago now has to manipulate Othello into action. In an aside Iago sneers, “O, you are well tuned now! / But I’ll set down the pegs that make this music” (2.1.194-195). Essentially, Iago is going to manipulate Othello in such a way that Othello becomes a puppet acting based on Iago’s wishes. In Iago’s ideal world, he will make Othello love him more and hate Cassio:

Act III Scene 3 of Othello reflects the true mastery of Shakespearean plays that transcends throughout history. Shakespeare asserts sentence structure, topics and themes, reveals the scene’s purpose, and depicts the importance of Iago as a character in this scene.

Critics have debated the significance of Othello’s race in terms of portraying his identity for a long time. The negative connotations of “blackness” have led to the creation of many racial constructs associated with the “Moor”; this denigration has infused the opinions of many critics, such as Albert Gerard, proposing that Othello’s “negroid physiognomy” reaches down to the “deepest levels of personality” and that he is a “barbarian”. However, many other critics like Edward Berry and Martin Orkin believe that colour is merely a “surface indicator” compared to the outward virtue of beneficence, defining identity. Beneficence could be defined by the will to practice good acts, in conjunction with the aversion of practicing evil, and the prevention and removal of evil.