Shakespeare's Hamlet - Hamlet’s Villain, King Claudius Essay

  In the first three acts of the play Hamlet, King Claudius go through a subtle, but defined change in character.  Claudius role in the play begins as the newly corrinated king of Denmark.  The former king, King Hamlet, was poisoned by his brother, Claudius, while he was asleep.  Claudius, however, made it known to everyone that the king died of a snakebite in the garden, and thus no one knew of the murder that had just taken place making his murder the perfect crime.  The only problem that Claudius must deal with now is his conscience.

Shakespeare's Presentation Of Claudius In Hamlet 'Hamlet' opens with the death of Old King Hamlet, Father of Hamlet, Prince of Denmark. The new king, Claudius, brother of the previous king has married Gertrude, the dead man's widow and has taken the throne. Shakespeare presents Claudius as the plays 'damned smiley villain' although he does allow him some redeeming features; leading an audience to view him as a complex and contradictory figure within the play. After Old King Hamlet dies Claudius is crowned king of Denmark and talks to the people as though he has sympathy and is saddened by his brother's death 'and that it is us befitted to bear out hearts in grief, and our whole kingdom

Shakespeare uses the technique of giving Claudius's language a double meaning to portray to the audience his deceptive and two-sided character. Yet still, in these early stages on the play the audience is still yet to learn of the king's spiteful murder and in his speech he compares the body of his brother to that of "the first corpse" referring to Abel. It is unconscious but dramatic irony used here by Shakespeare as Claudius committed the same crime as Cain. Shakespeare's use of dramatic irony here engages the audience's interest and adds tension. Moreover, it makes Claudius seem vulnerable as his avenger is trying to out step him.

Shakespeare's drama Hamlet has become a central piece of literature of Western culture. It is the story of a prince named Hamlet, who lost his father. Soon after that he has to confront multiple obstacles and devises a series of situations to defend the new king's royalty. Furthermore, he had to prove that King Claudius, who was the prince's uncle, had killed Hamlet's father. This story has remained among the most popular and the most controversial plays around the world. It generates controversy for all the doubts that this play leaves with the readers. One of the most questioning situations in the play is the delay of Hamlet in avenging Claudius' for his father's death. As a reader this

In Shakespeare’s play Hamlet, various characters manipulate others in order to gain power and fulfill their personal desires. The character who portrays the most immense manipulation is King Claudius, the brother of the late King Hamlet. Thus far, Claudius advertises himself as a sensible, honorable man who lives to serve the greater good, yet his manipulation exposes his dubious intentions, leaving him with an unfortunate fate.

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

Despite Claudius’s former lack of distress, Claudius’s does wish to be freed from the weighty burden of his sin. However, Claudius’s does not regret the possession he retains from the murder of his brother and confesses “I am still possessed//Of those effects for which I did murder:// My crown, mine own ambition, and my queen. Although, Claudius’s confesses to the murder of King Hamlet and ask for repentance and forgiveness, he is by no means regretful of the effects he now possess, and admits that he is “possessed” by the “crown”, “ambition”, and “queen”. He feels that his soul is struggling against the very notion: “limited soul, that, struggling to be free, art more engaged”(3.3 72-74). Claudius personifies that his soul is stuck to sin, and admits that more he tries to be free, the more it clings to sin. He looks then for divine intervention from “angel” ,so that he can retrograde back to a “babe”, the previous state of innocence he once possessed. Though Claudius begs for divine intervention from God and prays, he does not feel remorseful towards his brother’s death but for the ramifications caused by it; because he is unable to pray for the right cause and repent for his sin, Claudius is unable to receive mercy.

In the play Hamlet, Claudius is known as the villain of the play. He is the lead antagonist who is characterized as a cunning, incestuous, and vile, usurper. Many readers and critics of the play do not dispute this perception, especially after reading how Claudius became the King of Denmark; He steals the throne by poisoning his brother, the previous king, and quickly marrying Queen Gertrude his widowed sister in law (1.5.42, 60-74). The general reading of Claudius’s character paints him to be a corrupt, cowardly politician, in addition to being Hamlet’s (the protagonist) foe. This portrait engages first-time readers to judge Claudius immediately and although this perspective of his personality is proven to be true, it is limited. Claudius

In the beginning of the play, Claudius is portrayed as a cunning character who murders his own brother and marries his sister-in-law to attain the power of the crown, a power that he manages to craftily convince the people of Denmark belongs to him. It is not often that a softer side of Claudius is exposed to the audience, and when it is his views on religion and his own conduct come to light. This occurs during Claudius’ sole soliloquy, right after Hamlet has used the Mousetrap play to reveal to Claudius his knowledge of King Hamlet’s murder. Claudius considers the morality of his actions their religious implications when he admits that “[his] offense is rank, it smells to the heavens” (3.3.36). He identifies that his actions have been dishonest, and notices that his sins will most likely be noticed by God. He wants to repent for his actions, but doesn’t know if it is possible, wondering if “there (is) not rain enough in the sweet heavens / To wash (his hand covered in his brothers’ blood) white as snow” (3.3.45-6). He has to beg his body, “bow, stubborn knees, and, heart with strings of steel, / Be soft as sinews of the newborn babe” (3.3.70-1). Although he is begging his body to change, his subconscious is preventing him from bending his knees and softening his heart, therefore preventing him from acting on

King Claudius's contribution to the conversation exacerbates the tension in the scene. When he refers to Hamlet as “my son “ Hamlet immediately rebuffs him, saying that he is “a little more kin and a little less kind”. The young prince feels aversion towards his malevolent stepfather who has taken over the role of the king and has also married his mother. Claudius does not try to console Hamlet or offer him any support. Instead he criticises behaviour and treats him like a stubborn ignorant child. In Claudius's long speech, refers to Hamlet’s grief as “unmanly“ suggestion that his actions are and fitting for a man. He also declares that his step-sons behaviour is “It shows a will most incorrect to heaven”. This is very offensive as he is saying that Hamlet is going against God's wishes. The sentences Claudius use in his speech clearly imply that his relationship with Hamlet is very distorted.The antagonist continues by adding “why should we in our peevish opposition/ Take it to heart?”. Claudius is acting in a very philosophical and inhuman as if his brother has not died recently. He sees death as a meaningless phase in life and that Hamlet should move on like he did. Two bold words jump out of his speech “unprevailing well“. He can’t feel the pain Hamlet is enduring and that’s why he thinks Hamlet is overreacting. Shakespeare has successfully sent us the message that Claudius is a very insensitive man and that Hamlet is feeling great aversion towards him and this is a reason why their relationship is very weak.

     Claudius’ lies are effective enough to persistently deceive to play’s antagonist, Hamlet. Despite Hamlet’s disgust with Claudius for marrying Gertrude, and his view of Claudius as “a king of shreds and patches” (III.iv.104), Hamlet suspicion of Claudius as a murderer is preliminarily nonexistent. The appearance of a spirit claiming to be Hamlet’s dead father first alerts Hamlet to the actions of “that incestuous, that adulterate beast, /With witchcraft of his with, with traitorous gifts” (I.v.42-3). And yet still, Hamlet remains hesitant to believe that Claudius was the murderer, searching for complementary evidence. The play that Hamlet enacts -- designed to “catch the conscience of the king” (II.ii.562) --succeeds in revealing Claudius’ guilt, but does not provoke instant action on Hamlet’s part. So effective is Claudius’ manipulation of the royal circle that he manages to almost permanently stay the revelation of his guilt, and if it weren’t for supernatural intervention against an injustice, he may never have been exposed.

I feel like a heavy anchor sinking helplessly in a violent and thick sea; waves of a blood-stained clarity batter and bash my fragile body mercilessly and relentlessly. First, I see my mad son slay my husband’s dearest advisor through the tapestry of my own bedroom, and just now my once thought mad son has confessed there had been a method to his most distasteful lunacy, that it was nothing but a mask he donned to fool a, supposedly, equally imprudent King. “A murderer and a villain, a slave that is not twentieth part the tithe of your precedent lord.” That is what my dearest son said about Claudius.

Shakespeare’s Hamlet is one of the most popular dramas in world literature, as it examines the passionate, but toxic ambitions of King Claudius. He murders his own brother, King Hamlet, to overtake the throne, power, and wife. As a result of King Claudius’ fratricide, he inherits the “primal eldest curse” of Cain and Abel, and the dispersion of his venom ends the lives of several major characters. Including, of course, Prince Hamlet, who gets drawn into a deep depression over his father’s death, who later visits him as an apparition. This essay will analyze Shakespeare’s symbolic use of poison, embodied by King Claudius and the unintended consequences of his wicked acts.

In the book of Hamlet, William Shakespeare introduces the character King Claudius in act one scene two. The character makes an impression of a powerful man who commands respect from every individual. Shakespeare portrays Claudius’ role as the most crucial and intriguing person. In the play, Claudius is the most mysterious, the most controversial and the most discussed character as many people look at him only to see a villain. As the play starts, Claudius is the King of Denmark, who has inherited Gertrude, and the uncle to prince Hamlet. As with the rest of supporting characters in the play, Claudius is underdeveloped to his complete potential (Mabillard,n.p). His major role that he plays in Hamlet is to spawn Hamlet’s anger and confusion

This can be seen in the way that Claudius was not the despicable, vulnerable king that Crawford demonstrates in his writings. He was not the tyrannical monarch many perceive him to be throughout the play. “…Claudius is not wholly evil—far from it,” G. Wilson Knight claims. “We see the government of Denmark working smoothly. Claudius shows every sign of being an excellent diplomat and king” (Knight 266). Claudius was entirely capable of settling his conflict with Norway, in contrast to Crawford’s insight, as he simply elected to be peaceful rather than brash as the elder Hamlet had been. This doesn’t make