Shakespeare's Hamlet - The Importance of the Ghost Essay

The Ghost in Hamlet cleared out the event that Hamlet was uncertain of. The spirit clarified the death of King Hamlet, and caused Hamlet to perform his evil deeds. The Ghost’s request to avenge him caused the death of Hamlet’s family, friends, and eventually himself; therefore, the spirit can be viewed as evil because it failed the four tests that was set by Lewes Lavater and the Church.

murder in a rash mood. It is not seen by Gertrude. It tries to urge

The Ghost’s appearance troubles Hamlet again in a different way at the end of Act Two, when Hamlet questions whether or not the apparition he has seen is really the ghost of his father. He believes that it is likely that what he saw was really an evil spirit trying to trick him into sinning, for, as he says, “the devil hath power / T’assume a pleasing shape; yea, and perhaps…abuses me to damn me” (2.2.628-32). His concern is legitimate; however, it causes him to delay further due to his worries about sin and what could happen to him should he decide to take action if the Ghost is in fact evil. When Hamlet attempts to work himself into a frenzy by insulting himself and climactically cursing Claudius with caustic epithets, he is incapable of maintaining his emotion and he orders his brains to turn about, bringing himself back down to logic and reason. He feels that he cannot act without some sort of proof of the truth of what the Ghost has said, and therefore he arranges to “catch the conscience

The Ghost in Hamlet is a widely controversial topic with arguments determining whether the Ghost is a “goblin damn’d” or a “spirit of health.” (1.4.40) “‘A spirit of health’ is one, which comes from heaven with charitable intentions, and ‘a goblin damn’d’ is one, which comes from Hell with wicked intentions.” The Ghost only has two appearances in the play and is a symbol for uncertainty, yet it is important as it catalyses the play into action and also Hamlet into madness. The Ghost in Hamlet is an evil spirit returning to revenge his killer Claudius; which is a questionable action for a Catholic person leading the audience to believe that the Ghost is evil. He pressures Hamlet into revenging Claudius while destroying Hamlet’s

In the play by William Shakespeare, the ghost of King Hamlet approaches his mourning and depressed son, Hamlet, who is still affected by his death. The ghost explains to Hamlet how he died and demands that Hamlet avenge his death. Note how the ghost approaches Hamlet when he’s the weakest and still mourning to persuade and manipulate him into taking revenge for him. In Act one Scene 5 the ghost states, “If thou didst ever thy dear father love-/ Revenge his foul and most unnatural murder.” The way King Hamlet words his request is more as a challenge; in which Hamlet’s love for his dead father can only be proven by carrying out whatever his father wishes. The ghost influences most Hamlet’s behavior, which not only affects the plot, but also the relationships with other characters. The ghost influences the relationship between Hamlet and his mother, Gertrude. He becomes angry at Gertrude because of her fast marriage with his uncle Claudius. Through the use of innuendos, antic disposition, and metamorphic plays, Hamlet makes it his duty to get King Claudius back for killing his father. Hamlet agreed to avenge his father without second thought. As the play advances, Hamlet begins to doubt the apparition. In act 3 Hamlet begins to have second thoughts and states, “The spirit that I have seen/ May be a devil…” This shows Hamlet’s inner conflict between listening to his father and avenging his death or following his ethics. To be sure that Claudius

In the early 1600’s, William Shakespeare created the masterpiece play Hamlet. Since that day, numerous theaters have performed the play and many publishers have made they’re version of the original playwright (the original copy is at an unknown location.) For these years, there has been numerous debatable aspects of Hamlet - one of which being whether or not the ghost encounter with the deceased King Hamlet was real. Of course, Horatio is the credible witness to tell us of the ghost’s existence - but the ghost never actually talks to him like he does Hamlet. In fact, no one besides Hamlet has actually heard the ghost of King Hamlet speak. Furthermore, Hamlet is already grief-stricken over his father’s death and completely expects this ghost

 It is a commonplace to refer to Hamlet’s “dilemma” and a critical problem to explain in what this dilemma consists. A natural way to come to terms with the problem is obviously through the character that forces the dilemma upon Hamlet, that is to say, the Ghost. This is a particularly attractive approach, since it promises to bring the findings of modern research into Elizabethan

At around ten o’clock at night, a young girl was laying in bed when all of a sudden someone started rubbing her cheek. She looked around and no one was there. Was this her imagination, or was someone there? Ghosts always make their presence known, just like the Ghost in the tragedy Hamlet written by William Shakespeare. Throughout the character of the Ghost of Hamlet’s father, Shakespeare portrays many Elizabethan beliefs on ghosts. Shakespeare creates the question: is the ghost good or bad? Many people have their own opinion on this question, but in this writer’s opinion, the Ghost of Hamlet’s father is a good ghost because throughout the tragedy the Ghost of Hamlet’s father never physically hurts anyone, instead he persuades Hamlet

Shakespeare’s play, Hamlet, begins with the appearance of a ghost, an apparition, possibly a hallucination. Thus, from the beginning, Shakespeare presents the air of uncertainty, of the unnatural, which drives the action of the play and develops in the protagonist as a struggle to clarify what only seems to be absolute and what is actually reality. Hamlet's mind, therefore, becomes the central force of the play, choosing the direction of the conflict by his decisions regarding his revenge and defining the outcome.

In William Shakespeare's work Hamlet, Shakespeare uses the ghost of the deceased king, a character with only a brief presence, to play a significant role in the plot of the story as a whole in multiple ways. The first way Shakespeare uses the ghost of King Hamlet is by first using him to play a crucial role in the development of the characters in the play This is especially true regarding Hamlet. An example of the ghost influencing the development of the characters in the play is sending Hamlet into his descent into madness and furthering his complex character. Shakespeare does this by having the ghost inform Hamlet of his father’s murder. Secondly, Shakespeare uses the ghost to influence the theme of revenge and madness that develops in the play by using the ghost as a driving force

Thus is explained the rationale of the “play within a play” which is seen as necessary for the climax of the drama. To begin consideration of the Ghost, let it be said that the Ghost makes his appearance even before the play has opened. Marchette Chute in “The Story Told in Hamlet” describes the ghost’s activity prior to the opening scene of Shakespeare’s tragedy:

The play Hamlet is a fable of how the ghost of a slain king comes to haunt the living with disastrous consequences. A rancorous ghost and a brother 's murder, lead the gloomy setting of Hamlet 's Denmark. Hamlet story opens with an encounter between young Hamlet, his dad 's ghost as well as the prince of Denmark. The ghost reveals to Hamlet that its murderer was his brother Claudius, who then rapidly wedded his widowed queen, Gertrude. As a result, the ghost presses Hamlet to seek vengeance on the man who stole his throne as well as his queen to which Hamlet consents.

The ghost in Hamlet is the subject of many literary critiques; in my research I came across two articles in particular about this topic that caught my interest. In particular, Zimmerman’s article explores Kristeva theory of abjection. The reaction from a threatening breakdown in meaning caused by the loss of the ability to distinguish between subject/self and object/other. The human corpse is one of the most common causes of this reaction because it reminds the living of their own materiality. Upon reading this I was able to relate it to Hamlet as Zimmerman did, “When the ghost first appears, he comes encased in armor, a "portentous figure," a "fair and warlike form" (1.1.112, 50). What lies behind the armor is of course a corpse: if what makes Hamlet Sr. seem alive is his battle-ready fierceness, then what makes him an "illusion" is the mystery within. "no/thing," an apprehensible outside enclosing and

Perusing the description which the ghost of Hamlet’s father gives of his poisoning by Claudius, one cannot help being struck by the vividness with which the process of poisoning, the malicious spreading of the disease, is portrayed:

"Hamlet", written by William Shakespeare in the seventeenth century, is a tragedy of great proportion and great debate. When the play begins, Hamlet is moping around at home. His father recently died, his mother sinfully married her brother-in-law, and he was cheated out of the throne by his ambitious uncle. He is angry and bitter, and after initial skepticism, is more than willing to accept the ghost who seems to resemble his deceased father. The specter, who claims to have been murdered by Claudius, calls upon Hamlet to avenge his death. Hamlet's current state of mind, the ghost's request for revenge, and the ghost's appeal to Hamlet for mercy toward his mother, all put