Shakespeare's King Lear - Suffering of Cordelia in King Lear

In the play No Fear King Lear, Cordelia is one of the characters that has deliberately sacrificed, surrendered and forfeited something that highlights her values. Cordelia sacrifices her potential wealth and power from the kingdom by answering King Lear’s questions. Her answers yearns her from the truth in a world full of forgiveness and also her personal integrity in society. Cordelia scarifies illuminates these stories intimal conversations with King Lear both in and out of jail.

William Shakespeare’s King Lear is massive in scope and deals with many themes. I’d like to focus on King Lear’s relationship with his daughters as it evolves throughout the play as well as the play King Lear’s themes regarding politics and politicking. The passage I think best represents the conclusion of these themes is King Lear’s conversation with Cordelia in Act 5, scene 3 where they have been taken prisoner by the English. My conclusion from reading this passage closely is that in Shakespeare’s King Lear, King Lear’s speech to Cordelia regarding their impending imprisonment builds Shakespeare’s idea of caged potential and judgement for those who politic.

influence their children with good manners. As a young adult, morals are extremely important in a person, they identify the person you truly are, it will in addition make you value what you already have and who you have by your side most importantly. The novel of King Lear, serves as a great example of what it is to sacrifice for the love of one’s family members. Some characters, for instance Cordelia, especially serves as an example of what being brave, caring, and sincere truly is.

Cordelia is Lear's most loyal and loving child and yet she refuses to put on a display of affection and sentimental love before her father's court in order to make her father feel admired. The public display, wholly false, of affected feeling by her sisters Regan and Goneril is enough to ensure that Cordelia will keep quiet in word (which, as her sisters show, can be deceptive) and prove her love through action (which she does throughout the play). As far as words go, she simply tells her father that she loves him "according to my bond; no more nor less" (1.1). This should be sufficient for Lear because it is a statement of fact: Cordelia recognizes the duty she owes her father and is prepared to act accordingly. The same cannot be said for her sisters who attempt to prove their love through flattery. That Lear allows himself to be flattered by their empty words ill-prepares him to receive the meaningful and rich words of the terse Cordelia. By saying next to nothing, however, she says much more than the others. Lear, unfortunately, fails to grasp the fullness of Cordelia's "nothing." This paper will analyze the power of "nothing" in King Lear and show why Cordelia's response of "nothing" to her father is worth far more than the affectation of her sisters.

Of the deaths in Shakespeare’s King Lear, the death of Cordelia and King Lear at the end of Act V are most significant in revealing the development of Lear and how his development contributes to the theme surrounding it. The dynamic King Lear is a tragic hero whose fatal flaw, arrogance, prompts his removal from power and eventually the death of both himself and Cordelia. However, by the time of King Lear’s death, his arrogance has been replaced with a compassion which allows him to mourn the death of Cordelia and die from his own grief. Besides redeeming himself for his flawed judgement, the compassionate King Lear of Act V recognizes the loyalty in characters like Kent and Cordelia, while also seeing through the dishonesty of Regan and Goneril which fools the King Lear of Act I. King Lear’s transition from disowning Cordelia because of his arrogance to recognizing her as his only faithful daughter is demonstrated through Lear’s death, which serves as the culmination of his development and a reversal of his character. Furthermore, his death elaborates the theme of how someone’s arrogance may blind them from the reality of others’ intentions, which can be seen through a more compassionate and humble lens.

In King Leer, Shakespeare presents characters who suffer great injustices as well as those who never seem to suffer or feel remorse over their actions. Maynard Mack states, it is better to suffer than to live without a conscience; but simply suffering remains insufficient. While suffering remains superior to having no conscience, it alone does not make a person good, but creates opportunities for the growth of a conscience, instead of blinding someone from the reality of their actions.

Due to this flaw, Lear has given way to the two older daughters to conspire against him.  Lear is finally thrown out of his daughters’ homes and left with a fool, a servant and a beggar. This is when Lear realizes the mistake that he has made and suffers the banishment of his two eldest daughters.  Lear is caught in a storm and begins to lose his sanity because he can not bear the treatment of his two daughters as well as the error he has made with Cordelia and Kent.  Lear also suffers from lack of rest when he is moving all over the place and the thing that breaks him is the death of his youngest daughter, Cordelia.  This suffering can be contrasted with other happier times like when Lear was still king and when he was not banished by his two daughters.

Although Cordelia appears in Act I, Scene I and disappears until Act IV, she has an enormous impact on the play as a whole. It is generally acknowledged that the role played by Cordelia in King Lear is a symbolic one. She is a symbol of good amidst the evil characters within the play. Since the play is about values which have been corrupted and must be restored, it is not surprising that the figure who directs the action must be embodiment of those values which are in jeopardy – love, truth, pity, honour, courage and forgiveness. Cordelia’s reply does not initiate the tragedy; Lear’s misguided question does that. Her “nothing” sets her father’s tragic journey in motion. There is nothing wrong with her remarks.

It is clear from the beginning of King Lear that Cordelia has an entirely good nature, she remains constant throughout the play, never wavering in her morals. The play begins with Lear deciding that he will have his daughters compete for their divisions of his kingdoms based on which of them can impress him the most with their proclamations of love. Cordelia, however, cannot express her love for her father in words, and refuses to deceive him by doing otherwise, stating that she is “sure [her] love's more richer than [her] tongue” (278-80). She realizes that by holding her tongue she is infuriating her father, but her nature cannot allow her to do otherwise. When King Lear asks her what she has to say, she states “Nothing, my lord.” This shows Cordelia’s inherent good nature by doing what is right in a tough situation. Lear’s lack of understanding of the natural bond between parents and their children leads him to his eventual demise. He is easily mislead by the other sisters, Goneril and Regan’s fake natural behavior when they give their long speeches in order to try and flatter him.

Immediately after King Lear awakens, he sees his daughter Cordelia next to him and exclaims “Thou art a soul in bliss; but I am bound/Upon a wheel of fire, that mine own tears/Do scald like molten lead.” (4.7.46-48) King Lear feels a great shame and cannot face Cordelia after becoming aware of how much he has wronged her. Moreover King Lear’s wisdom allowed him to have a realization of the nature of his daughters as he expresses to Cordelia that “for your sisters/Have as I do remember, done me wrong:/You have some cause, they have not” (4.7.73-74). King Lear now recognizes that Cordelia is the one who truly loves him. King Lear is also in a state of humility as he accepts his status as simply Cordelia’s father by referring to himself in the first person instead of with the royal “we”. In his humility, King Lear also realizes how much he was wronged Cordelia and tells her that he will “kneel down/And ask of thee forgiveness” (5.3.10-11). Although King Lear acquires wisdom, he must now bear the burden of his past actions; he admits that he is “a very foolish fond old man” (4.7.60). He now understands that not only did his arrogance bring suffering to himself, he brought suffering onto others. When Cordelia dies, King Lear can no longer accept the grave consequences of his past foolishness and his heart ceases to beat. Unfortunately, King Lear’s wisdom arrived at a time where it was too late for him

Now one of the main personality traits that set both of the Cordelias apart would be forgiveness. The Cordelia in American Horror Story is not so quick to forgive just anyone, not even her own mother. A prime example of when she shows this dark side is when a student of her academy named Queenie leaves the coven to join a rival witch tribe. As a result of this betrayal, Cordelia proclaims that Queenie is now “dead” to her. On the other hand, the Cordelia in King Lear is quick to forgive her father. Despite Lear not even recognizing her due to his madness, she forgives him anyways for banishing her.

At the beginning of the play King Lear denounces Cordelia as his daughter in a fit of rage. He has this reaction simply because she refused to flatter him and speak exaggerations of her love for him. As his favourite daughter, Lear was expecting Cordelia to shower him with compliments and praises like his other two daughters and when this did not occur he was overwhelmed with fury and denounces her as his daughter. Lear also falls victim to wrath once he realizes what his other two daughters have done to him. “I will have such revenges on you both, That all the world shall--I will do such things,-- What they are, yet I know not: but they shall be The terrors of the earth.” (2.4.305-9). In this quote Lear reveals the wrath that he wishes to inflict on both of his daughters for deceiving him and rejecting him after he gave them everything he had. King Lear’s wrath is fueled by his daughters’ betrayal. Lear never actually did proceed to inflict his wrath upon his daughters but he did however have every intention of doing so if given the opportunity.

At the beginning of the play King Lear has more power than anyone else, the feeling of power made him think it was okay to ask his three daughters who loved him the most. When his youngest and favourite daughter Cordelia did not give him the answer he wanted by saying, “Unhappy that I am, I cannot heave / My heart into my mouth/ I love your majesty / According to my bond, no more nor less” (King Lear 1.1.91-93). he started lashing out. Lear clearly values Goneril and Regan fawning over him over Cordelia’s sincere honesty. Out of pride and anger, Lear banishes Cordelia, as well as Kent for defending her. Lear splits the kingdom in half to Goneril and Regan which leads to the deaths of many people in the play. Throughout the play he becomes increasingly shocked when people do not obey him the way they did before and the lack of respect he receives. With his loss of power Lear often responds to these problems with anger saying things like “My curses on her!” (2.4.138). about his own daughter. By the end of the play he recognizes that he takes responsibility for both his own problems and for those of others. King Lear’s actions were the first step to the plays tragic outcome.

King Lear is frequently regarded as one of Shakespeare’s masterpieces, and its tragic scope touches almost all facets of the human condition: from the familial tensions between parents and children to the immoral desires of power, from the follies of pride to the false projections of glory. However, one theme rings true throughout the play, and that very theme is boundless suffering, accentuated by the gruesome depictions of suffering our protagonists experience . There is no natural (nor “poetic”) justice depicted in this pre-Judeo-Christian world Shakespeare presents, as the relatively virtuous individuals (Kent, Gloucester, and Cordelia) in this

Cordelia is the epitome of goodness in Shakespeare’s King Lear.  "What shall Cordelia speak?/ Love, and be silent" (I.i.63-64). These words echo a reminiscent time when loyalty to the king and one's father was paramount. King Lear, Cordelia's father, planned on dividing his land among his three daughters, but for a price, the price of their love. While her sisters exaggerated their love for their father to win the "prize," Cordelia stayed true to herself and her loyalty to Lear by not making a mockery out of her feelings for him and playing it cool. She was also not characterized by her openness of her feelings. She was a quiet girl who kept emotions locked inside. Even so, Lear got angry at her response and disowned her. Why such a brutal attack on his daughter? Cordelia is known to be Lear's favorite and he had hoped that he could give her the largest piece of land so he could reside on it with her, but the plan failed. Overall, the King's decision lead him and his