Shakespeare’s the Taming of the Shrew: Analyzing Kate

Additionally, in the movie, Petruchio locks Kate in a room while he tells the Minolas that he and Kate will wed. Again, this does not occur in the play.

The answer to the first question, how did this happen, is simple to answer: Petruchio has tamed her. His taming tactics are comparable to that of a military officer and a patient mentor: He is ruthless and unwilling to bend the rules in order to make her learn, however, he is content to let her

Petruchio wears the psychological mask of a guy who only has eyes for money. He makes his mask clear to the reader when he tells Hortensio to “wife wealthily” adding “you don’t know the power of gold.” after being told about Katherina’s bad behavior, not to mention her temper. It appears that Petruchio marries Kate for her money, but immediately starts to “kill her with kindness”. He begins going so by depriving her of food and sleep because he claims that neither the food from the kitchen nor the bed is good enough for her. Petruchio puts on a show of bad temper towards his servants for every fault, showing Kate what it is like to live with a bad-tempered person. For the first time in her life, Kate finds herself trying to get someone else to control their anger. Petruchio also shows Kate that she will get the things she wants when she learns to agree with what her husband says. By treating Kate in this manner, Petruchio seems cruel, but there is a reason for it. If he were truly interested only in money, he could have left Kate at home and gone out on his own. In the end, his efforts to improve his wife have worked. He improves Kate’s life, so that she does not continue to live an unhappy life. Because of Petruchio, Katherina the shrew is happily married in the end, and comes to be a good example to

“What, in the midst of the street? / … / No, sir God forbid, be ashamed to kiss.” (v, ii, line 148, 149, page 205). Again, she is threatened with having to return home instead of joining in the festivities, and Kate gives Petruchio a kiss. This obedient kiss may indicate Petruchio’s power over her, but it was clear to Kate that if she did not give him the kiss he asked for, she would not have been allowed to proceed to the wedding feast. Kate is smart and cunning and she manipulated his yearn for her tameness in order to do everything that she wants to while making him happy and pleased.

The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.

In the play Taming of the Shrew, written by William Shakespeare, many characters are reshaped and given new personality traits. Petruchio is known as being a cocky man who intends to help tame a shrewish young lady named Kate. There are many critics that believe Petruchio is solely obnoxious and a bully but through out his interactions with Kate it is shown that he truly cares about the well being of others. Of course at the beginning of Petruchio’s plan to tame a young lady he is acting off of his confidence and trying to impress those around him but this soon changes once he begins to interact with Kate. Petruchio proves that his ways have changed and he is only taming Kate to make her feel better about herself, “Petruchio uses psychological methods, not aggressive or barbaric ones, to tame Kate, which alls her to still be witty and intellectual, but also happily married, at the end of the play”(Natale,98). Petruchio truly believes that by taming Kate he is preforming a good deed and helping her accept herself in this process.

As Katharina beings her speech she tells how being a shrew is “In no sense meet or amiable.” (5.2.6).This implies that she thinks differently on being a woman who speaks her mind. She continues to say that being

“When love speaks the voice of all the gods makes heaven drowsy with the harmony,” Taming of the Shrew, Act IV, scene II.

Taming of the Shrew is a romantic comedy written by William Shakespeare in the 1500’s. It takes place in the city of Padua, presumably during the Italian Renaissance. The major conflict of the play is ‘taming’ a hot-headed woman named Katherine and to overcome the rule her father holds on his two daughters where the eldest marries first. The script brings up a lot of attention in the feminist theory. But, Shakespeare’s play reflects on the archetypes of characters, situations, and symbols. These connections are made in the play to make the audience familiar with the text and provide a deeper understanding.

Kate is equal to Petruchio linguistically which also displays an aspect of her character, that she feels that she is easily the equal of any man. During their first exchange, Petruchio immediately sets about Kate, that he will, 'woo her with some spirit when she comes,' and that he will describe her as the opposite of everything she is in order to confuse her and break her down. In Petruchio's first exchange with Kate, it is clearly he who comes off better, immediately setting about her with short witty lines, and puns, 'for dainties are all Kates.' This gives the effect if making Petruchio seem very confident and sure of himself, if he begins his taming with such good humour and interest.

The Taming of the Shrew is one of Shakespeare's most famous plays, and has weathered well into our modern era. For all the praises it has garnered throughout the centuries, it is curious to note that many have considered it to be one of his most controversial in his treatment of women. The "taming" of Katherine has been contended as being excessively cruel by many writers and critics of the modern era. George Bernard Shaw himself pressed for its banning during the 19th century. The subservience of Katherine has been labeled as barbaric, antiquated, and generally demeaning. The play centers on her and her lack of suitors. It establishes in the first act her shrewish demeanor and its repercussions on her family. It is only with the introduction of the witty Petruchio as her suitor, that one begins to see an evolution in her character. Through an elaborate charade of humiliating behavior, Petruchio humbles her and by the end

Petruchio, though rightfully attempting to stand as a master and man according to the homily, does not do so with his servant, Grumio, or wife, Katherine, with love and respect as it suggests. The scenes that introduce Petruchio and Lucentio begin by depicting their

The relationship between Kate and Petruchio is completely different from the love of Bianca and Lucentio. "Kate is a neglected, hurt, and humiliated daughter who disguises her grief from herself as well as others with a noisy shrewish temper" (Craig 342). She has a fiery disposition and a reputation for reacting violently to people. The challenge of capturing her is Petruchio's real attraction to her. He can be seen as a rough, unfeeling, greedy, "swash-buckler" who cares nothing for Kate's feelings (so long as she has money). "

In Shakespeare's comedy, The Taming of the Shrew, Shakespeare has a woman as one of the story's main characters. Katherine Minola (Kate) is off the wall, and kinda crazy. Because of her actions, the “male centered world” around her doesn't know what to do with her.

The above passages can also be seen as placing an emphasis on the degradation Baptista inflicts on Katherine for coming across as the opposite of an ideal woman. Unlike Bianca, who comes across as mild-mannered and respectful to others, Katherine is established as an antagonistic woman who lashes out at those around her on the slightest provocation. But while her threat to "comb [Hortensio's] noodle with a three-legg'd stool/And paint [his] face, and use [him] like a fool" accentuates her fiery personality, it also suggests that her shrewish behavior is a statement that condemns the