Sherman Alexie 's The Lone Ranger And Tonto Fistfight

Defining exactly what shapes ethnic identity in the United States is the hardest question I can imagine being asked. As a child born in the United States, I find this question so difficult because I have been exposed to a large variety of cultures within the small boundaries of my own family. This makes it very difficult to determine one, or even a few characteristics that define ethnic identity. In the case of many of these novels, the task of defining ethnic identity is not so complicated. The list of determinants that I believe to define ethnic identity includes language, geographic location, and tradition.

Throughout “The Lone Ranger and Tonto Fistfight in Heaven” the theme of resilience is deliberately presented. Native Americans past and present continue to face stifling issues such as racism, alcoholism, isolation and suicide. Sherman Alexie makes it his obligation in his stories and poems to show Native American resiliency through humor. By using his characters to show resiliency through humor Alexie presents humor as an integral part of Native American survival.

Identities can be ripped away from people, but love can help people to regain it and realise who they truly are. In Richard Wagamese’s Indian Horse the native children’s identities are taken from them, and not all of them find it again. Saul’s own identity as an Ojibway is taken by the residential school and the impact of unfavourable circumstances; but with the love and support of his family and friends, he finds it again. The residential school and other negative influences cause Saul to lose his identity, which is the offset for his quest to regain it with help from his friends and family.

In the story "The Lone Ranger and Tonto Fistfight in Heaven" by Sherman Alexie, points out the hardships of being a Native American back in the 20th century. These hardships were racism, alcoholism, poverty and isolation. The story takes place in the reservation and it is about a young Native American whom struggles in society because of his skin color, family's addictions and fights. The narrator moves to Seattle with his white girlfriend who he seems to have an odd relationship because they are constantly fighting. He becomes an alcoholic and moves back to the reservation after a break up with his girlfriend.

Popular culture has shaped our understanding and perception of Native American culture. From Disney to literature has given the picture of the “blood thirsty savage” of the beginning colonialism in the new world to the “Noble Savage,” a trait painted by non-native the West (Landsman and Lewis 184) and this has influenced many non native perceptions. What many outsiders do not see is the struggle Native American have on day to day bases. Each generation of Native American is on a struggle to keep their traditions alive, but to function in school and ultimately graduate.

Education —an institution for success, opportunity, and progress — is itself steeped in racism. In Sherman Alexie’s short story “Indian Education” from his book The Longer Ranger and Tonto Fistfight in Heaven is set in two places, the Spokane Indian Reservation and a farm town nearby the reservation. The story is written in a list of formative events chronologize Victor’s youth by depicting the most potent moment from each year he is in school. Alexie addresses the issue of racism in education by examining examples of injustice and discrimination over twelve years in a boy’s life. Victor faces his initial injustice in first grade when he is bullied by bigger kids, but his understanding of injustice becomes much more complex in grades two through twelve as he experiences discrimination against his American Indian identity. Familial experiences of a Native woman, Alexie’s style and humor, and Victor’s awareness of discrimination from grade one to twelve all reveal the grim reality of growing up and being schooled on an American Indian reservation.

As it is said, “the victor writes history.” As a student, we believe that we know the history. But this is not true. We do not know African American history beyond the slave trade. Similarly, we know little about the American Indians, now referred to as Native Americans. The history we learnt that glossed over details and left students with the feeling that the immigrants from the United Kingdom and other European countries benefitted the native population. The search for the history of cowboys versus Indians will be challenging. Ethan Hawke and Greg Roth have resolved this challenge through their graphic novel, INDEH: A Story of the Apache Wars. In their collaborative work, Hawke and Roth successfully show readers that they may assume that they know Native American history, they do not. students were taught American history from the viewpoint of immigrants. The cowboy and Indians wars which erupted between Native Americans and the immigrant settlers was a war over territory and over culture and different lifestyles. It was not a war between savages and people from an advanced culture. Hawke and Roth show us that a war over resources and the determination of the settlers and immigrants to rule over what they referred to as the “New World.”

Erasure. Imagine having almost every detail of your life – your beliefs, your family, your culture, and success – erased by those only focused on their own personal gain. That is what happened to Native Americans over the course of American history. Due to the settler colonialism that laid the foundation of our nation, many Native Americans became the victims of horrific abuse and discrimination. As “whiteness” became the ideal in society, Native Americans lost their voices and the ability to stand up for themselves. Through her memoir, Bad Indians, Deborah Miranda reveals the truth of the horrific pasts of California Native Americans, and gives her ancestors’ stories a chance to finally be heard. In the section “Old News”, Deborah Miranda writes poems from the “white man’s” perspective to show the violent racism committed against Native Americans, as well as the indifference of whites to this violence.

No one is born hating another person because of the color of his skin, or his background, or his religion. People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite.” Unfortunately Native Americans have deep roots with racism and oppression during the last 500 years. “In The Lone Ranger and Tonto Fist Fight in Heaven,” Sherman Alexie tries to show racism in many ways in multiple of his short stories. These stories, engage our history from a Native American viewpoint. Many Native Americans were brutally forced out of their homes and onto Reservations that lacked resources. Later, Indian children were taken from their families and placed into school that were designed to, “Kill the Indian, save the man.” In the book there are multiple short story that are pieces that form a larger puzzle that shows the struggles and their effects on Native Americans. Sherman Alexie shows the many sides of racism, unfair justice and extermination policies and how imagination is key for Native American survival.

“Trauma is a fact of life. It does not, however, have to be a life sentence.” - Peter A. Levine, Ph.D. In Sherman Alexie’s collection of short stories, The Lone Ranger and Tonto Fistfight in Heaven, we read stories of Native American struggles for survival in an American society designed to keep Native Americans locked in the cycle of intergenerational trauma. Alexie illustrates the importance of rejecting intergenerational trauma as a method of survival, by isolating the two main causes intergenerational trauma becomes inescapable and giving examples that showcase the impact of attempting to survive the cycle. Through the interpretation of multiple sources, it becomes clear that the inescapability of intergenerational trauma is the outcome of internalized oppression and pessimism.

Sherman Alexie’s “The Lone Ranger and Tonto Fistfight in Heaven” is a short story about the modern day Native American. The speaker of the story welcomes the reader to the setting of the story, a 7-11. In this 7-11 the graveyard manager is skeptical about the speaker thinking that he is an armed robber and what not because of his tan skin and long ponytail. The speaker understands why the cashier may feel threatened because he himself was one a 7-11 graveyard shift employee. The speaker has a white girlfriend who he fights with quite often and she accuses him of being an alcoholic, eventually leaves his life with her in Seattle, Washington to go back to his reservation where his family is. He often has vivid dreams of Native Americans and white fighting on a battlefield until it takes a sick twist and the white are playing polo with an Indian woman’s head. The speaker is often stopped by the police for wandering in neighborhoods that the majority of the population is white. Him being different makes white people nervous and on edge. The speaker talks about how he was supposed to be different and that he had potential compared to your average Native American” (Alexie 386). The speaker was in college from a couple years and eventually dropped out and ends up a couch potato flipping through the television stations like the way society

In Sherman Alexie’s novel, The Lone Ranger and Tonto Fistfight in Heaven(1993), nearly all of the characters suffer from alcoholism. Those who do not drink, cannot escape the external backlash from an alcoholic environment. Through the stories of the characters in the book, both on and off the reservation, the author is able to distinguish arguments for and against the white people on whether or not they are to blame for the problems Native Americans have faced related to alcoholism. The fate of the Native Americans is seemingly inevitable. Do the Native Americans deserve the stereotypes that have been inflicted upon them, or were they unable to prevent it? Through Sherman Alexie’s novel, he sheds light on the stereotypes placed on Native Americans not only by other races of people, but also self-inflicted, relating to the damaging effects alcohol has had on their people.

Native Americans, the people who once lived in America by themselves, no longer feel at home. Over the past 100s of years America has changed dramatically, and with that, the people have changed. What is considered mainstream now is different from 10, 20, 30, even 100s of years ago. Eventually everything evolves. Sherman Alexie’s short story “The Lone Ranger and Tonto Fistfight in Heaven” tells the story of a Native American living in current day America. It explains the struggles he faces living in a period that his group of people haven’t moved on too. Many Native Americans still live in their reservation and stay separate from the “real world”. Natives only know their way of life so when they try to change that, they don’t know what to

Sherman Alexie’s collection, The Lone Ranger and Tonto Fistfight in Heaven, captures many different insights into human nature through life on a Native American Reservation. Originally published in 1993, Alexie writes these twenty-one fictional short stories with the artifice of one who has experienced such scenarios first-hand. Throughout these stories, there are many recurring motifs. While love, hate, family, poverty, and personal struggle are all prominent, there is a theme that binds the people and gives them common ground: their belief in the power of the spoken word. The memories they recall, the stories they share, and the spoken traditions that they keep alive all affect their daily lives in a profound way. The storytelling and oral tradition which Alexie incorporates into his stories have a tremendous impact on his characters’ unity and division, while giving them strength to keep hope in spite of hardship.

I was born on a Native American reservation on the outskirts of South Dakota. Growing up hearing my elders talk of choosing their “own way of life”, I never quite understood the meaning behind their words. It was not until my early teens, the year 1954, when my family was forced to move from our home on the reservation when I finally began to understand. President Eisenhower had enacted a “termination” of our isolation; we were to become what my father called “mainstream Americans.” Mainstream Americans?? That meant going against our beliefs and customs; hundreds of years of heritage potentially lost. My family wasn’t having it. One day that I had skipped my classes, to avoid the taunting of my peers for being “different”, “strange”, “dirty”, I met the man who changed my life: Dennis Banks. Dennis was on a street corner preaching the injustices given to our people. He was dressed in an American flag that looked as though he had tried to make a fashionable item out of a dirty, wrinkled bed sheet. I stood in awe at the courageous act of this odd man and watched him as he slowly, silently, pointed