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Sherman Alexie 's Without Reservation

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When it comes to the topic of Native Americans and tradition most will agree that Sherman Alexie is not the typical Indian writer and that he has in effect isolated himself. Jess Row in his article “Without Reservation”, depicts Sherman Alexie as a storyteller that uses non developing dark humor which in turn portrays his theme among each short story in Blasphemy. I agree with Row’s argument that Alexie maintains a sense of humor throughout his writings but that it develops prematurely. I also believe that he does this purposefully, in doing this, his message is clearly defined to the reader and is always a shock at the end. After reading this article I have come to the conclusion that Sherman Alexie entails his dark humor and storytelling style to purposefully misinterpret Indians to demonstrate his cruel and genuine message.
Row, in “ Without Reservation” emphasizes that Alexie is a storyteller and not a prose fiction writer. A story teller, he defines, has work that, “... contains, openly or covertly, something useful …” (Row 1). Row goes on by giving evidence to why Alexie is a storyteller, and not your usual Indian writer. As he explains, Alexie reinstates the fragmented and ruptured Indian life instead of the political topics associated with them. With this idea in mind, Row believes that Alexie instills this behavior in his writing to give way for his sharp moral endings. These genuine moral endings, installment of stereotypes and Indian beliefs with consequences

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