Shifting Women’s Views Although we see many shifts taking place in Britain between the Romantic and Victorian periods, such as the abolishment of slavery, the discoveries by astronomers and biologists, “as well as this being at the highest point of development as a world power” (1017). Throughout the Romantic and Victorian periods of British history, we also witness the emergence of an inner consciousness of women, which denounced those accepted by society at the time. This is illustrated through observing the parallels and contrasts within the writings of Harriet Martineau and Dorothy Wordsworth. The inner reflections of these women writers not only rejects the “Angel in the House” ideal placed upon women, which is found in “The Paragon” by , but also contradicts those illustrated in “My Last Duchess” and “Porphyria’s Lover.” One can also see that the new emerging consciousness of women was a reflection of the social unrest during these time periods. During the Romantic period, “England was experiencing the ordeal of change from a primarily agricultural society, where wealth and power had been concentrated in the landholding aristocracy, to a modern industrial nation” (5). Because of these shifts, times were exceedingly difficult for country people, many were displaced from their small family farms, and women had fewer options to support themselves without husbands. We also see these realities reflected in the prose of Dorothy Wordworth’s journals. There are many
The Vindication of the Rights of Woman postulates a revolutionary idea – certainly for the era in which it was published – that in the struggle for the rights and equality of man, one must also give such heed to the rights of women. Mary Wollstonecraft adheres to the fact that “the more specious slavery which chains the very soul of woman, keeping her forever under the bondage of ignorance” is the cornerstone of a system of female inequality during the eighteenth century. In this essay, I will focus on the statement:
The text ‘The Daughters of England’, is a book written to provide guidance for young women, pertaining to their character and behaviour; the book creates the framework for the role of women in the household. It instructs that women must offer a virtuous influence on men - as wives, mothers, and daughters - as part of their role within society. Estimated to have been written in 1842, in London, ‘Daughters of England’ was penned by Sarah Stickney Ellis; a popular author of Victorian conduct literature. Ellis’ popularity implies that the source was widely circulated at the time, thus represents an important view of contemporary society. This document reveals to us the ideals expected of middle class women of the time, and the principles that were envisioned for them, relating in particular to the ‘separate spheres’ ideology.
“Whose behavior could be odder / than that of a stubborn man / who himself breathes on the mirror, / and then laments it is not clear?” Man’s double standards and self-inflicted exacerbation of women has been a prominent issue for centuries. Consequently, women have faced marginalization and oppression throughout the ages. In moments of bravery, exemplary figures have spoken out against this injustice. Two such characters during the Enlightenment period are Sor Juana Inés de la Cruz and Mary Wollstonecraft. Specifically, Sor Juana’s poem “Philosophical Satire” and Wollstonecraft’s piece A Vindication of the Rights of Woman. Sor Juana speaks to the injustice her gender faces through sharp words which attack the double standard and
The life of a lady in the 19th century is painted in a romantic light. Pictured in her parlor, the lady sips tea from delicate china while writing letters with a white feathered quill. Her maid stands silently off in the background, waiting for orders to serve her mistress. What is not typically pictured, is the sadness or boredom echoed on the lady’s face. Perhaps the letter is to a dear friend, not seen in ages, pleading with the friend to visit, in hopes that the friend will fill the void in the lady’s life made from years spent in a loveless marriage; or possiblyk20 the lady isn’t writing a letter at all, but a novel or a poem, never to be read by anyone but her. Edith Warton and Charlotte Perkins Gilman, are 19th Century ladies who dare to share their writing with the world. Through their works, the darker side of a woman’s life in the late 1800’s is exposed. Gender politics in the 19th dictates that a lady is dependent on her husband for her financial security and social standing; that is if she is fortunate enough to marry at all. In Edith Warton’s The House of Mirth, Lily Bart is a beautiful woman in her late 20’s, who fails to marry a wealthy man. The narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper slowly goes insane under her physician husbands misguided attempts to cure her of depression. The downfall of Lily Bart and the narrator of The Yellow Wallpaper is
In the 1700s women were supposed to play the role of doting woman standing by her man virtuous and loving. However, one can say that gender power dynamics could easily be turned when the idea of sex and prostitution in placed in the dynamics. The two texts to support this thesis will be Eliza Haywood’s short story Fantomina: Or, Love in a Maze. Being A Secret History of an Amour between Two Persons of Condition, and Lady Mary Wortley Montagu’s poem “The Reasons that Induced Dr. S to write a Poem called ‘The Lady’s Dressing Room’”.
Many times in literature women and the roles of women are portrayed in a certain light. Today, women are supposed to be viewed as powerful and independent women who do not need to rely on a man. Characters such as Katniss Everdeen from The Hunger Games and Tris Prior from Divergent emerged to portray powerful women. Unfortunately, this was not always the case and characters in pieces such as The Odyssey by Homer and The Aeneid by Virgil were viewed as women who needed help from men.
These literary writings address how women were influenced by a “hermeneutic” belief system that placed women mutually in unity to abide by a societal “patriarchal” power (King and Morris 23). Again, women could not communicate their feelings receptively likewise, their values and conceptions were a reflection from their husbands. Essentially, the essay
The society always queries about the role of women and for centuries, they have struggled to find their place in a world that is predominantly male oriented. The treatment of women was remarkably negative; they were expected to stay home and fulfil the domestic duties. Literature of that time embodies and mirrors social issues of women in society (Lecture on the Puritans). But, slowly and gradually, situation being changed: “During the first half of the 19th century, women 's roles in society evolved in the areas of occupational, moral, and social reform. Through efforts such as factory movements, social reform, and women 's rights, their aims were realized and foundations for further reform were established” (Lauter 1406). Feminist poets like Emily Dickinson and Anne Bradstreet talked substantially about feminism in different lights in the past two centuries. They were very vocal and assertive about their rights and the ‘rights for women’ in general. While they might have been successful at making a good attempt to obliterate gender biases but still there are lot of disparities between the two genders. Nevertheless, their poetry reflects a deep angst.
In the Victorian era, the status of women in society was extremely oppressive and, by modern standards, atrocious. Women had few rights, in or outside of the home. Married women in this period relied on men almost completely as they had few rights or independence. With this mindset in focus,
This powerful statement from Hillary Clinton underpins the injustices of female representation in the past. This silence is evident in the Bible verse, ‘Let your women keep silent in the churches,’ (I Corinthians 14: 34-37) and Virginia Woolf’s concept that “Anon … was often a woman [who could not otherwise get the respect of male counterparts].” (Virginia Woolf, 1928, A Room of One’s Own. PAGE). These are only two examples of how females have been largely disempowered by the male constraints of literature. In recent history feminists have deemed it necessary to research the lost and forgotten females and retell history from a distinctly female perspective. This issue is of significant concern to Carol Ann Duffy, the current Poet Laureate. Duffy subverts fairytales, myths and historical stories to empower women, giving them a voice and allowing their stories to be heard. This essay will argue that Carol Ann Duffy presents a feminist perspective in the poem ‘Little Red Cap’.
Written by John Stuart Mill in 1860-1861, as the Victorian era took place in England, “The Subjection of Women” is a critical piece of analysis in regards to the status of women in society and their unequal relationship with the opposite sex. During Mills lifetime, women were considered to be inferior to men by custom and laws, therefore, it was expected of them to be submissive in nature and to drive their aspirations as far as those of a homemaker, wife and mother could go. Deeply influenced by the ideas of his wife Harriet Taylor Mill, and John Stuart Mill’s own beliefs, “The Subjection of Women” was published in 1869, becoming a piece of literature that would not only challenge the common views of society at the time, but will advocate for different approaches in light of modern times.
The Regency Period in England was an extravagant era often associated with prominent social, political, economic, and artistic advancements. It took place in the early 1800’s and was a time of much elegance and aristocracy. Movies and books set in this time period all seem to highlight the elegance and romance that was prevalent at the time. Famous Regency Era literary works, such as Pride and Prejudice, portray young English women getting their happily-ever-after endings with their true loves. Unfortunately, such endings did not actually happen to real women of the era because they lived very austere and vapid lives. They hardly had a choice in many of their lives’ decisions and had little to no career options. These women were raised
However when looking at the ‘Grasmere and Alfoxden journals’ and Wordsworth’s daffodils side by side through the eyes of a feminist critical thinker and reader, it is difficult to comprehend the unjustness that women in the nineteenth century faced due to its reigning patriarchal society. The idea that no one would’ve bat an eyelid has Dorothy claimed the part she played in Wordsworth’s poem because she was a mere woman both astounds and angers me.
In the past, very seldom did women have influence in Victorian literature, but in this play is opposite and that gives speciality to the play. “Some of the earliest workers for women’s
The role of women in the society is always questioned and for centuries, they have struggled to find their place in a world that is predominantly male oriented. The treatment of women was extremely negative; they were expected to stay home and fulfill domestic duties. Literature of that time embodies and mirrors social issues of women in society (Lecture on the Puritans). But, slowly and gradually, situation being changed: “During the first half of the 19th century, women 's roles in society evolved in the areas of occupational, moral, and social reform. Through efforts such as factory movements, social reform, and women 's rights, their aims were realized and foundations for further reform were established” (Lauter 1406). Feminist poets like Emily Dickinson and Anne Bradstreet talked substantially about feminism in different lights in the past two centuries. They were very vocal and assertive about their rights and the ‘rights for women’ in general. While they might have been successful at making a good attempt to obliterate gender biases but still there are lot of disparities between the two genders. Nevertheless, their poetry reflects a deep angst.