Shop on the Main Street Shot List and Short Analysis

The first shot we see of this sequence is a low angle which shows, quite simply, the sheer enormity of the building Max is about to enter. The shot slowly pans down as the foreboding notes of the score

The long take begins with an alarm clock waking up a couple, sleeping out on their balcony. As the camera moves from window to window around the courtyard, we see a few brief snippets of characters’ lives. And finally, the audience sees inside the apartment that has been its point of view all along. Mise-en-scene, framing, and cinematography

That shot starts with a band commencing their next song, and Lisa and Lieutenant Leopold enters the frame, where the camera starts

Smith waiting frantically, “Gosh Isiah you scared me, you’re lucky I covered for you guys”

She begins to display a building confidence in herself, and an almost amused view of John's orders. When John tells her that she seems to be doing well, in spite of the wallpaper, she has to stop herself from openly laughing. It is at this point, where she is building confidence in herself, that she begins to see the woman in the wallpaper more clearly. She states, “I think that woman gets out in the daytime! And I’ll tell you why — privately — I've seen her!” symbolizing her confidence beginning to emerge.

“When I finished the book Luo had not yet returned, there was no doubt that he had gone to visit the Little Seamstress so he could tell her this wonderful tale of Balzac’s. In my mind’s eye I could see Luo telling her the story and the Little Seamstress listening vigorously open - mouthed. As I was thinking about her I felt a sudden stab of jealousy, a bitter emotion I had never felt before and my desire to be with the Little Seamstress grew stronger. Later that day, Luo came back with leaves of a gingko tree. “We made love there, against the trunk”; those words made me feel somewhat sick in the heart, I didn’t even know that was possible. I strained to imagine it but words failed me... Why does Luo always get everything? He even said himself

believes that the girl the dialogue is about is his wife Desdemona. During the conversation the

-14:20 film time (Uses his daughter Emily and her friendship with Gina to convince her into the car by asked her for help finding

is Tayo’s first ceremony. Betonie and shush are chanting as they cut Tayo’s scalp. After the

Where is June when she says to Day that they are 35 minutes away from Las Vegas?

7 p.m. at Marsha’s house, Tommy knocks on the door and Marsha greets him in. Tommy

‘Coraline woke up in the night’. A close up of the clock then shows 3:12am. This indicates that it is hard for her to sleep, most likely because she is either worried or misses her parents too much. The wide shot and

Next, the audience sees a man in a priest 's clothes hurrying down the sidewalk late at night. The lighting is very important in this shot as it sets a very serious, ominous tone. The character also looks over his shoulder hastily as if he 's worried someone might see him. The camera goes to a wide shot to show that two young girls are right behind Keller as he briskly walks away from his crime. Then the shot fades into Keller walking towards the camera down an alleyway. The lighting is still extremely gloomy and shadowy as he takes off into a dark corner. The next shot has a "revealing" as Keller takes off his priest clothing and he looks around suspiciously.

The clips starts just as Songlian, sitting

The scene changes and Olympia and Bette are in the Marketplace, Olympia is still wailing. Pantalone approaches Olympia walking like a bird, coo, coo sounds, and wearing the outfit. He uses the advice of Truffles, and tries to win her affection. Pantalone talks about himself and parades around with the ridiculous walk.