Short Story Fiesta 1980 By Junot Diaz

Junot Diaz was born in the Dominican Republic and immigrated with his family to New Jersey, where a collection of his short stories are based from. Out of that collection is a short story “Fiesta, 1980”, which was featured in The Best American Short Stories, 1997. This story is told from the perspective of an adolescent boy, who lives in the Bronx of northern New Jersey with his family. He is having trouble understanding why things are the way they are in his family. Diaz shows Yunior’s character through his cultures, his interaction with his family, and his bitterness toward his father.

His mother treats him like a slave, giving him daily chores and unbelievably ruthless punishments. He has become inhuman to her as she refers to him as “It.” The only hope of survival relies on his dad, in God, or in a miracle. His story promotes the courageous human spirit and the determinate to survive.

Thus, the narrator’s father dealt with the same struggle that the narrator and Sonny are facing now. The narrator wants to protect his brother from the darkness of the world that has always threatened to invade their lives but he fails to do so as he is torn by his emotions, which shift quickly from love to hate and he is also unable to express his emotions, feelings and concern towards Sonny.

While traveling to the arroyo, his own “personal Mississippi,” the boy learns he has control over his own actions (453-454). His mother cannot stifle him, and “tell us we couldn’t” go (454). Now understanding that mother does not know and see all, he feels free to make his own choices. A subsequent example of his autonomy is characterized when he begins his quest into the hills. Not believing his mother that the hills hold no adventure, he is certain she “was keeping something from us” (456). Adept at handling all that nature has to offer, he journey’s further up the hill because his “mother could still see us” (456). This lack of trust and the independence that comes from not being under his mother’s watchful eye fuels his budding autonomy. The boy’s innocence further dwindles as he rebels, and gains independence from his mother. (199)

Here we are revealed more about human nature. Just like any society that instills fear into its followers or citizens that is exactly what the father does with his family. The father is the figure of power of this family and instead of leading with love and kindness he demonstrates his power through fear and dominance. We are able to see that the family in itself is a whole and loves each other, yet there is this rift between each family member that is threatening to tear it apart. For example, when Yunior gets in trouble with his father and his brother is around instead of standing with Yunior and speaking up Rafa backs away and avoids any confrontation with their father in order to avoid his wrath. This makes Yunior look down on his brother in a sense that Rafa doesn’t have his back at times when he needs him most, so he truly can’t trust him (Shreve & Nguyen, 2006). This is just the small part of the family for there are even parts of the whole family that act in a similar fashion.

The author creates themes of commonality that are relatable to many in this story story. There is a crucial moment in rebellious child’s lives that pushes them to act out. For Lola this happens to be her mother and her battle with breast cancer, “with her cancer there wasn’t much she could do anymore” (Diaz 5). Lola,

While George and I share same social aspects we also share some personal aspects with each other. Like George, I was left without a father figure in my life. George’s father and my father left around the same time in our lives, which I find particularly interesting. Our fathers left when we were between the ages of seven and ten years old. As our fathers left we were looked at as the “man of the house” in our household. This might seem like a big responsibility for young boys our age but, we established ways to make a positive result for ourselves and those affected by the situation.

He describes it a poor and violent setting, where parents were scared of their parents

Baca witnesses his father physically and verbally abuse his mother, so it leads him to violent behaviors when he grows up. Baca’s father, Damacio, becomes an alcoholic after he loses his job at the DMV and “he is having trouble getting the jobs that the politicians promised him” (11). Even though Baca witnesses his father argues and threatens his mother any time his father gets home, he cannot do anything to help his mother. In chapter one, Baca states, “I would brace myself for a fight”, to show his anger as if he wants to fight to protect his mother whenever he sees his father threatening his mother (12). Additionally, Baca’s father also abuses him. After his father finishes arguing with his mother, he finds Baca, and “[tosses] him in the car and [drives] away”; as a child, Baca is scared and terrified because he never knows where his father is taking him to

As children grow up in a dysfunctional family, they experience trauma and pain from their parent’s actions, words, and attitudes. With this trauma experienced, they grew up changed; different from other children. The parent’s behavior affects them and whether they like it or not, sometimes it can influence them, and they can react against it or can repeat it. In Junot Díaz’s “Fiesta, 1980”, is presented this theme of the dysfunctional family. The author presents a story of an adolescent Latin boy called Junior, who narrates the chronicles of his dysfunctional family, a family of immigrants from the Dominican Republic driving to a party in the Bronx, New York City. “Papi had been with

One thing all human beings, have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and family expectations were major obstacles as they struggled to establish their identity.

I think Yunior is the opposite of his brother Rafa. Instead of hiding his emotions and keeping everything inside, he looks for attention by acting out. He’s always in trouble, getting a “whack on the nalgas”, or a “slap on my neck”. The year when Papi was supposed to return, he threw tantrums, got hit and was punished almost every day. He rebelled by tearing his clothes, just to hurt his mom. On the day when Mami leaves

Self preservation and personal comfort, another consistent theme throughout the story is continuously perpetuated as generation-after-generation of residents are introduced to the unspeakable treatment of this helpless child. Ironically when first exposed to the atrocity, most children were more disgusted and outraged by the horrible predicament of the child than the adults who by all accounts should have been responsible for its protection. This obvious moral role reversal signifies a purity and innocence that is often present in a child’s perspective that is untarnished by corrupt societal teachings and norms. Additionally, the comparison between the moral integrity of

One thing all human beings have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and familial expectations were major obstacles as they struggled to establish their identity.

To practice machismo, also known as masculinity in a Dominican culture, males have to hide their flaws and act a certain way. If men express their un-masculine nature, they will be seen as expressing their weakness. In Drown written by Junot Díaz, contains many stories about Dominican Republic male struggles as an immigrant in America. One of the struggles Díaz expresses in his text is appearing masculine in society’s eyes. From the story “Drown”, the unnamed narrator expresses what it means to be masculine. “Boyfriend” is a story about another unnamed narrator observing his neighbor’s relationship, and comparing it to his own past. Yunior, the narrator of the story “Negocios”, explains the history of his father Papi, also known as Ramón. Society creates many definitions for what it means to be masculine, leading the narrator from “Drown”, the narrator from “Boyfriend”, and Ramón struggling to choose between doing what they want for themselves, or do what society wants to see.