Short Story : ' The Borderlands '

The mother in “Borders” by Thomas King reveals her pride and courage for her identity as she crosses the border to visit her daughter Laetitia in Salt Lake City. Challenges like self-identity are faced every step of the way, but it a person with pride and bravery who accepts it gladly. This is best demonstrated by King and his use of conflict, repetition and literary devices.

Cristina Henriquez’, The Book of Unknown Americans, folows the story of a family of immigants adjusting to their new life in the United States of America. The Rivera family finds themselves living within a comunity of other immigrants from all over South America also hoping to find a better life in a new country. This book explores the hardships and injustices each character faces while in their home country as well as withina foreign one, the United States. Themes of community, identity, globalization, and migration are prevalent throughout the book, but one that stood out most was belonging. In each chacters viewpoint, Henriquez explores their feelings of the yearning they have to belong in a community so different than the one that they are used to.

Gloria Anzaldúa writes of a Utopic frame of mind, the borderlands created in and lived in by the new mestiza. She describes the preexisting natures of the Anglos, Mexicanos, and Chicanos as seen around the southwest U.S. / Mexican border, indicative of the nations at large. She also probes the borders of language, sexuality, psychology and spirituality. Anzaldúa presents this information in various identifiable ways including the autobiography, historical/informative essay, and poetry. What is unique to Anzaldúa is her ability to weave a ‘perfect’ kind of compromised state of mind that melds together the preexisting cultures while simultaneously formulating a fusion of genres that stretches previously

Alberto Rios claims that the border is unnatural, complex, and seen as a boundary. He discusses empathetic relationships in a global society when he uses many literary devices to claim that the border is an unnatural thing in a natural world, it has become so complex that it is unrecognizable, and that many people view it as a boundary when it should be viewed as what joins us together. The border is unnatural because it is something manmade placed in the natural world as if the people believed that it was supposed to be natural as well. What started as a simple rancher’s fence to fix a simple problem, quickly escalated to be something as complex as a third grader trying to understand calculus. The people view the border as a boundary meant to divide when in reality, it is what joins us together as a global society.

During the Mexican-American War the border moved, but the people didn’t. History has shown us that no matter how thick the border might be Latino Americans have a strong connection to their culture and roots; instead of assimilating, Mexicans live between two worlds. The film, Ballad of Gregorio Cortez gave us a perspective of two cultures; “Two cultures- the Anglo and the Mexican- lived side by side in state of tension and fear” . Cortez is running for his life as he heads north, while the Anglo believe that because of his Mexican ethnicity, he would travel south to Mexico. Throughout the film there were cultural tensions and misunderstandings; language plays an important part of someone’s identity, and for many Latino Americans Spanish is their first language. The Ballad of Gregorio Cortez also shows us that language plays an important role, and can cause confusion between two different groups. For example, Anglos refer to a male

In this Chapter I feel that Anzaldua is trying to get the reader to understand the differences and atruggles amongst cultures. The clash of cultures results in mental and emotional confusion. Living inbetween more than one culture, you often get opposing messages from these cultures. Sometimes when living within the Chicana culture common white beleifs conflict with the beleifs of the Mexican culture. They both hold beleifs of the indifinous peopel and their culture. It creates a problem that the dominant cultures views and beleifs are defiant to the others. This is very wrong because it creats the problem of one being superior to the other. This especially relates to the Mexican culture and white culture. This creates the assimilation problem when one culture is not accepted or considered below another.

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are

Anzaldua identifies as a part of an emerging new mestiza consciousness and community, which strives to move beyond simple dualistic thinking and endeavors to “act and not react” This important contradiction lies at the heart of Anzaldua’s analysis. “From this racial, ideological, cultural, and biological cross-pollicization, an ‘alien’ consciousness is presently in the making — a new mestiza consciousness, una conciencia de mujer. It is a consciousness of the Borderlands.” (Anzaldua, 1987, 420). Anzaldua’s proposition of the new consciousness mediates social relations, revolutionary social change, and its wider relevance to feminist theory through discussions of the Borderlands and its implications for ‘identity.’

The racist connotation that Miss Jimenez associates with who she thinks would “fit in” society’s box is a definite reflection of the hardships Valdez witnessed in his community. For example, the Zoot Suit Riots that occurred in 1944 was rooted by a reaction by young Mexican-American males against a culture that did not want them to be a part of it. Stuart Cosgrove examines this issue when he states, "In the most obvious ways they had been stripped of their customs, beliefs and language.” (*Vargas 317) These youths were going through an identity crisis because they did not know which culture they could identify with. Miss Jimenez is a character that embodies that repression Valdez explains in “Los Vendidos.”

The ideas of borders, boundaries and border crossings are increasingly employed in a metaphorical sense that does not always refer to the physical border. These borders are progressively used to represent social and cultural boundaries. A cultural border indicates that a more powerful side constructs it’s own cultural knowledge and has added political power and privileges. When understanding the concept of borders, it is important to understand that borders are being referred to in a literal sense and in a figurative sense. The term literal can be referred to as taking words in their most basic sense without adding exaggeration or metaphorical meaning. The term figurative can be described to as departing from the literal use of words and adding metaphorical meaning. Figurative notions of borders within race have been a primary concern for the novels Follow the Rabbit Proof Fence by Doris Pilkington and Remembering Babylon by David Malouf. This essay will discuss and analyze the concept of figurative borders and what these borders represent. Lastly, this essay will explore in detail the concept of figurative borders within the two novels. Follow the Rabbit Proof Fence and Remembering Babylon have numerous

It’s inevitable for somebody to find themselves in the middle of an important transition in their lives. Humans will grow and age as time goes on and with time, they will begin to discover who they are as individuals. Whether they’re moving to a new home, publically announcing their sexual orientation, or embracing a new identity, transitions and changes are bound to occur. Gloria Anzaldúa recognizes this concept in her essay “Border Arte: Nepantla, el Lugar de la Frontera” by stating “Nepantla is the Hahuatl word for an in-between state, that uncertain terrain one crosses when moving from one place to another, when changing from one class, race, or sexual position to another, when traveling from the present identity into a new identity.” (Anzaldúa 180) This state of nepantla is the middle of the crossroads in moments in our lives. It identifies the middle section in between two locations or destinations as its very own. For example, a person could be in a situation that calls for them to go from Point 1 to Point 2 in any kind of situation. Nepantla would be seen as Point 1 ½. It’s this middle ground that is dealt with in various kinds of ways. A method of assessing this grey area is mentioned by Anzaldúa in her essay. She introduces the idea of “border arte” as a medium to channel the state of Nepantla. It’s very subjective from one individual from the next on what could be considered border art.

What I'm going to talk about is four major themes from the book, Borderlands La Frontera by Gloria Anzaldúa. The four major themes I chose to talk about are first, how you shouldn’t be ashamed of yourself, then how Anzaldúa shows deviant behavior throughout the book, also, how she found herself through poetry, and lastly, America’s melting pot.

With the increase of Mexican immigrants present around Topanga Canyon, the residents of the suburban gated community, Arroyo Blanco, begin to feel as though their suburban space and spatial identities are being threatened. In an effort to combat that threat, the residents of Arroyo Blanco redefine their space and build a wall around their community. Through Arroyo Blanco's residents' Delaney and Kyra Mossbacher's experiences with Cándido Rincón, José Navidad, and the coyotes surrounding the Arroyo Blanco community of Topanga Canyon, Boyle conveys the futility of erecting walls as a way to preserve suburban space and suburban spatial identities in a post-suburban environment like Los Angeles.

One must learn to adjust themselves to the dominant culture while having their own cultural values, Anzaldua called it “plural personality”. Mestiza for her is possibility of thinking at border length. Rejection of binary thinking of border and it system of diffraction. All cultural identity is built in the story that is being told which passed down culture, identity and traditions. This encourages tolerance of ambiguity. There’s no Mestiza for her because it’s tainted and forged through power and domination. It’s a combination of inequality, rejection of traditional culture and the acceptance to create a new culture that gives rise to a new consciousness. Anzalua’s “new” identity is very significant to idea to a certain extent, other than defining herself according to society’s definition of what constitutes being Hispanic

Borderlands/La Frontera: The New Mestiza by Gloria Anzaldua is full of personal narratives detailing the visible and invisible “ borderlands “ that exist within a race, gender, sexuality, and spirituality. Her essays and poems are based on her own personal experiences as a Chicana and lesbian activist. Through her writing, she challenges the true definition of the borderlands as more than a simple line that divides different cultures. It calls for those who are oppressors to change their attitudes and show support to those of the borderlands. By writing in both English and Spanish she expresses how one language would not be enough to describe her Chicana literature.