Shrek and His Modern Princess Essay

But in one of the scenes, where Shrek, Fiona and Donkey are in the woods, the Marry Men show up. At this moment it is Fiona who takes action against the men and ends up beating them up. While this is happening Shrek and Donkey are sitting there staring. Fiona takes care of all the men while Shrek and Donkey do absolutely nothing to help. This event surprised the two of them that they were speechless when she was done. So in Fairytales it is usually the prince that has to save the princess from evil but this changes everything.

Nowadays, when we hear Shrek we think of him as an icon of the internet. In a world where appearances seem to be societies focus, Shrek 2 reminds us that looks are fleeting, but what is on the inside is what is important. Shrek 2 is a movie written in 2014 that follows the main character, Shrek an ogre, on his journey in the kingdom, Far Far Away as he tries to acquire the approval of his wife’s, Fiona also an ogre, parents which are the human king and queen of Far Far Away. Overwhelming, the movie is able to depict a fantastic children’s romantic fairytale by teaching a life lesson in the use a medieval style with numerous references to pop culture and iconic soundtrack.

Fairy tales are timeless entities that will always be relevant in people’s lives. Fairy tales and stories offer entertainment, advice, and moral examples. The creation of fairy tales is important in the development of social norms. Children everywhere would read fairy tales and learn from them. As a result, these fairy tales are translated into multiple languages and allows people with different backgrounds to understand and relate to the story. People take these stories and adapt them to life around them. Within these adaptations of the same story, it is normal to observe slight differences that contribute as evidence in identifying the culture or societies in which these stories come from. Whether it is the slang of the dialogue or the change of location, modern producers and writers are known to take these classic stories and adding a significant twist to adjust to their cultural agenda. The movie, The Princess and the Frog, is a modern example of writers and directors creating a modern twist to the popular story of the Brother Grimm’s The Frog King. The Princess and the Frog and The Frog King both encode the mores, values, and beliefs of the cultures of the societies from which they come because, even though they both have similar plot ideas, the differences of the location and the differences of the overall specific plotlines attribute to understanding how their own specific cultures influence the adaptation and the actual story.

People have always watched fairytales at a very young age, growing up to believe in them. Some watched them to obtain some kind illusion, for pure entertainment, and others for the sake of love. However, not every fairytale has a purpose of giving us an illusion, of entertaining us, or making us believe in love. Shrek is not a typical fairytale. Even though many people see Shrek along with other fairytales as any other movie created for entertainment, it is a satirical critique of the archetypes involved in a fairytale. While in many fairytales we have a knight, a damsel in distress, a partner, and a villain, Shrek changes

4. When Princess Fiona is rescued, she is the embodiment of a damsel-in-distress who was waiting for her "prince" to come rescue her. Later on in the film, she stands up for herself and does not wait to be rescued, breaking stereotypes based on sex and gender.

Shrek began as an animated movie from DreamWorks Studios in 2001 based on a children’s book of the same name. It was a huge success, spawning three sequels, a spin-off, and the musical adaption reviewed here. The movie, about the eponymous ogre hired to rescue Princess Fiona by Lord Farquaad, is an irreverent take on traditional fairy tale conventions, and subverts many of the most common archetypes found in fairy tales. Though tongue-in-cheek and at times slightly crude, the themes of reserving judgment and the value of friendship are distinct throughout.

In the beginning, Shrek enjoys living in the solidarity of his own swamp. After saving donkey, Shrek gets the message that Lord Farquaad wants all fairytale characters out of the royal city of Duloc, and that he will be dumping all the fairytale characters into Shrek’s swamp. Shrek, who loves being alone but is now bombarded with all the fairytale characters, is furious. Shrek goes and visits Lord Farquaad, and is told that if he rescues Princess Fiona, he can get his beloved swamp back.

Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite

Overall, the film Shrek, provides an outstanding example of contemporary satire that is not only indirect and horatian but also well-known to society. Through what appears a children’s film, Dreamworks has effectively tackled one of society’s pressing matters when addressing society's unrealistic expectations of perfection in accordance to fairy

Growing up, most people read fairytales such as “Cinderella” and “Little Red Riding Hood”. These stories set up some sort of expectation for what life will be like. However, fairytales are just as messed up as life. DreamWorks created the movie Shrek to make fun of fairytale’s social prejudge and idealism. Shrek uses reversal and irony to create a satire about the flaws of fairytales.

Shrek and Reversal of Fairytale Tradition Shrek directed Andrew Andamson and Vicky Jenson by contradicts the traditional view of a fairytale characters and settings. Although your first impressions may lead you to believe that that the story is totally different to a traditional fairytale looking more closely you find that there are a few similarities. This essay will be looking at the characters and the different presentational devises used to show how fairytale traditions are reversed. The presentational devices which are looked at are camera angles, lighting and music. In a traditional fairytale you would expect to find a prince and a princess who fall in love and live happily ever after.

Fiona, starting out as a beautiful princess and turning into an ogre herself, gives the same example of gender representation as Shrek. One very interesting thing about her character in addition to her perfect behavior as a princess and expecting Prince Charming to rescue her, which represents her feminine character as typical, is her masculine characteristics that are much unexpected, such as burping and fighting like men when she gets attacked by Robin Hood and his men in the first movie. Also, the way in which she is scared that that Shrek would not like her as an ogre, is something that is unusual, however, shows some feminine aspects of society, such as being afraid for not being accepted or liked based on appearance. Her support towards Shrek in the second movie when she rather walks away and cry by herself, also underlines her femininity, through the scene of her Feminine speech where she is trying to encourage the good relationship between Shrek and her family, inviting everyone into conversation. Hence, her character displays the idea of a shift from masculine to feminine characteristics which clearly demonstrates that sometimes gender characteristics might shift according to personalities, and people should not really stereotype gender because it is relative to the individual. As far as

In the movie, we meet Princess Fiona. She is beautiful and is looking for her Prince Charming. Shrek is far from a handsome prince and is not what Fiona was expecting. It turns out, Fiona was not a normal princess, but actually a secret ogre at night. This is ironic because she would make fun of Shrek during the day and get angry at how he was not supposed to rescue her since he was not handsome.

`Shrek' is the ultimate fractured fairy tale, a film that manages to simultaneously honor and lampoon the conventions of its genre without becoming smug or condescending in the process. For while it is sardonic, `Shrek' is never cynical, so confident and assured are its makers in establishing and maintaining just the right tone for a revisionist exercise such as this one. The film certainly conveys a modern sensibility, yet it is a gentle sort of iconoclasm that allows us to enjoy the more conventional aspects of the story (the happily-ever-after ending, for example) even as we are laughing at the obvious absurdities contained within them.

Films, such as the children movie Shrek are also to be blamed because of their projected image of a princess. Although this film is fictional, it sends a negative message that no one would love someone who was ugly. In one scene, she expresses her feelings with another character named Donkey saying, “I’m a princess, and this is not how a princess is meant to look… Take a good look at me, Donkey. Who could ever love a beast so hideous and ugly, Princesses and ugly don’t go together” (Shrek). Fiona at this point was an ogre, although by her statement it showed that someone ugly couldn’t be a princess, because that wasn’t “normal.” Naturally becoming an ogre in real life is unrealistic, however the message of the movie gives off the representation that in order to have a perfect happy ending, similar to these fairytales, a woman must be beautiful, and petite; just as princess Fiona was when the curse wore