Shusaku Endo Silence Summary

“Silence is violence” is a common phrase used by people nowadays which references people who lack initiative when it comes to speaking out against oppression. The same phrase could be applied to the ideas within Shusaku Endo’s novel, Silence. Endo was clever to name his novel Silence, because the word is a very prominent symbol within the story. In fact, it plays a crucial role to the development of the main character. Although some readers may argue that the role of silence in the book is neutral, I claim that silence plays a negative role for the characters because it is what causes protagonist Rodrigues to renounce his faith. In the story, it represents the silence of God, which induces Rodrigues to question his religion through the torture of innocent Japanese Christians.

This research essay will examine how the Isolation policy, introduced by the Tokugawa shogunate, was a turning point in Japanese history. The first section of the essay will discuss the rationale for the policy’s introduction. This will be followed by an analysis of the short and long term effects this policy had on Japanese Society.

Julie Otsuka’s novel When the Emperor was Divine leads the reader through the journey of one family that represents many as they are placed in an internment camp for the crime of being Japanese. Otsuka brings to light the persecution of Japanese-Americans through her use of symbols prominent throughout the book. Some of the most important being the symbol of stains, their family dog, and horses. Each has a double-meaning pointing towards the theme of widespread racism. Racism that led many Japanese-Americans into believing that they were guilty.

Musui 's Story is a samurai 's autobiography that portrays the Tokugawa society as it was lived during Katsu Kokichi 's life (1802 - 1850). Katsu Kokichi (or Musui) was a man born into a family with hereditary privilege of audience with the shogun, yet he lived a life unworthy of a samurai 's way, running protection racket, cheating, stealing, and lying. Before we discuss how Musui 's lifestyle was against the codes that regulated the behavior of the samurai, it is essential that the role of the samurai in Japanese society be understood.

The Japanese empire was in great power by this time period, and they thought themselves as the king of the East Asian race. Japan, the “old order”, also believed that some day Europe and America would take over their power and become the “new orders”(Doc A). Japan was one

In Giles Milton’s novel, Samurai William, the reader is taken to the other side of the globe to experience the history of old world Japan. Though out the book, Milton provides reason for complex historical events and actions, while still communicating the subtleties and mysterious customs of the Japanese. The novel also closely examines the wide range of relationships between different groups of Europeans and Asians, predominantly revolving around the protagonist, William Adams. The book documents the successes and failures that occur between the two civilizations, then links them back to either the positive or negative relationship they have. As the book goes on, the correlation is obvious. Milton shows us the extreme role that religion,

In Silence, a Portuguese missionary named Father Rodrigues travels to Japan in an effort to convert the Japanese to Christianity. He also hopes to find out the truth behind rumors that one of his old teachers, Father Ferreira, had become apostate during his time in Japan. While on his expedition, Father Rodrigues sees and experiences the torture that Inoue, the magistrate of Chikugo, inflicts on followers of the Christian faith. However, he allows Japanese Christians to be tortured and killed because of his refusal to apostatize, which reveals that he may not be as selfless as he appears outwardly.

He is well aware that his defense of Japan's tight society is subject to criticism, and at the end of his book he concedes the widespread corruption underlying so many Confucian societies, the diversity that makes overall judgments tricky and the racial homogeneity that may play a great part in enforcing Confucian harmony. But he sticks to his central thesis, fortified by his obviously pleasant recollections of living in Japan.

Throughout the work, Fujitani draws evidence from, and references, a plethora of different sources that add validity to his statements and accounts of not only what the Japanese and United States did, but also why they acted the way they did. In a time of war, both countries took different actions that were not readily understood. Japan

The foundation of Japanese imperialism, which eventually led to World War II was in the Meiji Restoration of the 1870’s. At that time, pro-war sentiment and desire for national strength and growth arose as the national attitude of the Japanese people. Certain groups, which advocated return to the traditional Japanese ways, began to grow in power. Shinto, the traditional religion of Japan, was revived with a new emphasis on emperor worship. By the time Emperor Hirohito assumed power in 1926, the nation was ready for a second restoration.1

Sebastian Rodrigues’ priestly lifestyle defines his values and perspective on life through his eagerness to spread the word of God. Endo begins to introduce the themes of isolation and despair through an apostatized Catholic Priest. Christovao Ferreira had, according to Rodrigues, been faced with the possibility of a glorious martyrdom, but instead had “grovelled like a dog before the infidel” (Endo, 14). Rodrigues’ referral to the Japanese as the infidel creates this original

In the essentially dual religious system in Japan, ideologies and traditions play a heavy role in the everyday life of the Japanese people. Shintoism and Buddhism intertwine and complement themselves in Japanese culture, despite Buddhism coming in from mainland Asia. A particularly powerful idea from Buddhism is mono no aware, the realization and acknowledgment of the impermanence and its place in the world. This idea that nothing stays the same forever manifests itself heavily in Japanese literature, whether in personal writings or fictional works. Despite spanning hundreds of years, each work was shaped by and include manifestations of mono no aware. I intend to underline and pinpoint instances that mono no aware is influencing these works, and discuss similarities and differences between them. In this paper, I have three works that I will explore, each one corresponding to a different time period before the pre-industrial revolution; The Diary of Lady Murasaki comes from the classical period, Essays in Idleness from the medieval, and the immensely popular play Chushingura from the pre-modern era.

            Throughout history most of Asia has been viewed as strange and exotic by western cultures.  This is especially true for Japan, because, unlike other Asian nations Japan was isolated from western culture until around the year 1542 when the Portuguese landed at Tanegashima (Bryant 14).  There are several reasons for Japan’s solitude, most of them geographical.  One of the primary reasons is what the Japanese call kamikaze, or divine wind (Bryant 24).  These strong stormy winds blew across the waters surrounding Japan, making it quite difficult to approach the island.  Japan is also quite far away from most western nations, especially since the ships had to sail around Africa to get to it.  When the

Japan is an unique oriental country in many aspects, especially in politics and economy, both western practices and traditional nationalism are coexisted in this country. The period 1890-1940 was just followed the Meiji restoration, and was typical in the history of Japan, at that time, Japan was on the way from a feudal country to a capitalistic country, called modernization. Many western practices were being more and more adopted, however, at the same time, traditional rules still had strong influences in Japan. Under this background, this report will discuss the Japanese cultural factors during 1890-1940 that influenced the disclosure

Avakian, Monique. The Meiji Restoration and the Rise of Modern Japan. Boston: Silver Burdett, 1991. 38-54.