Shutter Island, By Martin Scorsese

Every child in this study also experienced delusions, which were sometimes linked to their hallucinations. These were also somewhat simple in nature compared to the delusions adults experience, but not so simple as the hallucinations. One vivid example of a delusion experienced by a child was his belief that there was a baby in his throat that was telling him to kill himself, leading him to eventually reach down his throat to try to remove this baby. These delusions also seemed to last for a shorter span of time than the hallucinations.

Directed by Martin Scorsese, Shutter Island is an American mind bending thriller film based on Dennis Lehane’s 2003 novel also named Shutter Island. Leonardo DiCaprio takes the lead role as a U.S Marshall named Teddy Daniels, who along with his partner, Chuck Aule (played by Mark Ruffalo), are investigating the mysterious disappearance of a patient at a highly guarded and isolated psychiatric penitentiary located on Shutter Island. Teddy Daniels runs about the island trying to uncover the mysteries of the Shutter Island psychiatric ward, only falling deeper into the conspiracy, all the while dealing with his past horrors and hallucinations that somehow help him in his investigation. As the plot unfolds, vivid scenes and music help reveal

A few things that I would like to touch on that the DSM-IV-TR does not list for Delusional Disorder is the extreme violence that Andrew has exhibited. He nearly kills an inmate in Ward C, knocks out a guard outside the lighthouse, and would’ve killed Dr. Cawley (Ben Kingsley) if given a real gun. Andrew also sets fire to a car and in different scenes, we see a very angry side of him.

In Wes Anderson's The Grand Budapest Hotel, I believe the movie's design has a unified feel. By understanding Anderson's approach to cinematography, we can tell that the costume and visual designs ensemble a true Wes Anderson's film. In fact, he is indulged with patterns and lively colors. His plot mainly reflects an old- fashioned, nostalgic feel and he is a bit playful with camerawork. On the other hand, the Grand Budapest really feel like a lively, happy hotel. The use of colors and contrasting hues made the setting almost looks like a painting. For example, the frame narrative where the Grand Budapest Hotel became the setting, the mise-en-scène and the lighting of the film become almost too symmetrical and mannered, especially during the

According to Freeman (2008, pp. 24–26) delusions are multidimensional. In addition to mentioning the main characteristics of delusions such as being unfounded, firmly held, and resistant to change but also preoccupying and distressing, he also mention that they interfere with the social dimension of a person’s life. The author described the types of delusions as Functional versus organic,( ‘organic’ if it was the result of brain damage and ‘functional’ if it had no known organic cause and was explained primarily via psychodynamic or motivational factors.) ,Monothematic versus polythematic, (polythematic in that they extend to more than one theme, where the themes can be interrelated and ,monothematic where apart from the content of delusion itself, no other (unrelated) bizarre belief needs to be reported by the same person.), Circumscribed versus elaborated, (A delusion is circumscribed if it does not lead to the formation of other

“We all go a little mad sometimes,” and that could possibly be exactly how many feel after watching Psycho, released in 1960, and directed by Alfred Hitchcock. Hitchcock took a different route in terms of plot and structure for the typical Hollywood style. Psycho, like a young child never stops asking questions, it leaves us in a state of doubt and unbelief. It is classic horror, with the numerous jump scares leaving us at the edge of our seat, as every moment passes. Yet in the beginning, it 's seems to portray a rather classic form in a sense, a near-Aristotelian story. A woman who appears to be the main character in love, who is then faced with a problem, not enough money to marry her love, who then steals money to help build a future

symptoms of delusions (Frank, 1998). According to Foster and Levinson (1998) this client has a

Classic symptoms of delusional disorder are varying degrees of visual hallucinations (although not normally as prominent as shown in the story) and olfactory hallucinations related to the delusional theme(s) or object(s). Delusional disorder does not markedly impair psychosocial functioning or cause a person to display odd or bizarre behavior when other people are known to be present. Undetected and/or untreated delusional disorder often degenerates into schizophreniform disorder, or even full blown schizophrenia, and the delusions take control over the person's mind (DSM - IV Diagnostic and Statistical Manual of Mental Disorders 290, 296 - 301). The person's every action is in response to the perceived actions of the delusion, very similar to what occurred to Jane in the story. In Jane's case, the symptoms ended up flying way out of proportion simply because she had nothing else on which to focus.

A multiple regression analysis was run to predict delusional ideation from pathology severity, perception, memory, speak vs. hear, and imagine vs. hear with forced entry. There was linearity as assessed by partial regression plots and a plot of studentized residuals against the predicted values. There was independence of residuals, as assessed by a Durbin-Watson statistic of 2.011. There was homoscedasticity, as assessed by visual inspection of a plot of studentized residuals versus unstandardized predicted values. There was evidence

These symptoms are: Delusions which are strange beliefs that are not based in reality. Another positive symptom are hallucinations which makes people hear voices, feel touched when they are not touched and see things that are not really there.

No Exit, a play written by Jean-Paul Sartre that debuted in 1944, has many similar themes to the movie The Breakfast Club, written and directed by John Hughes. The play No Exit is perceived as taking place in literal Hell and describes the interactions between those who have died and have been placed in a room together. In The Breakfast Club, students have been put in a metaphorical “hell,” detention, and spend a full day together in the school’s library. For characters in No Exit, trying to deal with other creates a living hell and ends with each of the characters hating one another because they do not help each other; while in The Breakfast Club the characters end up accepting each other after going through the same “hell” because they learn and accept each other.

‘The Grand Budapest Hotel’ (Wes Anderson, 2014) combines a perfect mix of nostalgia and history. The film explores the themes of war as it recreates history through mise-en-scene. Anderson also incorporates other themes such as racism and elitism during pre-war Europe. The film widely explores Europe from many viewpoints, one of which is of Mr Moustafa. His nostalgia is seen through flashbacks of when he was a lobby boy that went by the name of Zero. As an audience the depth of his nostalgia is seen through mise-en-scene. With the help of cinematography and props we see can see the time and place that Moustafa acknowledges. Anderson shows how history is reimagined through ones nostalgia. Mr Moustafa recalls events, which he was not present in yet he explains them as if he were there. This also shows how one reimagines history from another due to emotions and personal attachment. Despite the outcome being the same there are many viewpoints it can be seen from.

In the Film The Pianist directed by Roman Polanski. We witness a scene where Szpilman is injured, filthy and starving he rummages around looking for anything to sustain himself. He finds a can of gherkins which he struggles to open he finds some fire stoking equipment and begins opening the can however due to the state of Szpilman he drops the can and the contents falls and drains at the soldier 's feet. In the Hosenfeld scene Points which will be covered are the visual aspects, the aural elements, the mise en scene aspects and post production elements and how all these elements relate to the “big Idea” of having something or someone to hold onto can make you stay focussed and not give up.

Shutter Island, directed by Martin Scorsese, contains an intense and intriguing plot line especially when viewed from a psychoanalytic perspective. Edward “Teddy” Daniels, a US Marshal and WWII veteran travels to an isolated island to investigate a case of a patient who has run away from Ashecliffe Hospital. Alongside Teddy is his partner Chuck; they both investigate the disappearance of Rachel Solando—a criminally insane patient who was admitted after drowning her three children. Before fleeing the mental institution,

Plot twists are creatively applied to Shutter Island. Presented at the start of the film, when Teddy Daniels arrives on Shutter Island, Teddy Daniels is a U.S Marshall. This conveys that he is solving the case of a missing patient who had escaped. Most importantly, he is searching for the killer of his wife, Andrew Laeddis, who is supposed to be a patient on the island. To start the paranoia, Chuck Aule says “What if while you were looking into them, they were looking into you?” Chuck identifies the paranoia to unconsciously throw the audience off guard and Teddy Daniels then seeks to discover the disturbing truths of the institution. As the truth is clarified, the plot of the film seems to be apparent. As the core plot of Shutter Island is to find out “Who is 67?” said by Chuck Aule, it is not until the end that everything is clarified. Teddy Daniels is in fact the missing “patient 67” who is Andrew Laeddis. He then is disturbed with the truth that