Shutter Island Film Analysis

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

Analytical Thesis: Get Out is a psychological thriller that analyzes the racial issues in modern America through the use of visual rhetoric: such as film noir, symbolism and metaphors.

When defining the possible limitations of the “Empathy and (Film) Fiction”, it is in high priority to consider the experimental set in the research and the film examples Neill provides in the essay. The set of examples the author uses in the essay does correspond only to the award-winning or highly-rated films that are assumed to be “good” in evoking the empathetic or any other emotional response. This excludes possible alternative response to “bad” or “not-so-good” films. In addition, Neill does not cover many other cases of the empathetic response to the fictional character; thus he ignores the complex set of emotions the audience usually expresses (e.g. the antagonist as the main character, disgusting scenes etc). As a result, deficiency of the elaborate experimental set generates more questions in the issue. At the same time, however, the strength of

Literary devices will be a primary source used to compare and contrast the narrative and stylistic choices made in the short story, “Harrison Bergeron” by Kurt Vonnegut, and the film 2081 directed by Chandler Tuttle. In the film the director is able to express visuals, sounds, and physical characters, to establish a firm idea of how the characters within the story act and feel based on their surroundings and what is happening around them. However, an Author in a short story is reliant on his words alone to paint the picture for the reader to understand the movement of the plot and its impact on the atmosphere. The literary devices used in creating and shaping pieces of literature will heavily impact the point of view of the

Sixteen candles was written by John Hughes, this movie was his first 1980s teen movies. Hughes was inspired by Molly Ringwald, to write the screenplay. As, he was finishing up writing the screenplay for Mr. Mom and National Lampoon’s Vacation, Hughes' agents at ICM gave him a stack of photos of young actors. When he was going through the stack he noticed Molly Ringwald, then began write the screenplay for the Sixteen Candles. John Hughes finished the script over a single Fourth of July weekend. Hughes also was so impressed with Anthony Michael Hall's performance in National Lampoon's Vacation that he created the role of Ted “The Geek” just for him. Michael Schoeffling got the role of Jake Ryan, as the leading male because of his good

Textual form is an issue which divide many critiques and audiences. Some view texts as a form being superior and more expressive, whereas others may view film as to be losing its credibility of expression. Never the less it is adamant that through a comparative study of two differing forms exploring similar ideas it becomes clear that one form isn’t always superior over another. Mary Shelley’s Frankenstein (1818) and Ridley Scott’s Blade Runner (1982) mirror this thesis. Whilst being

Tim O’Brien’s novel, The Things They Carried, the chapter “Spin”, highlights how when a writer formulates their story, certain details will always be intentionally left out, and by stringing together disconnected ideas and memories, O’Brien reveals that distortion is ineluctable. Writing lies on the fundamental principal that writers have the ability to manipulate people into believing what they say by highlighting certain facts and ignoring others.

Though there are often set social constructs in high school formed through a need to conform, the actions of the students are in reality the reason the psychological hierarchy and norms persist. Students rely on stereotyping and prejudices in order to take away power from some and empower others. Once the groups have been formed through the appraisal of superficial appearance, athletic ability, and social charisma they are relatively set in stone and have set a protocol for social interactions. The prejudices originate from three distinct perspectives, motivational, economic and cognitive. Motivational perspective states that humans form prejudices once they are motivated to view their own ingroup more favorably than outgroups. In the movie Heathers, the popular

The movie “Gone with the Wind” is about a rich southern girl named Scarlett O’Hara and her life hardships set during the time-period of the Civil War. In the story, Scarlett is forced to watch helplessly as her family’s wealth and lives fade as the confederacy loses the Civil War. Even though, the movie is mainly centered on the dilemmas of Scarlett’s love life, there are many historical accuracies that immerse the viewer in the southern mindset as well as the timeframe. The portrayal of class structures and the confederate attitudes before the Civil War are both accurate and engaging details that the movie successfully implements. In the film, these examples are displayed mainly through the dialogue and setting.

The movie Shutter Island presents wrenching twists and turns from a psychological state of mind. The author of the story, Lehane, makes it certain that the psychic mind of the main character helps to enhance the plot of the story. The darkness of the story is based off of the year nineteen fifty-four to drive the setting of the story. Throughout the film, clues are given that eventually give way to the realization of reality. When the story begins in medias res, it helps engage the audience and jumpstart theories. Manipulation is a present factor used throughout the story with both the audience and the characters to create a thrilling story.

The film, the Untouchables, was directed by Brian De Palma. It was set in the prohibition era, which was right at the start of the 1920’s. Prohibition can be described as a law that made selling and manufacturing alcohol illegal. By putting this law into effect, it actually increased the amount of crime and violence throughout cities in the US. This was ultimately due to the rise in organized crime, also known as gangs. In the movie specifically, it was centered around the rise of the Mafia in Chicago. By looking at the production of the movie, we can see how during prohibition, the Mafia controls everything and the violence ultimately it leads to.

Film noirs describe pessimistic films associated with black and white visual styles, crime fiction, and dark themes. Sunset Boulevard is a 1950 film noir directed by Billy Wilder. Sunset Boulevard presents many themes that are common with the genre film noir, but also introduces some differences from the typical movie in that genre.

This is a film analysis of Shutter Island. Shutter Island is a 2010 film directed by Martin Scorsese. Starring Leonardo DiCaprio and Mark Ruffalo, this film is 138 minutes of psychological thrills and horror. Shutter Island covers the field of psychopathology. More specifically, it covers psychotic disorders, dissociative disorders, and treatment. Shutter Island is set in 1954 on Shutter Island, Massachusetts at the Ashecliffe Hospital for the criminally insane.

Shutter Island portrays multiple mental illnesses in the main character as well as in supporting characters. One might call it an abnormal psychology “goldmine.” It takes place at a water-bound psychiatric facility, Shutter Island, housing the criminally insane. The plot is about a man who refers to himself as Teddy. He believes he and his partner are detectives, on the island, to investigate the disappearance of a patient. He is also in search of a patient named Andrew Laeddis, who Teddy believes murdered his wife. The detective becomes paranoid that the facility is treating the patients unfairly and performing experimental lobotomies. The delusion goes on for several months, Teddy never realizing he is actually a patient, until he is brought back to reality at the climax of the movie. His delusion ends. He realizes he’s a patient for a very short amount of time before he goes back to believing he’s a detective. The delusion starts all over again. Throughout most of the film, viewers see his delusion as a reality, until the twist at the end when it is revealed that he is actually a patient.

In “The Departed”, which takes place in South Boston, State Police are tasked with bringing an end to Irish American organized crime. One of the stars of the movie is the great actor Leonardo DiCaprio, who plays undercover cop Billy Costigan. The cast is packed with high demand actors; one of them being Irish mob boss, Jack Nicholson, playing Frank Costello. Costigans counterpart is Colin Sullivan, played by Matt Damon. Both men just-graduated from Massachusetts State Police Academy; Sullivan is on the side of the mob, and joined the police force to be an informer for the mob boss. There is a key interplay between each man, and the people they are trying to deceive. The stakes are high, as each operative becomes entrenched in their double life,