Shylock : A Fair Trial

In ‘The Merchant of Venice’ Shylock is very strong minded and is singled out of the play because he is a mean Jew that charges interest. Shylock is very stubborn and determined to keep to his bond; a pound of flesh of Antonio.

Shakespeare engages a modern audience through the character Shylock. Shylock in The Merchant of Venice is the antagonist of the play and is subject to sequences of misfortune, much to the delight of the Elizabethan audience. However, in a modern context we show slight feelings of sympathy towards him as a result of today’s ideologies. Upon meeting Shylock we see that his religious standing puts him in an isolated position against the Venetian society. A line is recited

In The Merchant of Venice, Grudges and Personal Rivalries in the trial scene has clearly been expressed with Shylock and Antonio. The central part and the twist of this novel are primarily caused by the rivalries between Shylock and Antonio. The “merry bond” that Antonio signed to help his dearest friend, Bassanio, was the main reason of the trial scene. According to Antonio, “Content in faith. I’ll seal to such a bond, and say there is much kindness in the Jew” (1.3.163-164) The bond which Antonio had willingly accepted was that if he failed to pay back 3 thousand ducats in 3 months, Shylock had the right to cut a pound of flesh from his body. As Antonio was a rich merchant and had plenty of ships coming in, with 9 times the money of the loan, he found no difficulty in accepting the bond. However, times were unfortunate for

Shylock is a character famously known as being the antagonist of Shakespeare’s play merchant of Venice. In this play, Shakespeare portrayal of Shylock the moneylender is one of anti-Semitic stereotype. Shylock is depicted as a typical bloodthirsty Jew who lives a life void of any depth or meaning. His sole purpose for living seems to be to amass wealth and vengeance as seen from his adamant claim for his “pound of flesh”. Despite Shakespeare’s attempts to humanize Shylock at points in the story, it appears that his primary focus is to steer the audience against Shylock, painting him as being a cruel, bitter and inaffable figure. It is clear that in both Shakespeare’s merchant of Venice and Grace Tiffany’s Turquoise Ring, Shylock exposes

Shylock is punished by the Venetian court for seeking to end Antonio’s life. He is charged under a Venetian law (of Shakespeare’s creation) and he is forced to give up his wealth and to beg the Duke to spare him his life. Viewed like this it seems simple enough; Shylock broke a Venetian law and, as a consequence, is punished. However, Shylock’s case is far from simple. Antonio’s demand that Shylock should renounce his Judaism and become a Christian and his insistence that Shylock should will his money to the Christian

In a book or play, it is usually very easy to distinguish who the victim is and who the villain is. The villain usually causes all the problems in the story line and the victim is the one who suffers in result of the villain’s actions. In the play The Merchant of Venice by William Shakespeare, we examine the life of Shylock as a victim. It is seen through three main events in the play. Shylock is ridiculed by his community and his family, he is betrayed by his daughter and the community he lives in, and he is forced to lose all his wealth.

      Written one year apart from the other, one cannot fail to recognize the parallels between William Shakespeare's tragedies Julius Caesar and Hamlet. To begin, they are both stories of assassinations gone horribly wrong. Although the details of the plays are different, the two assassins (Brutus and Hamlet) provide interesting comparison. Through these two killers, Shakespeare reveals the different levels of justice; one’s personal sense of justice; others’ perception of justice; the justice of the monarchy that supports Shakespeare’s craft. Through this, the audience realizes that a just person is not always a humble one, a condition that may turn out to be a

By tracing back the early roles of Shylock done in the Elizabethan stage, we are able to appreciate the complexity of Shakespear’s character, Shylock, and how he has the greatest impact than any other character.

In every confrontation with Shylock, the other characters attack him with insults that make him appear even viler than his cruel demeanor portrays. There is a common trend throughout the play of demonizing Shylock. In Act 1, scene 2, Antonio counters a legitimate argument that Shylock makes to support his usurping by stating that "the devil can cite scripture for his purpose!" (1, 3, 107) In Act 2, scene 2, Lancelet Gobbo identifies Shylock as "a kind of devil", "the devil himself", and "the very devil incarnation." (2, 2, 24-28) Solanio identifies Shylock as "the devil . . . in the likeness of a Jew" (3, 1, 20-22) and Bassanio identifies Shylock the same way, as "cruel devil." (4, 1, 225) This repeated characterization is certainly driven hard into the minds of the audience

In Shakespeare’s original play, Hamlet, the audience learns that when an individual executes an evil crime, they cannot cover their guilt and they must face the reality of the world. It is important for the audience to realize that no living creature on this earth is innocent. Everyone has performed an immoral act and had to deal with the outcome of the

In William Shakespeare’s The Merchant of Venice, Shylock is instantly portrayed as a villain. Shylock, while making a deal, crucially demands a pound of Antonio’s flesh as interest. It is revealed that Shylock’s villainous behavior stems from a history of constant torment from characters in the play. In The Merchant of Venice, Shylock is a villain who acts out of revenge when he wants pay back for all the pain he endured. Evidently, Shakespeare created the character Shylock with a sympathetic past in order to have the audience question Shylock’s true nature.

His hatred for Antonio is also obvious and it is so strong that he refuses all offers of money so that he can cut off a pound of his flesh. In Act 3 Scene 1 Shylock makes his famous “Hath not a Jew eyes?” speech, and it is probably at this point that the audience

In the play the ‘Merchant of Venice’ by William Shakespeare the antagonist Shylock is both the victim and the villain. Shylock is a Jewish moneylender and is initially portrayed as anger filled and bloodthirsty but as the play continues we begin to see him as more human and his emotions become more evident. As the antagonist, Shylock is a fearful adversary to Antonio, the protagonist. But as good begins to win over evil, Shylock is crushed and we see evidence of his mortality in his grief. Shylock changes significantly though out the course of the play and he is formed into a too complex character to be labeled just victim or villain.

Disguised as young lawyer Balthazar, who speaks with heightened eloquence to beg Shylock to show mercy. Portia’s speech about the quality of mercy is wasted to Shylock. It's almost as if Shylock got his way, revenge. After all these years it is time for him to complete his deed. His deed to eliminate Antonio. As his moment arrives it is all dismantled by the intelligence of Portia. Portia turns Shylock’s greatest weapon-the law-against him, Portia delivers once last chance of mercy to Shylock. Shylock is warned if even a drop of blood is spilled he will be accused of conspiring a life against another Venetian citizen all of his land and goods will be confiscated by the state. Shylock agrees to take thrice the sum. Shylock drops the case, but Portia deems him guilty for threatening another Venetian citizen. Half his property and land shall go to Antonio and the other half to the state. “I pardon thee thy life before thou ask it.” The Duke of Venice demonstrates mercy even after what the Jew had committed. The court could have acted on revenge against Shylock but they knew mercy was far greater than revenge. Shakespeare urges mercy is preferable than revenge. He tells us that even those who have wronged deserve mercy. Acting towards revenge will not prosper but mercy can be replenishing. Shakespeare shows us one can show mercy and that it is not forced.

In Shakespeare’s The Merchant of Venice, one recurring pattern is male fixation with law and justice.