Sidewalk, By Mitchell Duneier

Thesis: In the short stories The Charmer, Love Must Not Be Forgotten, and The Address, one’s past experiences have a profound effect on their development as an individual.

In his first preface for "A Place on the Corner," Anderson states "my main purpose here is to sort out and focus on those items that make up the local status system as Jelly's and on the ghetto streets generally" (Anderson, p. xv). He goes further to express a desire to answer a few basic questions regarding rules and principles of operation, social hierarchies and interactions, conflicting and overlapping social statuses, and how people demonstrate to others where they

"The Charmer" by Budge Wilson is a short story about a Canadian family that finds misfortune and conflict within their lives. Conflict being the predominant theme which directly affects all the participants in the family. The story is written in third person and narrated from the young girl Winifred's point of view. Budge Wilson uses Zack's smothered childhood, charming personality and irresponsible behaviour to create emotional conflict between members of the family.

Fences, written by August Wilson, is a play about a man, named Troy, struggling to support his family during the late 1950’s. In this play, we see that Troy hurts the people closest to him. He has been uncaring towards his wife, Rose, his brother Gabriel and his son, Cory. This is because Troy had nothing to go on but the harsh example set by his father. In Fences, Troy has felt like he has been fenced in all of his life, which causes him to fence others in.

“Your life does not get better by chance, it gets better by change.” Jim Rohns quote highlights the basis of Debra Oswald’s play Gary’s house, and also Miroshav Holubs poem The Door. This essay will explore the notion that change causes people to shift their thinking and actions after significant catalysts. Gary’s House illustrates many of the issues and predicaments confronted by the characters and how their alteration in behaviour can have a beneficial outcome for them or others around them. The concept of "The Door" is based on the idea of taking risks and embracing change. The poet uses persuasive techniques to encourage and provoke the audience to take action.

The city, Toronto in this case, presents a web of streets and geographical space that threatens to lock its citizens in a certain demarcated way of life and conduct. The four key characters in this narrative - Tuyen, Carla, Jackie, and Oku - each feel blocked in by the constrained locality that they have been born into and each attempts to escape it in his own way.: Tuyen by being an artist, Carla by being a courier; Oku by being a student and Jackie by working in a store. The first two not only attempt to escape by means of their profession using their profession to either flee the spaces and squares (by bike) or transcend it via imagination (by art) but they also adopt profession that go against societal expectations. These societal expectations were created by, and exist within the geographical space they live in. Toronto of the late 20th century had an internalized set of expectations for immigrants and its citizens. The parents of the characters succumbed to it. The protagonists, however, resolved to step out of their boundaries and most of them succeeded.

Fences written by August Wilson is an award winning drama that depicts an African-America family who lives in Pittsburg, Pennsylvania during the 1950’s. During this time, the Mason’s reveal the struggles working as a garbage man, providing for his family and excepting life as is. The end of segregation began, more opportunities for African American people were accessible. Troy, who’s the father the Cory and husband of Rose has shoes fill as a working African America man. He is the family breadwinner and plays the dominant role in the play. Troy’s childhood was pretty rough growing up on a farm of 11 children. Overtime, he realizes the change of society. He builds a friendship fellow sanitation worker, Jim Bono while in the penitentiary. Troy planned to build a fence around his house to control the number of people on his property. The fence also plays a symbolic role throughout the drama. These motives and characteristics control is what makes Troy the friend, father, worker, and husband he is today.

Chapter 1, “Intimate Apartheid”, introduces one to the group of homeless people living on Edgewater Blvd. It dives into the racialized micro-geography of homeless encampments and how segregation plays a key role within the lumpen. However, the authors do reveal moments where the racial hierarchy is trumped by the “moral economy” of street life.

“Passing,” by Nella Larsen is a novel all about pretending to be something that you are not. It is about giving everyone the impression that everything is in order when in reality everything is falling apart. Passing in this novel refers to the ability of a person to be classified as one thing, normally a social group, while belonging to a different group. Passing is usually done to gain class or acceptance by groups other than one’s own. The primary focus of the novel is on racial passing which is the ability to look white and belong to a white group when in reality the person is an African-American in order to gain privileges that were unavailable to them. Although racial passing is the main focus, another major theme in this novel is sexual passing and identity.

“Stop letting people walk all over you. You 're not a sidewalk.” This is a quote that applies to the life of Paul Fisher. Paul Fisher is a 13-year-old character played in the novel, Tangerine by Edward Bloor. Paul, who moved from Texas to Tangerine County located in Florida was disabled. His disability of being legally blind has been the shadow of his life. Paul has an older brother named Erik Fisher, a mother named Mrs. Fisher, and a father Mr. Fisher. Erik is the star kicker for Tangerine High School. All of Paul’s life, Erik had been the fearful, scary older brother to Paul. In Edward Bloor’s novel Tangerine, Paul’s brother Erik, has a negative impact on Paul throughout the novel, but will his fear for Erik change throughout the novel?

As a target of racism and prejudice, Brent Staple wrote Just Walk on By: Black Men and Public Space. Throughout this essay he explains his personal experience in public spaces and the stereotypes he has faced. Since society has deeply embedded their views of “blacks,” just their presence induces fear and causes unnecessary feelings and emotions to arise. Staples presents no anger in his decision to alter his actions and his appearance to ease those around him despite his skin tone. Societal views on blacks are based on reputations as a whole and not on each individual person, Staples presents this through the uses of point of view, ethos, and pathos.

Through my understanding of the book, Homeward Bound by Elaine Tyler May explores two traditional depictions of the 1950s, namely suburban domesticity and anticommunism. She intertwines both historical events into a captivating argument. Throughout the book, May aims to discover why “Post-war Americans accepted parenting as well as marriage with so much zeal” unlike their own parents and children. Her findings are that the “cold war ideology and domestic revival” were somewhat linked together. She saw “domestic containment” as an outgrowth of frights and desires that bloomed after the war. However, psychotherapeutic services were as much a boom then as now, and helped offer “private and personal solutions to social problems.” May reflects her views on the origin of domestic containment, and how it affected the lives of people who tried to live by it.

America’s answer for dealing with crime prevention is locking up adult offenders in correctional facilities with little rehabilitation for reentry into society. American response for crime prevention for juvenile’s offenders is the same strategy used against adult offenders taken juvenile offenders miles away from their environment and placed in adult like prisons.

The fundamental characteristic of magical realism is its duality, which enables the reader to experience both the character’s past and the present. In the novel, Monkey Beach, Eden Robinson uses this literary device to address the the trauma and mistreatment of the Haisla community in Canada by unveiling the intimate memories of the protagonist, Lisamarie, and the resulting consequences of this oppression. Monkey Beach illustrates how abuse in the past leads to another form of self-medication in the future - a neverending, vicious cycle for the members of the Haisla community. Many characters in Monkey Beach are scarred from childhood sexual abuse and family neglect, and resort to drug and alcohol abuse as a coping mechanism. These

Throughout history, civilizations have built fences to keep enemies out and keep those they want to protect inside. In society today, people create metaphorical fences in order to fence in their feelings, while others create literal fences in order to keep the unwanted away. In the play Fences, the Maxon family lives in 1950’s America whose love for sports and one another are questioned at times when they need to be together the most. In the play Fences by August Wilson, two main characters Troy and Cory Maxon build a fence, literally and metaphorically, which as the book progresses, becomes a symbol that allows each character to truly understand each other.