Sigmund Freud's Civilization And Its Discontent

The epic poem, “The Iliad,” written by the Greek poet Homer, contains many occurrences of the psychologist Freud’s approach of the three systems of Superego, Id, and Ego. Superego, the little angel on one’s shoulder, is considered to be the voice of our moral compass (conscience) that speaks from the unconscious mind on the difference between real and ideal situations. It strives for perfection with tracking what we ought to behave like. Id, opposite to Superego, is the little devil on the other side of one’s shoulder. Its unconscious energy strives to satisfy the basic drives to survive, reproduce, and aggress. To balance these two systems, the Ego becomes the mediator and compromiser to keep both content. One’s Ego focuses on responses to the real world, stemming from the reality principle. It contains our partly conscious perceptions, thoughts, judgements, and memories.

“Civilization and Its Discontents” is a book written by Sigmund Freud in 1929 (originally titled “Das Unbehagen in der Kultur” or The Uneasiness in Culture.) This is considered to be one of Freud’s most important and widely read works. In this book, Freud explains his perspective by enumerating what he sees as fundamental tensions between civilization and the individual. He asserts that this tension stems from the individual’s quest for freedom and non-conformity and civilization’s quest for uniformity and instinctual repression. Most of humankind’s primitive instincts are clearly destructive to the health and well-being of a human community (such as the desire to kill.) As a direct result, civilization creates laws designed to prohibit

Further analysis of the poem The Epic of Gilgamesh, described the characteristic of king Gilgamesh from the beginning, middle, and end. Throughout the poem, there are immature and petrified moments of Gilgamesh, but more importantly he learned to grow as he explore his journey. Friendship, love, and fear appears to be essential in this poem. Why are those terms relevant ? and how does it connect with the trait of Gilgamesh ?, let’s continue to find out the truth about Gilgamesh.

Abusch perceives Gilgamesh to be a man, hero, king and god who acts in a manner that accords limits and responsibility imposed upon him by his society. Abusch illustrates that: “Gilgamesh is aggressive and courageous, even impetuous, and he shows little or no concern for his own safety and focuses all of his energy upon battle, obligation, honor, and victory” (3). The author explains that even with the greatest power and achievements there is no humanly possible power that is able to withstand death. Abusch’s analysis talks about Gilgamesh coming to terms with his nature and learns about death. The main conflict in the article is between Gilgamesh being an epic hero and his ability to obtain moral growth. Gilgamesh exists in

Gilgamesh struggled to establish moral principle. His personality at first was an arrogant, self-centered tyrant ; he was described by Enkidu "His teeth are dragon's fangs, his countenance is like a lion his charge is the rushing of the flood..." (pg. 16 line 3-6). But towards the end of this epic narrative Gilgamesh switched

Throughout the famous “Epic of Gilgamesh, the king of an Ancient Sumerian city called Uruk portrays the burden of the flawed human nature that we all carry. Although Gilgamesh was two third divine and one-third human, his actions were very much alike of a human’s. He shared minimal characteristics with his mother the Ninsun, the cow goddess, such as bold physical structures and the strength of a wild bull with his mother, Ninsun, but the rest of him including his personality, ways of thinking, and mentality was a human’s nonetheless.

In The Epic of Gilgamesh, Gilgamesh’s pursuit for immortality is marked by ignorance and selfish desire. Desire and ignorance, as The Buddha-karita of Asvaghosha suggests, pollutes man’s judgment resulting in his inability to break the cycle of birth and death. At the core of Gilgamesh’s desire resides his inability to accept the inevitability of death, making his rationality behind the pursuit of immortality ignorant and selfish. Implicitly, Gilgamesh’s corrupt desire for immortality conveys that Gilgamesh does not mature as a character.

In the beginning, Gilgamesh is a fantastic athlete and warrior. As one would expect from an individual who is two thirds god and one third man, his beauty, strength and courage surpassed all others. He built great walls for his city and temples for the gods. Gilgamesh's flaw, however, is that he is a poor king. He is known for

The Epic of Gilgamesh is one of earliest known pieces of literature. Through years of storytelling and translation, The Epic of Gilgamesh became a timeless classic. This story is believed to have originated from Sumerian poems and legends about the king of Uruk, Gilgamesh. Throughout the epic, many themes arose about women, love, and journeys and the one I would like to discuss is the theme of death. Also, I will discuss if Gilgamesh accepts morality at the end of the story and the development of Gilgamesh’s character throughout the story.

In the epic of gilgamesh, Gilgamesh is a man and a God. He built high walls and had orchid fields around his city. He also wasn’t respectful. He touched women whenever he wanted to, He never gave his servants any type of love. Enkidu is a man who was created to tame gilgamesh. He was created by the Gods. The Gods wanted to tame him so they sent an equal power which was enkidu. A wild man who becomes Gilgamesh 's best friend. After being visited by Shamhat, the prostitute, Enkidu is civilized and leaves the animal world behind to journey with Shamhat to Uruk. Enkidu accompanies Gilgamesh to defeat Humbaba before he passes away. Gilgamesh journeys to the Underworld to try to bring

In the Epic of Gilgamesh, Gilgamesh was mostly divine but shared minimal characteristics of a god. Such characteristics were bold physical structures and the strength of a wild bull which he inherited from his mother, Ninsun, the cow goddess. Everything else such as his characteristics, mentality, and actions mirrors ours, humans which makes him more like us than a god. His actions portray the burden of the flawed human nature that we all carry such as being aggressive, competitive, and running away from our fears.

In his ground-breaking book Civilization and Its Discontents, Sigmund Freud postulates that society, despite ostensibly being set up to protect us from unhappiness, has a net negative impact on human happiness.  According to Freud, the three most important causes of suffering are the natural world, our own bodies, and our interactions with other people (Freud 44).  In addition to identifying these as the main causes of suffering, Freud also states that the suffering that comes from other people is the worst of the three.  Given how civilization has changed since Civilization and Its Discontents was published, however, this belief simply no longer holds true.  Freud’s belief that interaction with other people in society is the worst cause of human suffering is no longer valid in today’s world because of the net benefits of society’s protection, because of society’s benefits to the human body, and because of advances in society’s ability to satisfy human happiness.

Love, both erotic and platonic, motivates change in Gilgamesh. Enkidu changes from a wild man into a noble one because of Gilgamesh, and their friendship changes Gilgamesh from a bully and a tyrant into an exemplary king and hero. Because they are evenly matched, Enkidu puts a check on Gilgamesh’s restless, powerful energies, and Gilgamesh pulls Enkidu out of his self-centeredness. Gilgamesh’s connection to Enkidu makes it possible for Gilgamesh to identify with his people’s interests. The love the friends have for each other makes Gilgamesh a better man in the first half of the epic, and when Enkidu dies, Gilgamesh’s

The Epic of Gilgamesh is one of the oldest pieces of literature known to man. Written in 2700 B.C.E this epic poem centers in on an ancient king of Uruk in present day Iraq. When we are first introduced to Gilgamesh, the king of Uruk, we see that he is a tyrant ruler which is one-third human, two-thirds divine and in endowed with immense strength. Instead of serving his people he suppresses them and engages in immoral behaviors fit for a king. The behaviors result in a backlash from his citizens and the nobles began to complain bitterly about these behaviors. The gods eventually intervene and in order to tame Gilgamesh’s wild spirit they create his equal, Enkidu, whose purpose in this epic poem is to help guide Gilgamesh in becoming a better person and a better king for his people.

When considering religion, various theories by Sigmund Freud can be quite controversial yet interesting. Some of Freud’s theories and views with regards to religion involve; the origin of religion, the basis of guilt or sin for obedience, and God as a heavenly father a mere projection made by humans based on their needs. Before going into depth on some of the theories of Freud, we can gather from his book Totem and Taboo, that he was in fact of Jewish background and ultimately an atheist as he describes himself as “in his eternal nature a jew with no desire to alter that nature” but also “completely estranged from the religion of his father and any other religion” (Freud 1930). We can also gather that Freud had a reductionist approach, which argues “objects or beliefs, including super human entities, are nothing more than human constructions that can be ‘reduced’ to human basics”. (Nye 2009) Within this approach it continues to also reduce God to “merely what humans want him/her/it to be, a projection of one of more aspects of human behavior.” (Nye