Silent Liberation in Trifles

Hale and Mrs. Peters find a dead canary and a broken bird cage, it becomes obvious that Mr. Wright was an aggressive and controlling husband. Mrs. Hale states, “No, Wright wouldn’t like the bird- a thing that sang. She used to sing. He killed that, too” (1012). The canary represents Minnie Foster. Before she married Mr. Wright, she was a joyful girl who sang in the church choir. After her and Mr. Wright get married, she is forced to stop singing and is stripped of her happiness. The broken cage represents Mr. and Mrs. Wright’s controlling marriage. The bird cage is violently broken to represent how Mrs. Wright violently escaped her marriage. The women’s discoveries cause Mrs. Peters to sympathize with Mrs. Wright. Ultimately, Mrs. Peters decides to stand up for what she believes.

Marriage unites two people for better or worse, in sickness and health, until death they do part. In earlier times, some people might say wedding vows were taken more seriously; other say divorce was different back in the day. Looking at Katie Chopin and Nathaniel Hawthorne, who both exemplify martial vows in their short stories, “The Story of an Hour” and “The Birthmark.” It is clear in one instance, it was because divorce was different but then on the other hand the stories demonstrate the seriousness of the wedding vows. However, these stories express a husband-dominated relationship, in which the men possess ideals such as possession, perfection, and being all knowing.

Hale, and Mrs. Peters. Mr. Hale was the first one to visit the Wright home after the murder, so the sheriff immediately questions him. Because this is a play the actors have to talk to each other, so the audience knows what’s going on. Another way that the play goes into an action way is the aloofness of Mrs. Wright. Whenever Mr. Hale was being questioned he mentioned his encounter with Mrs. Wright saying that he would ask where her husband was, and she wouldn’t respond and just sit there in her chair and knit. The men then go on to criticize Mrs. Wright’s housekeeping, after the men leave the women say, “I’d hate to have men coming into my kitchen, snooping around and criticizing” (561). The short story has the same sentence except the short story surrounds that statement with an explanation of some of Mrs. Hale’s thoughts. For example, Mrs. Hale is described as having felt a strange feeling “then, as if releasing something strange, Mrs. Hale began to rearrange the dirt pans under the sink” (573). The play cannot provide description of emotions but shows them through action. “A Jury of her

Wright as if he were a cruel man, “he was a hard man, ..like a raw wind that gets to the bone.”(1171) After hearing this, Mrs. Peters compares how Mrs. Wright must have felt with a memory of her own past. “I know what stillness is. When we homesteaded in Dakota, and my first baby died – after he was two years old, and me with no other then – I know what stillness is.” (1173) There is a sense of pity for the suspect, anger toward the victim, as if he must have deserved to die.

As the women walk through the house, they begin to get a feel for what Mrs. Wright’s life is like. They notice things like the limited kitchen space, the broken stove, and the broken jars of fruit and begin to realize the day-to-day struggles that Mrs. Wright endured. The entire house has a solemn, depressing atmosphere. Mrs. Hale regretfully comments that, for this reason and the fact that Mr. Wright is a difficult man to be around, she never came to visit her old friend, Mrs. Wright.

Marriage a sacred bond uniting two people who are so deeply in love that they can't live without one another, for even a second. Many couples in this situation take these marriage vows to have and to hold, from this day forward, for better, for worse, for richer, for poorer, in sickness and in health, until death do us part. Those vows remain cherished throughout the years of marriage. Partner’s share intimate details and form a strong trustworthy bond with one another. Often couples settle into a routine, move out of the city and have children. Occasionally over time that love will fade; couples change and lose interest in one another and begin to look for a way out of marriage. In Susan Glaspell’s play Trifles, there is evidence to

As the ladies examine the house, while the men are other places, picking clothes and an apron up for Mrs. Wright, Mrs. Hale gains sympathy for her until finally she starts to take action. When they find the block of quilting that has stitching askew, she starts to fix it, perhaps to cover for Mrs. Wright?s distraught state of mind. While Mrs. Hale is finding sympathy for Mrs. Wright, Mrs. Peters offers a counterpoint that tries to justifies the men?s viewpoints and actions. Her comments to Mrs. Hale?s resentful musings on Mrs. Wright?s unhappy life and on the actions of men in regards to women in general all seem to be rote answers programmed into her by society and a desire not to cause any trouble. This all changes as soon as Mrs. Peters finds the bird.

Trifles is a play about a married woman who was trapped in a abusive relationship with her husband. The play starts with a man named John Wright who was murdered in his bed by his own wife, Mrs. Wright. Mr.s Wrights reasons for murdering her husband was because the relationship between the two was lonely, unhealthy, and revengeful.

Mrs. Hale and Mrs. Peters both understand and get to know each other by piecing together the crime scene and also looking at Mrs. Wright’s empty house. By the women noticing details and Mrs. Wright’s living conditions, they can see how sad and what little enjoyment Mrs. Wright had in her home. Mrs. Hale says, “It never seemed a very cheerful place," and later on she says, "But I don't think a place would be any the cheerfuller for John Wright's bein' in it.", she is revealing the atmosphere that the home had (Glaspell 5). The home was certainly not cheerful, but not

Hale stopped by the Wright’s house to ask them about installing a party line with him. Upon his entrance the first thing he sees was Mrs. Wright sitting in her rocking chair. When he asked to speak to Mr. Wright, she told him he was dead. Mr. Hale found the body in their bed and Mrs. Wright claimed she slept through the murder. The next morning the county attorney, sheriff, and Mr. Hale re-enter the house to find a motive as to why Mrs. Wright would want to kill her husband.

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

The two both play a part to a woman who has felt caged in the entire time of her marriage to husband. Mrs. Wright wanted happiness and when that happiness was taken away from her all her anger was forced out of her, and that caused Minnie to kill her husband Mr. Wright. However, Sara Abu Khalaf stated in her analysis of Trifles that, “They believe that "women cannot be simply depicted and classified as either angels or demons... brainless housewives.” Sara was referring to the men during this time who did not considered their wives or women in general worth

Mrs. Wright suffered from social isolation caused by her husband. When Mr. Hale suggested the family “go in with me on a party telephone,” Mr. Wright defended himself by saying he only wanted “peace and quiet” and seemed to not care “what his wife wanted.” Even when Mr. Hale explained to Mrs. Wright the reason behind his visit was to ask about the telephone, she laughed, but then looked scared. As if she had been conditioned to suppress her true wishes and desires, unless she wished for grief. Without the agency and ability to reach out to the other women, Mr. Wright isolated Mrs. Wright from potential hobbies, social groups, and activities. Before she became

In Trifles, the play takes place at an abandon house at a farm where John Wright and his wife, Minnie Wright lived. John was killed with a rope around his neck while his wife was asleep. The neighbor, county attorney and sheriff came to the crime scene for investigation. Along with them