Kevin Vang Textual Reading/ Literary Analysis Audience: classmates who argues that “Dracula” is not a Gothic genre Purpose: to show them that “Dracula” is a perfectly good example of Gothic genre “Dracula” a novel by Bram Stoker, deals with vampire folklore, Christian beliefs, and mostly gothic elements. Gothic elements are tremendous in this novel as it is seen a lot throughout the novel. The components of classic gothic elements as seen in “Dracula” includes the setting of the novel
The Sins of Hester Prynne, Arthur Dimmesdale, and Roger Chillingworth in The Scarlet Letter Nathaniel Hawthorne’s The Scarlet Letter is a study of the effects of sin on the hearts and minds of the main characters, Hester Prynne, Arthur Dimmesdale, Roger Chillingworth. Hester, Dimmesdale, and Chillingworth. Sin strengthens Hester, humanizes Dimmesdale, and turns Chillingworth into a demon. Hester Prynne’s sin was adultery. This sin was regarded very seriously by the Puritans, and was often
SCENE 1 Jane Austen by a rustic fireplace under a snow-filled window, sitting on a rocking chair knitting a sweater. Jane Austen - For centuries now we have heard the heroics of Hamlet, as he rose from the dark ashes of his father’s death to overtake his evil uncle… But for the first time ever, I share with you his most important story yet, for this, my friends, is how Hamlet saved Christmas. Jane Austen motions towards the fireplace, as a flame rises and the scene fades to black. Exeunt
Fortune 500 companies are the top 500 companies in the U.S. which are listed by the Fortune magazine every year. The companies are generally ranked on the basis of their gross revenue (Fortune 500). The Fortune magazine started to enlist these 500 best company in 1955 for the first time. The concept of selecting best 500 American companies was first created by Edgar Smith, the editor of Fortune 500. In these 500 best companies, the top companies are Wal-Mart Stores, Exxon Mobil, Chevron, Berkshire
Merchant's Tale and the Manciple's Tale The Wife of Bath's extraordinary prologue gives the reader a dose of what is sometimes missing in early male-written literature: glimpses of female subjectivity. Women in medieval literature are often silent and passive, to the extent that cuckolding is often seen as something one man (the adulterer) does to another (the husband). Eve Sedgwick argues in Between Men that in many literary representations, women are playing pieces or playing fields in
belonged to any single entity. Unable to retain their land, the Native Americans can only continue their existence on the allotted land, and attempt to cleave unto their heritage that is contained in the very soil beneath the mountains. The analysis of the white and Native American communities' respect for, effects on, and
revolves around four central characters: Othello, a Moorish general in the Venetian army; his beloved wife, Desdemona; his loyal lieutenant, Cassio; and his trusted but ultimately unfaithful ensign, Iago. Given its varied and enduring themes of racism, love, jealousy, betrayal, revenge and repentance, Othello is still often performed in professional and community theatre alike, and has been the source for numerous operatic, film, and literary adaptations. Characters Othello – General in the Venetian
ANTIGONE KEY LITERARY ELEMENTS SETTING This tragedy is set against the background of the Oedipus legend. It illustrates how the curse on the House of Labdacus (who is the grandson of Cadmus, founder of Thebes, and the father of Laius, whose son is Oedipus) brought about the deaths of Oedipus and his wife-mother, Jocasta, as well as the double fratricide of Eteocles and Polynices. Furthermore, Antigone dies after defying King Creon. The play is set in Thebes, a powerful city-state north of Athens
University of Leiden 14 June 2012 Department: Language and Culture of China Course: Visual Political Communication (BA3) Semester: Summer Semester 2011/2012 Lecturer: Florian Schneider Journey to the West A Textual-Visual Discourse Analysis Name: Stefan Ruijsch (Student No. 0620203) Major: Chinese Studies, BA 3 E-mail: s.ruijsch@umail.leidenuniv.nl Phone: 06-48369645 Address: Vrijheidslaan 256, 2321 DP Leiden Word Count: 9,387 Table of Contents page
FILM LANGUAGE FILM LANGUAGE A Semiotics of the Cinema Christian Metz Translated by Michael Taylor The University of Chicago Press Published by arrangement with Oxford University Press, Inc. The University of Chicago Press, Chicago 60637 © 1974 by Oxford University Press, Inc. All rights reserved. English translation. Originally published 1974 Note on Translation © 1991 by the University of Chicago University of Chicago Press edition 1991 Printed in the United States of America 09 08 07 6