Simbolos El Principito

Enrique’s mother’s decision of leaving couldn’t have been any worse, “She walks away. Donde esta mi mami? Enrique cries, over and over. Where is my mom? His mother never returns, and that decides Enrique’s fate” (Nazario 5). His mother leaving without saying a word to him was heartbreaking because he had no idea she was leaving forever. Enrique became unhappy and had to grow up with this feeling inside him which later caused him to make poor decisions. Being left by his mother, Enrique had to stay with his grandma and “every year on Mother’s day, he [made] a heart shaped card at school and [pressed] it into her hand. “I love you very much grandma”… but she is not his mother” (Nazario 12). The growing love for his grandma caused him to consider her as his mother. Since Enrique was young and didn’t understand why his mother had left him, he blamed her for not being there for him. Nazario hopes to persuade readers to feel like they need to dwell on the topic of immigration and notice that it is still happening

     As a young child, Rodriguez finds comfort and safety in his noisy home full of Spanish sounds. Spanish, is his family's' intimate language that comforts Rodriguez by surrounding him in a web built by the family love and security which is conveyed using

The story begins in Guatemala; it shows the happy family life which Rosa and Enrique have. Their family friends are visiting and they are talking about the life in United States. Rosa’s godmother says she has been reading Good

1. The selection’s thesis (or dominant impression) is the people of El Hoyo live like a big family sharing the same amount of emotions through the happy and tough times and helping and looking out for each other.

Una de las principales fuentes de riesgo que presenta Pecom ante este escenario, es sin duda el

Since the death of his wife, Jorge has become isolated and alienated from his community. He has lost interest in religious and cultural activities and stopped participating in activities of daily living (ADL’S). He feels

“Sí, nos perdimos en el mar. Estaba oscuro y que vio la luz por lo que se acercó a ella. Tenemos hambre y también muy cansado. ¿Podemos descansar aquí por la

Throughout “Joyas Voladoras” the idea that the heart is valuable and beautiful is shown in this short story a multitude of times through the metaphors. Life is promoted as such a glorious thing and not everything gets to live for as long as it would like, factors play in and life ends. Muscles and organs fail, and the body can fix itself, but when the heart fails or breaks it can no longer be fixed. Doyle shows the reader that the size or shape of a creature does not matter and that we are all connected through the one thing that we have in common: a

Rodriguez is ashamed. He is ashamed with the fact his espanol is no longer his main language. The author presents, “I grew up a victim to a

The Hispanic adolescent chosen for this interview and paper will be referred to as Maria. The interview took place at this student’s home followed by the observation of Maria interacting with this student’s daughter. Maria was relaxed and enjoyed the conversation. She was very open and willing to share about her life.

La primera respuesta es la que hize yo. Me las vichas plz haber si hacen sentido.

Continuing in the theme of conformity; if the boys are united by their heteronomy, Cuellar’s castration, in contrast, is the source of his ostracism. His unfortunate accident is a wound that ‘time opens instead of closes’, and as the story progresses, Vargas Llosa juxtaposes the boys socially inclusive youthful pastimes of football and studying mentioned earlier in the novel with his comparatively solitary penchant for the ocean and surfing “a puro pecho o con colchón” (94) in chapter five. In this passage, his distance from the others is symbolised by the isolation of the sea; the narrator says the water “se lo tragó” (95) and later, the boys state that “se perdió” (96). Clearly, Cuellar’s failure to partake in the testosterone fuelled rituals of sexual maturity in the city has seen him shunned from the rest of the boys and resigned to hanging out with “rosquetes, cafichos y pichicateros” (96) instead – the modern, metropolitan outcasts. Evidently, Cuellar is incapacitated by this highly heteronormative lifestyle, as the inherent masculinity of the city is a fixed identity that will perpetually exclude him, or anyone else who cannot fulfil Peruvian societies idea of gender appropriate behaviour.

This paper explores the issues of Hector Sanchez and Celia Sanchez. Hector Sanchez is the patriarch of the Sanchez Family, who is struggling with various issues such as his health as well as employment and financial instability. Celia Sanchez is the wife of Hector and the matriarch of the Sanchez Family. Celia is struggling to provide for her family in lieu of their financial troubles as well as her husband’s ailing health which caring for his needs as well as her own. The goal of this paper is to analyze the issues affecting Hector and Celia Sanchez through the Person-in-Environment

Love makes people become selfish, but it is also makes the world greater. In this poem, the world that the speaker lives and loves is not limited in “my North, my South, my East and West / my working week and my Sunday rest” (9-10), it spreads to “My noon, my midnight, my talk, my song (11). The poem’s imagery dominates most of the third stanza giving readers an image of a peaceful world in which everything is in order. However, the last sentence of the stanza is the decisive element. This element not only destroys the inner world of the speaker, but it also sends out the message that love or life is mortal.

El eje central de la comunicación (el qué), o cuál es el mensaje que se va a comunicar a un determinado público objetivo