Similarities And Differences Between Fortinbras And Laertes

In the exchange between Laertes and Ophelia, one learns a great deal about Hamlet, as well. Laertes explains to his sister that she must consider Hamlet's rank and position and know that he is not free to choose a bride for himself (1.3.19-26). He also cautions her not put any faith in "Hamlet, and the trifling of his favor / [and to] Hold it a fashion and a toy in blood, / A violet in the youth of primy nature" (1.3.5-7). He means that Hamlet follows a passing whim where she is concerned, and that he does not truly love her. In other words, Laertes impresses upon Ophelia that Hamlet merely feels toward her the passion that is present in the springtime of youth. It is clear that Laertes believes he is telling his sister the truth about her situation with Hamlet because if he thought Hamlet would marry her Laertes would most likely encourage a relationship between them. Hamlet and Laertes are friends and if Hamlet married Laertes' sister he would at some point enjoy the advantages of a brother-in-law of the King.

Laertes also brings revenge and betrayal out of Hamlet. Though an enemy, Laertes is a foil to Hamlet. Laertes helps in the development of Hamlet through the similarities they share. These include anger over the death of their fathers, and desire to exact revenge. Betrayal is also relevant because Laertes betrays Claudius in the end, revealing his plan to kill Hamlet. Hamlet betrays his father by verbally abusing his mother, against the wishes of his father. The differences between the two men are very strong. Hamlet would not kill Claudius in the church because he was praying. Laertes, however stated that he would kill Hamlet in a church, praying or not. Another difference is that Hamlet cannot be a man of action and a man of thought at the same time. He does not use his mind when he acts. He just acts. When he is pondering something, he is unable to act out his thoughts, and keeps quiet. Laertes, however, is able to act while thinking. He finds out that Hamlet killed his father and immediately devises a plan to kill him. This flaw makes Hamlet dangerous to himself, and is ultimately his downfall.

Hamlet (prince of Denmark) can be greatly compared to Laertes (son of a noble), and Fortinbras (prince of Norway) in the play. They all are very similar but yet different at the same time. They all had love and respect for their fathers and felt the need to avenge their deaths, which all were brutally killed. All three believed that the murderers had dishonoured their fathers as well as themselves. They all reacted and took different approaches in attempt to restore honour in their families.

Laertes acts much like his father in taking a position of authority over Ophelia. He feels free to tell Ophelia what she has to do with her love life and expects she will oblige his demand. Like his father, he too tells her to break off her relationship with Hamlet. However, his reasoning is not selfish; he is worrying about her virginity, her reputation, and the

Laertes plots for vengeance due to Hamlet killing his father and second-handedly killing his sister, Ophelia. Hamlet, who is still a self-absorbed narcissist, is beyond clueless to Laertes intentions for fighting. In the end, Hamlet is cut with the poisonous sword, Laertes is stabbed with the poisonous sword, Gertrude drinks from the poisonous cup, and King Claudius finally gets what he deserves after Hamlet, as he’s dying, stabs him and forces him to drink the poison. Hamlet, who suffered through a road of vengeance, finally kills Claudius at the last possible second. All of Hamlet’s family and friends die because of his inability to be a man of action and a man of thought at the times when they are opportune. His delay of killing Claudius led him to become invested in his own issues and become the domino effect for the death of others. His moral ambiguity is questioned even at the end of the play because he killed Claudius at the last possible second. In Shakespeare’s tragedies, like Hamlet, Hamlet desire for vengeance ultimately corrupts the morals and decisions he makes further affecting the people around him as he is so self-involved. Hamlet’s morals suffer because he never once looked within himself to understand where he went wrong. Hamlet’s moral ambiguity creates this significance to the play by emphasizing the fact that

Laertes voices his concern of Hamlet's true intentions towards Ophelia and advises her to be wary of Hamlet's love. Laertes impresses upon Ophelia that Hamlet is a prince who, most likely, will have an arranged marriage. Hamlet's strong love for Ophelia withers after she rejects his affinity. Hamlet's extensive love for Ophelia resulted in grave suffering for Hamlet once his affection was rejected. Hamlet's appearance decays due to the rejection of his love for Ophelia "Pale as his shirt, his knees knocking each other" (Act 2, Scene 1, line 82). The loss of Ophelia's love for Hamlet causes Polonius to believe it has caused Hamlet to revert to antic disposition. Once Laertes learns of the death of his sister, he is afflicted with sadness. In the same way, Hamlet is shocked and enraged over Ophelia's demise. Both Hamlet and Laertes are so profoundly distressed at the death of Ophelia, they jump into her grave and fight each other.

Throughout Hamlet, not only does the audience gather information about Hamlet’s hamartia through Laertes, they also gather information from the character of Fortinbras and how he acts. The main reason that Fortinbras is such a strong foil for Hamlet’s character is also due to the similarities in both his and Hamlet’s lives. Fortinbras and Hamlet are both princes whose father’s were killed and are now seeking vengeance to achieve justice for their father’s deaths. Due to the deaths of their fathers, they also both now have their uncle’s sitting on the thrones of Denmark and Norway.

Oftentimes, the minor characters in a play can be vital and, among other things, function to further the action of the play or to reveal and illuminate the personalities of other characters. In Hamlet, Fortinbras, the Norwegian Prince, serves as the most important foil of Hamlet and provides us with the actions and emotions in which we can compare to those of Hamlet and better reveal Hamlet’s own character. Because Hamlet and Fortinbras both lost their fathers and have sworn to avenge their deaths, Fortinbras is a perfect parallel of Hamlet. He was also very crucial to the play’s ending and to bring a remedy to the corruption that has plagued Denmark.

Hamlet and Laertes both have a strong love for Ophelia. Laerte's care and affection are revealed by his

In Shakespeare’s famous tragedy, Hamlet there are similarities between Hamlet, Fortinbras, and Laertes. They do have some character differences but they face many of the same challenges and are put in similar situations. All three of the men have lost their fathers and are seeking to avenge their deaths in some way. Hamlet is contemplating killing Claudius, Fortinbras has gathered an army to reclaim lands that his father lost, and Laertes will do whatever it takes to get revenge for Polonius’ death. The main difference between the three men is that Fortinbras and Laertes are willing to do whatever it takes to reach their goal while Hamlet spends the majority of his time in thought trying to decide the right thing to do.

Laertes in Ophelia's grave. Hamlet tells her that he never loved her when she returns his

A more noteworthy comparison between Hamlet and Laertes would be each man’s intense relationship with Ophelia, the former’s love interest and the latter’s sister. Both men are passionately preoccupied with Ophelia’s actions, mainly those pertaining to her sexuality, but in different ways. Prior to the events in the play Hamlet actively pursues a romance with Ophelia, but during his staged madness he violently criticizes her for acting at all interested in his advances. As the play progresses Hamlet flips back and forth between sneering at Ophelia and declaring his love for her, but in either case he shows an obvious devotion to the girl. Laertes holds the same amount of devotion, but towards protecting her from Hamlet and anything else that may compromise her virtue. When he is told of her descent into

Ophelia’s interactions with the male characters of the play reveal her limited agency. As Ophelia tells her brother about her relationship with Hamlet, Laertes responds, “For Hamlet, and the trifling of his favor, hold it a fashion and a toy in blood, a violet in the youth of primy nature, forward, not permanent, sweet, not lasting, the perfume and suppliance of a minute, no more” (1.3.5-10). By instructing Ophelia on how to behave in her relationship with Hamlet, Laertes implies that he does not trust Ophelia’s judgement and she needs guidance with her personal affairs.

Fortinbras and Laertes are parallel characters to Hamlet, and they provide critical points on which to compare the actions and emotions of Hamlet throughout the play. They are also important in Hamlet,

In William Shakespeare's tragedy Hamlet, Laertes, Fortinbras and Hamlet find themselves in similar situations.  While Hamlet waits for the right time to avenge his father's death, Laertes learns of his father's death and immediately wants vengeance, and Fortinbras awaits his chance to recapture land that used to belong to his father.  Laertes and Fortinbras go about accomplishing their desires quite differently than Hamlet.  While Hamlet acts slowly and carefully, Laertes and Fortinbras seek their revenge with haste. Although Laertes and Fortinbras are minor characters, Shakespeare molds them in order to contrast with Hamlet.  Fortinbras and, to a greater extent, Laertes act as foils to Hamlet with respect to their motives for