Similarities And Differences Between Hamlet And A Midsummer Night's Dream

“The Lion King” is watched by children all over the world. It is a classic Disney movie that many watch for fun and entertainment, but could there be something else to this film? The plot of “The Lion King” is very similar to Shakespeare’s play,” Hamlet”. Some similarities include the lives of Simba and prince Hamlet are changed due to their evil uncles, both fathers die, and both fathers come back as ghosts. Each character in “The Lion King” connects with a character in “Hamlet”. Simba plays as prince Hamlet, Mufasa plays as King Hamlet, Gertrude plays as Sarabi, Scar plays as King Claudius, Nala plays as Ophelia, Rafiki plays as Horatio, hyenas plays as Laertes, and Timon and Pumbaa plays as Rosencrantz and

Michael Hoffman’s 1999 film version of Shakespeare's midsummer night’s dream was able to modify the audience experience of the play. Michael Hoffman had successfully turned the play into a film and was able to show a visible expression of the characters to the audience. He had also made some changes, like the settings and made his version modernized. Though the film was based on the Shakespeare’s play, the audience’s experience is still different.

“Hamlet” and “Twelfth Night” are two Shakespeare plays of complete opposites. Due to one being written as a tragedy, and the other as a comedy, many comparisons can be drawn between the two plays, on themes and motifs that develop throughout the plays. One of the themes that is easily recognisable in the early stages of both plays, is that of deceit and disguise. In “Hamlet”, we learn early on that Hamlet decides to act as a madman in order to try and weed out a confession from his uncle about the murder of his father. Although he does not actually reveal to any other characters his plan until Act 1 Scene 5, when he tells Horatio that he plans to “put an antic disposition on”, the audience can recognise very early that Hamlet is going to

Although many Shakespearean plays are very similar to one another, two stand out from the rest as sharing a great deal in common. Specific, solid parallels can be drawn between Shakespeare's plays "A Midsummer Night's Dream" and "Romeo and Juliet." The themes and characters are remarkably similar in many aspects. Firstly, both plays highlight the stereotypical young lovers - Hermia and Lysander in "A Midsummer Night's Dream" and Romeo and Juliet in "Romeo and Juliet." Secondly, both plays are very ambiguously categorized. By this I mean that each could have been a tragedy just as easily as a drama (with a few minor modifications). By definition, a tragic play is a play in which the main character has a fatal flaw that leads to

Throughout the play, Hamlet’s character is characterized both by periods of extreme caution and moments of impulsivity. One of the best examples of Hamlet’s heed can be found in Act 2, Scene 2 where he decides to have his theatre troupe perform his play, The Mousetrap. With this, Hamlet hopes that he will be able to “catch the conscience of the King,” by monitoring Claudius during the performance, that heavily mimics his murder of his brother, for signs of stress and guilt. While Hamlet was fully capable of bypassing this step by simply adhering to what he believes is the ghost of his father, Hamlet’s decision to unearth some sort of evidence that supports his father’s accusations is just one example of his cautious ways and need for certainty before action. However, such displays of caution find themselves juxtaposed with Hamlet’s bouts of impulsivity. One of the most telling illustrations of Hamlet’s rashness can be found in Act One, Scene Five, where he first conversing with the ghost of his father. Here, when the Ghost asks Hamlet to “revenge his foul and most unnatural murder,” Hamlet immediately agrees. In fact, within the next few lines Hamlet pledges he will “sweep to my revenge” with “wings as swift as meditation or the thoughts of love”. The fact that Hamlet coins this commitment to avenge his father’s murder without making much of any consideration of the possible repercussions of such an undertaking is one of the best representations of Hamlet’s impulsivity. This rash action, marked by a lack of extended over-analysis and internal debate, contrasts with the excessive caution Hamlet exhibits at many other points throughout the play. Ultimately, the interplay between Hamlet’s caution and impulsivity is one of the most notable juxtapositions of the play and serves to strongly steer the development, not only of

Tony Robbins said, “To effectively communicate, we must realize that we are all different in the way we perceive the world and use this understanding as a guide to our communication with others”. Shakespeare’s writing has had many different ways of being presented because people perceive it in different ways. Whether it is a literal representation or a spin, directors like to show viewers the way they perceive the text. In the movie version of Hamlet the director, Kenneth Branagh, wanted the viewers to find Shakespeare interesting and full of action and drama. Kenneth chose the right direction to go in to keep the audience’s attention but it

Many directors choose to make many different decisions when producing their version of Hamlet. Every actor portrays the character Hamlet in several ways making each version almost a new story. Mel Gibson's 1990 version and the 2009 David Tennant films are very different in style, scene omissions and several other aspects.

When comparing two different Hamlet movies I found that one scene in particular was obviously more different than the others. I compared Columbia pictures 1996 version with Kenneth Branagh playing the role of Hamlet versus BBC’s 2009 Hamlet in which David Tennant played the honorable role of Hamlet. When comparing both movies I found a lot of similarities but there was one major difference when I compared the “To be or not to be” scene. The scenes vary in multiple ways whether it is lighting, focus, camera movements, and even the actors that play Hamlet.

Hamlet and Twelfth Night could both be compared through instances of body imagery, critical thought and social integration.

Comparing a play to its movie adaptation is something that is hard to do since there is no tangible way a person can capture the original then change it to make the movie version of it up to par to the original. From the original play of A Midsummer’s Night Dream that was created by Shakespeare in the movie version of it created by Michael Hoffman, there are many similarities and differences that are in the movie some are very stark while others are very subtle differences.

William Shakespeare’s Hamlet explores and condones the same variety of themes in Disney’s The Lion King. Through a number of events, both the antagonists want to take revenge upon their evil uncles. The reader and audience learn the importance of finding happiness when Simba meets Timon and Pumba, but Hamlet is neglected leaving him to spiral into dark thoughts. Another theme explored by both texts is power and how easy it is to lose what’s all around you as well as the even bigger struggle it is to gain it all back. Both texts have a variety of differences, yet they are very similar which makes them unique. Especially The Lion King, being aimed at a younger audience, it is evident to see how Disney has purposely left out harsh topics, such as suicide, to cater for the indented audience.

Through Shakespeare’s perspicacious genius, in Hamlet he has depicted an aspect of humanity that belongs essentially not to his age but ours. He does so by subverting the audience's’ expectations of a revenge tragedy through his characterization of Hamlet as having an overactive intellectual mind, which results in his delay from action. Hamlet spends the vast majority of the play ruminating over philosophical questions related to the typical themes of revenge tragedy; action, murder, revenge, but also the purpose of theatre, philosophical questions of life, family relationships and the importance of rituals (such as funerals). Therefore, Hamlet is essentially about the attempt to hold a mirror up to human nature and work towards expressing

As innocent and young the Disney movie “The Lion King” may seem, it is, indeed, loosely based off of the renowned Shakespeare play “Hamlet”. It would seem strange to the typical audiences of each, but when looked at closer, it is seen that they are actually related underneath the youthful, animated surface of The Lion King.

“It is the nature of people to love, then destroy, then love again that which they value the most.” –Unknown. Countless authors have tried to display love as human nature, but no author does this better than the famous playwright, William Shakespeare. In both Hamlet and A Midsummer Night’s Dream, Shakespeare exhibits how love can control a person. To understand how love controls a person, one must understand that human nature is the sum of qualities and traits shared by all humans. All humans have exhibit love in one way or another, which explains how human nature relates to the controlling aspect of love. In Hamlet and A Midsummer Night’s Dream, conflicts between loyalty to family and friends, lack of trustworthiness towards others,

Certain parallels can be drawn between William Shakespeare's plays, "A Midsummer Night's Dream", and "Romeo and Juliet". These parallels concern themes and prototypical Shakespearian character types. Both plays have a distinct pair of 'lovers', Hermia and Lysander, and Romeo and Juliet, respectively. Both plays could have also easily been tragedy or comedy with a few simple changes. A tragic play is a play in which one or more characters  has a moral flaw that leads to his/her downfall. A comedic play has at least one humorous character, and a successful or happy ending. Comparing these two plays is useful to find how