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Similarities And Differences Between Oedipus Rex And King Lear

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Oedipus Rex and King Lear are plays that are strongly dependent on the "passenger" characters. In other terms, they are the characters who help the protagonists see the “whole of reality”. Sophocles’s play explores an arrogant king who is guided by a figure, both his mother and wife and a blind foreseer to recognize the reality of the agonizing prophecy, while Shakespeare’s drama encompasses around a foolish king who is guided by his loyal servant to realize the unwise decision of distributing his kingdom amongst his eldest daughters and banishing the youngest. In a real sense, the protagonists of both works are too oblivious for not recognizing the “whole of reality” and are in desperate need of guidance. These guidances come from those who care for them. Above all else, these “passenger” characters account for both the similarities and differences between the two works. The subordinate characters are significant in the sense that they help shape the plot of the plays, they assist in the revealing of the protagonist’s flaw, and they represent truth. Sophocles’s Oedipus Rex utilizes the secondary characters as a trigger to start the story, while Shakespeare uses them to wrap up King Lear. In Sophocles’s play, the blind foreseer, Tiresias, help drive the plot forward. Tiresias appears early in the play and Oedipus pleads to be told of King Laius’s killer, but he responds, “Just send me home. You bear your burdens / I’ll bear mine. It’s better that way, / please believe me” (364-366). Although Tiresias offers Oedipus a way to avoid the truth and suffering, the latter’s persistence will steer him closer to his impending doom. These short, but significant words said by Tiresias triggers the start of Oedipus’s tragedy. By contrast, in King Lear, the titular character’s loyal servant, Kent, leads him closer to the realization of his foolish mistake. Kent’s loyalty to Lear never falters throughout the play. Gaull asserts this idea that when he says, “Kent [is] a subject’s subordination to his king”. Near the end of the last scene, Kent reports to his king, “Your eldest daughters have fordone themselves, / And desperately are dead” (V.iii.293). The conflict in this drama was started by Lear’s unwise decision of

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