Similarities Between A Streetcar Named Desire And Othello

Tennessee William’s A Streetcar Named Desire is a play that tells the tale of a family in 1940’s New Orleans. It examines the issues of delusion, escapism, the pitfalls of desire, and the idea that people are reluctant to see the truth when it deviates from what their ‘perception’ or what they want from the world. This is all done from a variety of critical lenses. The aforementioned ‘critical lens’ is mostly simply defined as a specific way of looking at a text, by keeping certain questions and ideas in mind. This is important, as it allows the reader to understand a work beyond a mere two dimensional point of view- by analysis on another layer, with certain key factors in mind, a reader is able to further understand the work and the ‘subconscious meaning’ behind the choices of the author. While A Streetcar Named Desire is a novel about the chains of our own making, the reader’s experience and

The play A Streetcar Named Desire, by Tennessee Williams, is a play about a woman named Blanche Dubois who goes to live with her sister after she loses her home in Mississippi. Between the hardships of her previous life and the way she is treated now, she is not in a good way by the time the play ends. She basically has a mental breakdown. There are three stages of Blanche’s mental state. She lives in a fantasy, Mitch rejecting her, and Stanley raping her, Blanche is mentally unstable by the end of this ply.

Throughout the story, several women were extremely mistreated by men. The oppression of women is unmistakable in The Color Purple. It is particularly exposed in association between Celie and her farther. At a very young age Celie was subjected to oppression. Celie was raped repeatedly and pregnant twice by her stepfather and was told to keep quiet about it. "You better not never tell nobody but God, It'd kill your mammy" (stepfather). I believe this is when Celie began to fear men for most of her life. This act towards any woman is very demeaning.

A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.

Based on Tennessee William’s A Streetcar Named Desire, Elia Kazan creates an award winning movie that helps readers visualize Stanley’s primal masculinity, the inner torments of the Kowalski women and the clash of the other characters’ problems which create a chaotic mess. Using stage directions in the play, William hints that Blanche is not who she appears to be while the movie subtly sheds light on Blanche’s strange little habits that suggests a bigger issue. The movie also censors many of the main themes in Williams’ play but makes up for it by having its actors flawlessly portray the characters’ emotions, allowing the readers to see the

The themes of A streetcar Named Desire are mainly built on conflict, the conflicts between men and women, the conflicts of race, class and attitude to life, and these are especially embodied in Stanley and Blanche. Even in Blanche’s own mind there are conflicts of truth and lies, reality and illusion, and by the end of the play, most of these conflicts have been resolved.

“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further

Throughout Tennessee Williams’s play, “A Streetcar Named Desire” one can learn a large portion about his personal life. In the play the character, Blanche has a mental illness the same as his sister Rose had in her lifetime. Blanche’s ex-husband was also homosexual and he made the point to say that he left her for a man and Williams himself was also a homosexual. Tennessee chose for the story to be based in New Orleans, which was a crumbling town at the time and Williams was living a crumbling life, due to he was battling depression. In his plays a reader can see that he has different views than most men of his time, he developed many of these views due to his travels throughout his life. ““Streetcar” tackled themes of desperation, sexual

In the opening two scenes of ‘A Streetcar Named Desire’ by Tennessee Williams, the audience has its first and generally most important impressions formulated on characters, the plot and the mood and tone of the play overall.

Tennessee Williams's legendary play A Streetcar Named Desire presents the audience with a multitude of diverse characters and complex, intertwined relationship between those characters. The character that stands out as being the most essential and complex, however, is Blanche DuBois. Blanche looms as the sole character to look past the simplicity of life and long for something beyond her daily mundanity, and all other characters in Streetcar are contrasted against her to help illuminate some quirk of their humanity. In addition to these contrasts, Blanche also provides an interesting character study due to her inability to accept reality and her semi-anachronistic nature.

I would like to analyze a tragic heroine Blanche DuBois appearing in a play A Streetcar Named Desire (1947) written by Tennessee Williams. My intention is to concentrate on the most significant features of her nature and behaviour and also on various external aspects influencing her life and resulting in her nervous breakdown. I would like to discuss many themes related to this character, such as loss, desire and longing for happiness, beauty and youth, pretension, lies and imagination, dependence on men and alcoholism.

A Streetcar Named Desire 's original drafts were started in the early 1940s by playwright Tennessee Williams, who prepared and tested numerous titles for the work. Eventually, the completed play opened on December 3, 1947 in New York City staring Marlon Brando as Stanley Kowalski and directed by Elia Kazan. This run of Streetcar lasted 855 performances until 1949 and won Williams a Pulitzer Prize and the New York Drama Critics ' Circle Award. Later, in 1951, the film version was adapted and stared Brando along side Vivien Leigh as Blanche with Kazan holding the seat as director once again. Both the play and film adaptations of A Streetcar Named Desire have received critical acclaim and much success, so much so that Williams work is both

The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe

        Tennessee Williams was once quoted as saying "Symbols are nothing but the natural speech of drama...the purest language of plays" (Adler 30). This is clearly evident in A Streetcar Named Desire, one of Williams's many plays. In analyzing the main character of the story, Blanche DuBois, it is crucial to use both the literal text as well as the symbols of the story to get a complete and thorough understanding of her.

Especially the American south was an epitome for patriarchal society (90). Women were meant to be inferior to men and had to fit into the “good girl” picture, otherwise they were close to shunned by society. The play “A Streetcar Named Desire”, written by Tennessee Williams in 1947, depicts such a patriarchal society. The main conflict is between the protagonists Blanche DuBois and her brother in law Stanley Kowalski, which ends with Blanche being admitted into what seems to be a mental facility. I will argue that the patriarchy, which is especially represented by Stanley Kowalski, is the cause for the mental destruction of Blanche. In order to do so I will first elaborate what is actually meant by the term patriarchy. Then I will try to explain how Stanley Kowalski can be seen as an epitome for a patriarchal man and how he fits into the attributes attached to such. In the second chapter I will try to define the role a woman had in the patriarchal society of the 1950s and to whether Blanche DuBois fits into it or not. Last but not least I will attempt to connect the dots and show how Stanley, as the representation, and the patriarchy itself lead to Blanche’s mental