Similarities Between Art And Dominican Art

The Great Mosque of Cordoba vs. Hagia Sophia Religion has played a huge role in the history of the world of architecture. We can get a deeper look in the minds and attitudes of people when we look at their beliefs – specifically their religion. But even though religion played a huge role in the approach to architecture, the pursuit of beauty and power can also explain to us the approaches and the outlooks of those who built or designed buildings from the ancient world.

Medieval vs. Renaissance Art Art during the Italian Renaissance differed from art during the Middle Ages. The two have contrasting characteristics and concepts. To the people in the medieval world, religion was their life. Everything in daily life focused around the church and God (Modern World 164). Medieval culture influenced the arts; this was evident in the religious themes. During the Italian Renaissance, painters and other artists focused on the portrayal of a more humanistic way of life. Renaissance artists’ work portrayed realism with “lifelike human figures in their paintings” (Modern World 164). Renaissance artists wanted to express ancient Greek and Roman cultures in their work (Modern World 162). Italian Renaissance

Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works

Religion has always played an important role in the development of art and architecture. They serve as a bridge between the real world and the divine world, and mirror religious views

The classical aspects were used to humanize the Christian and secular buildings. The High Renaissance in Italy, although short lived, was extremely important on the influences of future Italian art. During the High Renaissance the main focus on Florence, for the arts, shifted to Rome due to the power and wealth from the popes. Because of the move from Florence to Rome, the two most important factors of this time, Classicism and Christianity, were merged into one. “Italian ideas were also brought northward through trade and commerce into Europe, where they had a tremendous amount of influence on the artistic traditions there as well” (Benton & DiYanni, 2008).

Olivetan Master was an Italian artist, active during 1425- about 1450 is called by this name because of a signature found from Milan in 1439. Milan describes him as a brother of the Order of Monteoliveto, which tells that he was an Olivetan monk himself. He is known for other

Commedia dell’arte was established during the sixteenth century at a time when theatre flourished in Italy. Despite such a rich time for the arts, a divide in the church as well as

Essay 1: Dazzle the Faithful To understand the characteristics of Baroque style is to truly understand artistic measures of the sixteenth to eighteenth centuries. Baroque, a single word describing an entire period of art, can be broken down into more than one actual form of art. The new European age birthed this developing style of architecture, coming from ideas on religion and politics. Set apart in three different countries, visitors of St. Peter’s Basilica, Versailles, and Hampton Court Palace, engulf themselves in historic Baroque styles and beauty. The international style “was reinterpreted in different regions so that three distinct manifestations of the style emerged” (Matthews 392). The florid, classical, and restrained baroque design of the three different buildings gives us a historic lesson on the reasoning behind its purpose.

The structure, approved and paid for by the city council, was a feat of amazing architecture on the part of Fillippo Brunelleschi. This was the largest dome created in that time and it was Brunelleschi’s ingenious design that won the commission against Ghiberti and other artists. The Church’s possession of grand cathedrals like this one served to demonstrate to the people the greatness of the faith and the power of God. There was a religious aspect to the construction of the immense cathedrals and basilicas; the people were paying homage to their god and constructing churches they felt were worthy for him. However, it was also somewhat political, as the grandeur of the churches was displayed to all the people in the city. No one could question the Catholic church’s might and colossal influence after viewing a cathedral such as the

Francis of Assisi was a poor man who astounded and inspired the Church by taking the gospel literally—not in a narrow fundamentalist sense, but by actually following all that Jesus said and did, joyfully, without limit and without a mite of self-importance. Francis was famous for his love of all creation. He called for simplicity of life, poverty, and humility before God. He worked to care for the poor. Thousands were drawn to his sincerity, piety, and joy. In all his actions, Francis sought to follow fully and literally the way of life demonstrated by Christ in the Gospels. My report is going to discuss the life and contributions of St. Francis of Assisi.

The painting The Holy Family with Saints Anne and John the Baptist, 1592 (oil on canvas) was created by Italian painter Sofonisba Anguissola (c.1532-1625). It is currently held at the Collection of the Lowe Art Museum, University of Miami, as a gift from Mrs. Forbes Hawkes and Bridgeman Images. This painting is among the unique pious narrative paintings by Anguissola. “The Holy Family” is the last dated painting by the artist. It was executed when she had just returned to Italy after spending 14 years working for King Philip II at the Spanish court. By this time, she had already married to a Genoese ship captain. Her various visits to court and her personal contacts with great painter at that time largely inspired herself. Through these contacts, she successfully stayed in touch with current developments in art. By closely observing this masterpiece, I argue that the artist perfectly sustain the beauty of counter-reformation arts in her work by use of light and shadow, delicate brushwork and accurate proportions of each subjects.

A Comparison of Two Paintings from the Renaissance Period Introduction This paper will compare the themes found in the paintings "Madonna and Child with St. John the Baptist and an Angel" by Domenico di Bartolomeo Ubaldini (Puligo) and "Madonna Enthroned" by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare

Module 6 In 1656, Bernini began to work on the exterior of Saint Peter’s. His goal was to provide and impressive approach to the church. We can see and humungous Piazza, or public square, where the faithful gather on Christian Festival to hear the pope’s message and receive his blessings. He divide the piazza is two sections, the sections looks like an ellipse. In the middle of the piazza is the Obelisk, a radiant pattern converges at the obelisk. While, the architect of France in the Baroque period is elegant, ordered, rational, and restrained, recalling the classical aesthetic. France rejected the exuberance of Italian Baroque preferring a strictly rectilinear approach to Borromini’s curving walls or the open, activated spaces of Bernini.

The arrangements of Renaissance structures have a square, symmetrical appearance in which extents are typically in light of a module. Inside a congregation, the module is frequently the width of a path. The need to coordinate the outline of the arrangement with the façade was presented as an issue in the work of Filippo Brunelleschi, yet he was never ready to convey this part of his work into realization. The primary working to exhibit this was St. Andrea in Mantua by Alberti.Façades are symmetrical around their vertical axis.

A Comparison of Two Paintings from the Renaissance Period Introduction      This paper will compare the themes found in the paintings “Madonna and Child with St. John the Baptist and an Angel” by Domenico di Bartolomeo Ubaldini (Puligo) and “Madonna Enthroned” by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare