Similarities Between Baroque And Baroque Eras

I traveled to the National Gallery of Art in DC to observe the impact the Renaissance had on the style and characteristics artists would use in their paintings going forward. In order to do so, I decided to compare two Italian paintings; one during the time of Renaissance, and the other predating the movement. While searching for the paintings I would compare, I stumbled across a painting in between the times of these two paintings, and I decided to compare that painting as well. To make the most accurate comparisons, I focused on the portrayals of the Madonna and Child, as this seemed to be very prevalent throughout the Medieval and Renaissance eras.

When considering the differences between the Rococo and Neoclassic styles, it is striking how completely different they are from each other. In the area of architecture, it is easy to see how they diverge when looking at examples of the styles. The Ottobeuren Abbey in Bavaria, Germany is a true embodiment of Rococo with its countless gilded, vapor-like coils of plaster and stone, bright, playful colors, and heavily sculpted décor. The United States Supreme Court, a familiar study in Neoclassic architecture, is the polar opposite. Someone viewing its stately, symmetrical shape, understated coloration with an emphasis on natural materials like marble, and towering, stately pillars may wonder if it came from the same planet as the abbey in Germany.

"Renaissance art is the art of calm and beauty.", (Wölfflin, H. (1964). Renaissance and Baroque. Great Britain.). Renaissance art has a tendency to define shapes with clear contour. Even though the light/dark contrast is a Renaissance occurrence, it does not intervene with understanding the picture. For example, Dürer’s St. Jerome in His Study. Although the artist used a great amount of light and dark in his work, but the emphasis is still on the boundaries and on the contour. The word "Baroque" comes from the Portuguese word “barroco,” which means “rough or imperfect pearl” and implying "bizarre". Painterly is the best word to describe Baroque's arts. "It would be simple enough to say that painterly is that which tends itself to being painted, that which without addition would serve as a motif for the painter." (Wölfflin, H. (1964). Renaissance and Baroque. Great Britain.). The artists are not afraid to go overboard and over limit. They don't focus on the form. They'd rather focus on masses. The light is so strong it appears to dissolve the line of the object or the object itself. Baroque artists used powerful and intense contrast between light and darkness "chiaroscuro" to emphasize on the objects and create a sense of drama and mystery. A perfect example: Rembrandt’s etching of St. Paul in

Baroque painting contained dramatic details, large in scale and was full of energy. This style was intentionally non-symmetrical. The painters of this time were looking to capture the real feelings of their subjects along with the movement or action taking place.

Since 1400 to 1700, the population of the world has seen three periods that affect them; the renaissance period, the baroque period and the Rococo period. Each period has a different kind of paintings, a different kind of art, and a different way to affect the society.

In the Bronze Age paintings and specially the Minoan we began to realize how realistic they look and how they are showing movement. We can see that in paintings of landscapes, sport events or even a story or a ritual. Some of the Minoan art is different from each other but some are quite similar in style, technique or in motifs. In this essay we will be showing the similarity of style between the Hagia Triada sarcophagus and the Minoan palace frescoes paintings.

2. '81: Compare the ways in which two works of art reproduced below express the artistic, philosophical and cultural values of their times. (Pictures of Michelangelo 's David

The period of Baroque art was from 1600 to 1750, and relates to the style

The era known as the Baroque period includes the seventeenth and most of the eighteenth centuries in Europe. The Baroque style was a style in which the art and artists of the time focused upon details and intricate designs. Their art often appeals to the mind by way of the heart. During this time the portraits began to portray modern life, and artists turned their backs on classical tradition. Much of the art shows great energy and feeling, and a dramatic use of light, scale, and balance (Preble 302). Buildings were more elaborate and ornately decorated. These works of art created history and altered the progress of Western Civilization. Architecture such as the palace of Versailles, and artists like

•The creation of the baroque style—an art style full of emotion, flamboyancy, symbolism, vigor, and subtlety—largely as a product of the Catholic Church patronage of the arts

From 1600-1750 the world shifted from Renaissance art to a new period, the Baroque. This art combined the technique, skill, and grand scale of the Renaissance with the emotion and intensity of Mannerism. Not only were artistic geniuses produced but art expanded into everyday life as well. Religious scenes and figures continued to become more realistic and human looking. Artists began painting everyday scenes full of everyday people. Even portraits became more lively and exciting. Three pieces of art exemplify this period, "The Nightwatch", "The Kitchenmaid", and "St. Jerome in His Study".

During this assignment I will talk about three types of Work of Art from three different artists from the Baroque period through the postmodern era. 1). Michelangelo Merisi da Caravaggio; 2) Rembrandt van Rijn; and 3) Peter Paul Rubens, these three artists were known for their religious theme in their art work. The naturalism that was visibly demonstrated in each of the artist work with high contrast of lighting that noticeably appeared in these paintings. Each artist was well known and respected for their work.

The baroque style, although originally from Italy (1600), had already reached France in mid-17th century. One can compare the detail to one of the baroque artists (Fig 23) to see the resemblance.

The culture of the baroque time period was artistic and religious. The style was “encouraged by the Catholic Church,”. “The Baroque style is characterized by exaggerated motion and clear detail used to produce drama, exuberance, grandeur in sculpture, painting, architecture, literature, dance, and music. Baroque iconography was direct, obvious, and dramatic, intending to appeal above all to the senses and the emotions.” “For over thousand years western European Christians had been united under the Roman Catholic Church. Unity ended in mid- 1500’s with the advent of religious protests that led to schism (split) between Protestants and Catholics.” This time period was also very

It is hard to believe that what began during the Renaissance would be followed by what we refer to as the Baroque period beginning in the 1600’s and later the Rococo. The term Baroque was first used in the eighteenth-century by critics in a negative way. “To the eyes of these critics, who favored the restraint and order of Neoclassicism, the works of Bernini, Borromini, and Pietro da Cortona appeared bizarre, absurd, even diseased—in other words, misshapen, like an imperfect pearl” (Camara, E., n.d. para. 12). Stylistic style differs in the Baroque period with the use of interrupted contours, dynamism, and instability. In addition, artists were moving toward a more realistic subject matter and not the idealized portrayals we saw in the Renaissance period.