Similarities Between Edward Scissorhands And Pleasantville

Nathaniel Brandon once said “The first step toward change is awareness. The second step is acceptance”. In Edward Scissorhands directed by Tim Burton, society individualises Edward because he is “deformed” and only some accept him. The film reveals how society takes advantage of Edwards unique abilities and then was distinguished when society’s view turned to danger, he was then discarded by the people. Society takes advantage of those who are distinctive or have unique capabilities but are instantaneous to neglect them too.

The first person who first meets Edward is Peg when she is going up to the mansion to sell her Avon cosmetics. He comes out of the shadows Peg is shocked by his looks. “Oh my! What happened to you?” She asked shocked by his scissor hands. During this the camera shots of Edward are mostly close ups on his face and hands point out his most unique and different features. Edward’s clothes throughout the entire movie are tight, black, leather which is very different to the bright colourful town’s people’s clothes and often these clothes made him stand out which set him apart from the town’s people. Edward isn’t just set apart by film techniques, he is also very much an outsider to the towns who find him curious. This is shown in a few situations. The main one is at the BBQ when George Monroe meets Edward and asks him to play cards. “Would you like that? The only thing is you can’t cut.” George said making fun of Edward’s differences, something he wouldn’t do to a friend. While Edward and Esmeralda are quite different from the town’s people, Peg is one of them but struggles to fit in at times because of how she sees things and how she is more

The most appealing films are those that keep audiences guessing, surprise them at the most unexpected times and break conventional film boundaries. Edward Scissorhands (1990) directed by Tim Burton, is a feature film that does exactly that. It blends a fairy tale story with a gothic horror film, to engage the viewer right from beginning until the resolution. It tells the tale of Edward, who was the creation of an inventor who died before he could give Edward proper hands, and was left with scissors as hands. When he was taken from his gothic mansion, into a “normal” suburban community, he was at first welcomed, but then heartbreakingly rejected when things went wrong. The character of the “monster” is an

In addition, mise-en-scene is used to show the contradictions between the two understandings of life. The barbecue and dinner scene show the emotional overkill and unstable conduct of the residents in the town by using the lively and distinctive color (Burton, 1990). The distinction with Edward’s gothic punk style of fashion, hairdo and makeup is unusual and marks him as an outcast. It is not only his exterior that points out his detachment from people, but also his ideas which represent his own reality and separates him from the world that he does not belong to. When the people discover Edward’s talents they begin to request different tasks from him. Overall, it seems as if the society is only accepting of Edward for their own benefit. However, Burton makes it clear that there is no true acceptance for Edward when he is forced to leave Peg’s house. Kim, the girl Edward falls in love with, knows she cannot change society, so she leaves him in the castle and tells everyone he’s dead so he is protected.

Another example from the movie is when Edward is introduced into this brand new style of living where he is the new ‘toy’ and uses his creative side to make people’s lives more enjoyable and fulfilling by cutting neighbours hair and turning a hedge into art. Tim Burton makes us think to look beneath the surface and not too just leave out someone who doesn’t look normal, he makes us think about our everyday life how we can be ignorant, rude and reject people who don’t look like us and have a disability. In Edward Scissorhands Edward isn’t always seen as the good guy from the town’s perspective. In the opening seen when we are given a bird’s eye view of the cars moving in and out of the town, this gives us the thought that the town is bright, bubbly and organized to the split second that the cars come out of the drive way but really as the movie goes on they seem to take the tag of being the ‘bad town’. In the movie the town thinks he is the bad guy because of what people have been gossiping about. Edward becomes the ‘bad guy’ as he is being betrayed/forced into the role of the town devil when he is the town hero as he has bought something to the town that will

Tim Burton’s gothic drama film Edward Scissorhands explores what is immoral with our society. A present issue with humanity is people who are different are encouraged to conform. In addition, society plays by the rules and follow societal norms rather than listening to their hearts. Most importantly, humans are cruel and exploit those who are vulnerable for their own benefit. Through the use of film techniques, Burton proposes the faults in humanity and the brutal nature of humans.

In Tim Burton’s 1990 film Edward Scissorhands, explores how people who are different are treated in society. This statement will explore the reasons why and how people are treated differently. The statement will prove that there are people who are treated differently because of what and who they are.

In the same vein of logic Burton also visually compares his characters through the settings in which they are portrayed. In an almost laughably shocking contrast, the gothic mansion in Edward Scissorhands is quite literally looming over the uniform pastel ranch style homes of the characters. This clear juxtaposition can

How would you feel if you had scissors as hands? In the beginning of Edward Scissorhands, Edward wasn't finished so he was left with scissors as hands. During the movie Edward goes through a journey trying to fit in and be accepted by everyone. In the film Edward Scissorhands, director Tim Burton uses the stylistic elements of juxtaposition and symbolism to develop the theme, never judge someone by their appearance.

Tim Burton, the director of Edward Scissorhands, draws inspiration for his work from fairytales and children’s stories. He has always had an affinity for the darker elements of these stories, which is made evident in the film Edward Scissorhands. The film’s main character is a man named Edward who has scissors for hands. Later, it is shown that he was a metal figure brought to life by his inventor, an elderly man who dies before he is able to give Edward human hands. Edward lives in a mansion on a hill on the edge of town, all alone, until a woman named Peg finds him and bring him to live with her family. Edward immediately develops an attraction to Peg’s daughter, Kim, though she has a boyfriend. Towards the end of the film, Kim tells Edward that she loves him, and Edward seems to be completed. However, Edward struggles to conform to society, and eventually is forced by the members of the community to return to his mansion, isolated from any human interaction. The film combines a make-believe character, as often found in children’s books, with elements of a horror film, like suspicion and violence. The film features several flashbacks throughout that elaborate on Edward’s past and show how he came to be. Burton uses these flashbacks to grow the audience’s understanding of Edward, explain events, and emphasize themes.

Burton often uses low-key lighting to show isolation, and the idea that characters are isolated because of the fear that others have. Edward Scissorhands is an isolated character who has spent his whole life hiding because he is different. Burton uses

The film ‘Edward Scissorhands’ by Tim Burton, is a modern day fairy tale which follows the story of Edward, a young man that is taken out of isolation and introduced into a new way of life. Although the film is for entertainment, that is not its sole purpose. The film has deep and rich themes, which convey many important messages to the audience. Some themes of the film include; conformity, appearances versus reality and individuality.

This is revealed when Edward is excluded within the community. In the beginning of the movie Edward is inside a dark and gloomy mansion, all alone, secluded from rest of society, showing to the audience that he doesn't belong. The film techniques used by Tim Burton such as the colors portrayed in the film like pastel colored houses, colored cars and people wearing bright clothes, clearly shows that Edward is not like anyone else and is an outsider. He is oblivious when trying to abide by the rules of society such as when he is trying to eat dinner at the home of the Bog’s. “Well this might be quite of a change for you, right Ed?”(Edward Scissorhands) said by Bill Boggs, the father of the family.

Tim Burton’s use of scenes of events such as barbecues and Christmas parties encourages the viewer with comfort and peace of conformity. It shows Edward blending into the society and having another chance. This idea of being reborn is brought about because he isn’t up in the mansion alone but rather he is in the neighbourhood being given a ‘second chance’. When Peg Boggs brings Edward down to live with her and starts to immediately change him by putting new clothes on him. Then she tries to cover up his scars on his face, using key lines such as “blending is the

Moreover, Burton uses satire to emphasize Edward’s innocence; all characters represented a different flaw in society. For example, all of the housewives were nosy. One of them was particularly religious and judgmental. Burton portrays Joyce as a flirtatious liar. Kim’s boyfriend, on the other hand, was controlling and impulsive. In contrast, Edward had none of these faults. The town that they live in is made out to look perfect and neat, while Edward’s home is scary and intimidating. In reality, the castle is more of a humane place than the town. The real monsters are the “regular” people. To sum up, Burton gives a negative connotation towards society, verse praise towards uniqueness using satire.