Similarities Between Everyday Use And Where Are You Going Where Have You Been

During Dee?s visit with her family, she asks for the two quilts, and her mother refuses. The mother had offered them to Dee before she went to college and she did not want them. Back then, Dee had called the quilts "old-fashioned, out of style" (Walker 1154). This shows that Dee was not interested in the quilts until they were considered fashionable, trendy, and "in style." This also shows that Dee is a "stylish" person who is trying

If not thought about or read over more than once, the fact that Connie’s father was almost a phantom in her life might be missed. In this era, fathers in particular were not very active in their children’s lives, daughters especially; they were the mother’s problem. This same idea carries over to the father of Connie’s best girlfriend, who after driving them to the stores or movies “…never even bothered to ask what they had done.” (Oates, "Where Are You Going, Where Have You Been?"), the name of the story is also a question that should be asked of any daughter by her father. The fathers in question here display a sense of total apathy to the question of what their daughters are actually doing. These fathers came from a time in the 40’s and 50’s when men worried about men things and woman issues were exactly that. Men and in particular fathers of that time made no effort to be involved in their daughters lives as they are today. Oates noticed that issue in society and attached it to her work in this story although minutely. The main conflict in Connie’s life is trying to balance a fine line between the way she acts at home in front of her mother, and her secret wild side which she only shows to her friends and the boys she meets. Oates’ characterization of Connie is that of a round character, one of intense

Now all of a sudden she has Black Muslim family and wants to impress them so she returns to grab things that are part of her family’s heritage. That are only interested in what they stand for and not for whom they stand for.  Then as soon as she pays a visit to her home, she picks up and walks out again.  It is obvious, to her heritage is for show not for living. The situational irony is present as well. Selfish Dee expects to be able to just walk into Mama’s house and take what she wants. Instead, Mama finally realizes that Maggie deserves the quilts because she understands her heritage. Mama actually understands what Dee is becoming and decides to give the quilts to Maggie.

Dee is the afro-centric, ego- centric and eccentric pseudo-intellect. She values her culture in a more materialistic aspect. She respects the artifacts of her history rather than the usefulness. Dee’s earthly-mindedness sets the stage for conflict throughout the entire story, from her arrival until the central conflict when there is a battle amongst the other two main characters Mama and Maggie, about who is truly entitled to the hand-stitched quilts. The quilts were works of art that have been passed down throughout

Mama decided to keep her word and give the quilts to Maggie because she understood what these quilts meant, “ You will not understand. The point is these quilts, these quilts!” The representation of the quilts is the symbol of the family and Dee couldn’t understand it, even with her education. Mama had more life experience and understanding of her culture then Dee would ever learn in a

Dee does not truly value the heritage, and her interest in the quilts seem to reflect a cultural trend. This cultural trend becomes evident when the mother says, “I had offered Dee a quilt when she went away to college. Then she had told me they were old-fashioned, out of style”(Walker 96). We learned early in the story that Dee acquired a style at a young age, and she allowed the world around her to alter and manipulate that style.

As the story advances however, Dee does get more complex and is demonstrated to be battling with her own particular personality and heritage. Concrete subtle elements are expressed about Dee that lead you to know she is beautiful, smart and certain. Dee is described as thin with a little waste. She is a light cleaned dark individuals with a decent review hair. She is also well educated. Dee is fashion conscience, continually needing more pleasant things that were not affordable to her family. First and foremost of the story, Dee’s mother and sister, Maggie are is getting ready for Dee’s entry for a visit. Here is the place you get the first flash of Dee’s obvious identity. Maggie is portrayed by her mother as being apprehensive until after Dee goes when Dee hasn’t arrived yet. This persuades that maybe Maggie is threatened by Dee and maybe feels inferior compared to Dee. Dee’s mother discuss dreaming a fantasy about being welcomed by Dee with a grasp and tears in her eyes. All things considered Dee’s mother and sister don’t appear to feel just as they truly measures up to what Dee expects or needs them will be Dee’s mother never had much of an education and Dee’s mother raised enough cash to send Dee off to school. Maggie is specified as having poor sight and not being brilliant. Dee the again is smart.

As the two sisters have different appearance and personalities, they have different perspectives on heritage that contrast each other. Walker uses quilts to symbolize the heritage and describes the two girls' view on quilts to show their perspectives on heritage. Maggie thinks of heritage as an attachment to her ancestors. She believes the everyday use of the inherited materials, how much ever value they may retain, will keep her connected to her ancestors. She values the attachment to the ancestors more than the inherited material itself. When she gives up the quilts to Dee, she states, "I can 'member Grandma Dee with the quilts." Dee, on the other hand, thinks of heritage as something that has an extrinsic value, for example its aesthetic value as an antique. She believes that the proper way to accept and preserve her heritage is to not put it into her everyday use but to cherish it only as an accessory. Such an idea is revealed when Dee says, "Maggie can't appreciate these quilts! She'd probably be backward enough to put them to everyday use." When the mother asks Dee what she would do with the quilts, she says, "Hang them" (1177), which shows that Dee thinks of the quilts only as tangible antiques.

Everyday Use is a short story that is both a life lesson and a realistic story. A mother and her daughter Maggie both live in a little southern home where their lifestyle is a little outdated than the rest of the modern world, Mama also had a daughter named Dee, instead of living with her mother and sister she decided to go to college and live stylishly with the modern world. The real conflict in the story is when Dee decides to go home, and when things get out of hand, the reader figures out that Dee and Maggie have some similarities however they are far from being alike in any way. The two sisters love each other dearly but the differences between the two are what makes them who they are and while one sister does not agree and decides to run from the situation, the other realizes and respects the other because that is in her nature and she knows how her sister can be. The differences of the two sisters are shown physically, mentally, and as well as the way they feel as what is right. This short story gives a lot of real life lessons in respect and loyalty towards being a part of a family.

Prior to the beginning of the story, context clues show that Dee and her family already had a broken relationship. She is the oldest child between Maggie and her, but not the humblest between the two. In my opinion Dee’s personality comes off as arrogant, uneducated, unappreciative of her family heritage which causes her to carry herself in a ridiculous way.

Dee is a controlling person who always wanted everything to herself only and don't want anybody to take something more than her. And that appeared when mama said that the quilts which were handmade by their grandma Dee, that she would give it to Maggie, Dee was very angry for that and she wanted to take the quilts herself not because she wanted, just because she don't like anybody to take something more than her and wants everything for herself only. Dee was well educated and didn't liked her mother's and sister's way of living so she traveled and when

Dee, a confident, attractive, well-educated young woman has become somewhat of an annoyance to her own family. Born into a poor, uneducated, meek family, Dee stood out; she thrived. Unlike the rest of her family, Dee appeared to be discontent with her current situation. She wanted nice clothes, an education, a nicer house, and better living conditions. Her disapproval leads to tension in her family, as Maggie and her mother are constantly trying to gain her approval. She is frequently the cause of dispute in her household. Dee often gives the impression of being judgmental and condescending towards her family. She believes to be above her surroundings.

She is the complete opposite of her sister Maggie. Dee’s education level is chief to emphasizing her characterization. Although Dee is blessed with a high level of intellect, she makes sure everyone around her knows that she is highly educated (Jacobs, 2011). When Dee was younger, she spurned her family’s traditional heritage. There is a conflict of light-skinned versus darker skinned; well-spoken and educated versus quiet and ignorant; a shapely body with perfect feet versus trembling and confused (Memuff, 2011). Mama and Maggie on one side, Dee on the other, each have opposing views on the conflict to make the point that the substance of an object, and of people, is more important than style (Mathew R. King).

In the short story “Everyday Use” by Alice Walker, the two main characters, Maggie and Dee, are sisters who are very opposite to each other. Throughout the story, the girl’s differences become evident through their physical appearances, personalities, lifestyle decisions, and the way they feel about their heritage.

Sarnowski describes Maggie by stating, “She ekes out an existence on the family farm and has neither the intelligence nor the physical attributes of Dee/Wangero” (Sarnowski 10). This statement shows that Maggie lives a conservative type of farm life, and due to this lifestyle, she is less intelligent than her sister. This statement also shows how the character Maggie is described in a sense as inferior to Dee because of her lack of education and physical attributes. Maggie’s traditionalist ways show, however, when she tells her mother, “"She can have them, Mama,” … "I can 'member Grandma Dee without the quilts"” (Walker 6). This shows that Maggie views the quilts as a way of remembering her deceased grandmother. It’s not as much about the physical looks of the quilt, but more about them being a passed down memento from her grandmother. In addition, Sarnowski states, “Losing the quilts would not extinguish or reduce Maggie’s sense of heritage, but it would rob her sense of heritage of an affirming token” (Sarnowski 12). Maggie knows what her heritage is and does not necessarily need the quilts to define it. She is happy with the life she lives and although she would be losing this “affirming token” she would still know where she comes