Similarities Between Frankenstein And Edward Scissorhands

Society is inevitable. It will always be there as a pleasure and a burden. Society puts labels on everything such as good or bad, rich or poor, normal or aberrant. Although some of these stamps are accurate, most are misconceptions. In Mary Shelley's, Frankenstein, this act of erring by society is extremely evident. Two of the most inaccurate assumptions of society revolve around the central characters, Dr. Frankenstein and the monster. Society's labels for these two extremely different characters are on the exact opposite side of the scale of what they truly are. Dr. Frankenstein is more of a monster while the monster is more humane.

There are evident similarities between Victor Frankenstein and his creation. Both Frankenstein and his creation share a love for nature, a longing for knowledge, and a desire for companionship.

Though Victor Frankenstein and his creation both have qualities that are clearly monstrous, Victor’s selfishness, his abandonment of his responsibilities, and his inability to recognize his own faults and the monstrous qualities within himself qualities within himself make him the true monster while his creation is rather the opposite.

In reading the book Mary Shelley’s Frankenstein, and watching the by the same title, I discovered several large differences. Primarily, the edited and modified parts were changed to make the movie more interesting.

But there is also a plethora of differences and alterations in the movie than in the original written version. The book focuses on the many complex thoughts of the main character, Victor Frankenstein. We know exactly how he feels whenever he speaks. In the movie, we are only shown that he has dedicated his life to his experiment; we never really know his inside thoughts, though. The book shines the creature in a completely different light than the film. He is shown as an intelligent being full of of human emotions: love, hate, revenge, remorse, etc. He is very articulate and has much common sense and awareness. During his first verbal altercation with Victor he says, “Be calm! I entreat you to hear me before you give vent to your hatred on my devoted head. Have I not suffered enough, that you seek to increase my misery?” (Shelley 86). We learn what he encounters in life, what has shaped him into the “human” he was created to be, and what compels him to kill. The creature in the movie is more like an animal than anything else. He is unable to speak, communicate, or comprehend what is going on around him. He only kills because he has the brain of a murderer and he wanders aimlessly not knowing what is happening. We never see his character ever develop or change at any point; we are only shown that he is an ignorant, killing

I can compare Frankenstein to the movie I saw by Tim Burton, Frankenweenie. They are similar but instead of a human body, it was a dog and the mad scientist was a young boy named Victor Frankenstein. The young Victor Frankenstein brings his dog back to life after being hit by a car for a science fair project while the real Victor Frankenstein wanted to create a real life human. Just like the real Frankenstein monster, the dog brings trouble. In the book, the mad scientist, denies the monster but in Frankenweenie, the young boy convinces his family and friends to like his creation. Some of his classmates had known the young Victor Frankenstein creation and was intrigued to do the same experiment like his but it went out of the standards of

Mary Shelley’s Frankenstein, illustrates an interesting story focusing in on many different themes, but what most readers may miss, is the similarities between Victor Frankenstein and the creature he created. As the story develops, one may pick up on these similarities more and more. This is portrayed through their feelings of isolation, thirst for revenge, their bold attempt to play god, and also their hunger to obtain knowledge. These are all displayed through a series of both the actions and the words of Frankenstein and his creature.

From the start of Mary Shelley's novel, the monster is identified as this psychotic murderer, abnormal. The gigantic, grotesquely horrid creation of Victor Frankenstein, like Frankenstein himself, had only positive intentions at first. He was a delicate, smart monster attempting to alter to human behavior and social skills. From beginning to end, Shelley made sure to target how the monster had to learn everything solo in order to live. As the creature's creator, Victor's role was to provide and teach the creature, taking responsibility instead of running away. The fact that the monster was left unattended in the world led to his raw actions. For instance, Shelley suggest the consequences of isolation when the monster says, "You can blast my other passions, but revenge remains -- revenge, henceforth dearer than light of food! I may die, but first you, my tyrant and tormentor, shall curse the sun that gazes on your misery." (Shelley 153) The Monster is talking in rage after Victor Frankenstein rejects his proposal to create a mate for him. The Monster is so secluded that he, himself, had to ask for a friend. This, however, was not the end of this conversation. In counter play for being deserted, Shelley writes that the Monster went off

Some people see Frankenstein and his creature as complete opposites, but they are not as different as they may seem. Victor and his creature have no mother figure in the novel. Victor’s mother was there for Victor in the beginning but “resigned cheerfully to death… she died calmly” (Shelley 53), whereas the creature was born without one. Therefore, throughout the novel, both Victor and the creature have to depend on their fathers for guidance. Frankenstein and the creature are both intelligent. Frankenstein gains his intelligence through his schooling and experience, while the creature gains intelligence through observations, experience, and “Paradise Lost, a volume of Plutarch’s Lives, and the Sorrows of Werter” (Shelley 155). These characters want to be accepted in the world. Frankenstein wants to be accepted in the

Frankenstein and Edward Scissorhand are both about two different creators creating their own kind of creatures, and the journey through the whole process and the life after creation. In both the novel and film we are able to compare different aspects of both the novel and film. Mary Shelley’s novel Frankenstein and Tim Burton’s film Edward Scissorhands have many similarities and differences starting from the desire of wanting to feel love, to the cause of all the violence. A few of the similarities and differences visible throughout the novel and film are: quest for knowledge, companionship, and their creators.

Throughout Frankenstein the author Mary Shelley uses the Prometheus myth to build her main character, Victor. The original title of Shelly’s book was Frankenstein; the Modern Prometheus, this, however is not the only connection to the myth from Mary Shelley; Victor Frankenstein is similar to Prometheus. With all the similarities that will be shared, Victor and Prometheus also have differences. They both share a similar fate, but for different reasons. While Prometheus’s goal is misunderstood by the gods, Victor’s fate stems from his abandonment of his goal. Both characters share similar emotions for what they have done, however they end up reacting differently.

Evil features in both ‘Dracula' and ‘Frankenstein' but the personification of this evil is different in both novels. A feeling of menace and doom pervades ‘Dracula' because of his supernatural powers. One feels that he has control of the evil and he has the power to manipulate the environment and people for his own ends. ‘Frankenstein' centres on the creation of a monster made from parts of dead bodies and the fear created by the monster due to circumstance and the ignorance of society. Also, one feels a certain amount of apprehension that the monster is deserted by

Victor Frankenstein is in many ways more monstrous than the monster he created. Victor and his creation demonstrate a thesis-antithesis correspondence wherein they reflect opposite character traits. Victor has no sense of empathy or compassion, whereas the monster, although hideous and rejected by society as an outcast, has

Mary Shelley's Frankenstein is very much a commentary on the Enlightenment and its failure to tame the human condition through reason. The human condition can be defined as the unique features which mold a human being. The creature is undoubtedly a victim of this predicament. He grapples with the meaning of life, the search for gratification, the sense of curiosity, the inevitability of isolation, and the awareness of the inescapability of death. These qualities and his ceaseless stalking of his master conjure up the metaphor that he is the shadow of the Enlightenment. Indeed, the Enlightenment is represented through Frankenstein whereas the creature is the embodiment of everything it shuns. These include nature, emotion, and savagery. The two characters are understood as counterparts and yet strikingly similar at the same time. The creature is considered a monster because of his grotesque appearance. Frankenstein on the other hand is a monster of another kind: his ambition, secrecy, and selfishness alienate him from human society. He is eventually consumed by an obsessive hatred of his creation. Both characters also commit primordial crimes. Although rationality pervades through Frankenstein's endeavours, it can be argued that he becomes less human the more he tries to be God. The secret of life lies beyond an accepted boundary from which none can return. By creating life Frankenstein ironically sets the stage for his own destruction as well as that of his family. The

Evil features in both ‘Dracula’ and ‘Frankenstein’ but the personification of this evil is different in both novels. A feeling of menace and doom pervades ‘Dracula’ because of his supernatural powers. One feels that he has control of the evil and he has the power to manipulate the environment and people for his own ends. ‘Frankenstein’ centres on the creation of a monster made from parts of dead bodies and the fear created by the monster due to circumstance and the ignorance of society. Also, one feels a certain amount of apprehension that the monster is deserted by his creator and loses control without his support and guidance.