Similarities Between Frankenstein And Voldemort

Victor Frankenstein finds himself exploring the world of science where “it was the secret of heaven and earth… the outward substance of things or the inner spirits of nature and the mysterious soul of man” that attracted him (Shelley 18). Victor thirst for knowledge comes from his study of chemistry with a zeal for the antiquated world of alchemy. It was the alchemy books that convinces him to go beyond what the normal human limits can do, that is, the answer to life. Through the books he thrives on learning about natural science and looked upon the alchemists works and “took their word for all that they averred, and became their disciple” (Shelley 25). His readings direct him toward the study of forbidden knowledge which ultimately set him up for failure as he became addicted to create life to the point where he robbed graveyards for limbs and committing many unholy acts to create his monster. His unchecked ambition proves to have devastating consequences as his irresponsibility causes the death of those he loves most and he himself falls under the ascendancy of his own

The monster knows his master and knows that Victor wishes he hadn’t created him and this makes the monster feel terrible about himself. He also knows that Victor feels like he played a hand in every person that his creation murders and the Monster learns to use this to his advantage. He does what he know will hurt his master the most, be kills Victor's friends one by one. This twists Victor and sours his very being. It turns him into a completely different person and killing his creation becomes his goal in life. He went from an energetic and curious young scientists to a old, licentious man bent on killing. The monster felt that he was getting back at his master but probably didn’t fully understand what he was doing by killing. He never had anyone teach him how twisted and evil taking a life is and as a result it was relatively easy for him to nullify a human being. Society had shunning him because of his horrific appearance from the first time they saw him and never looked back. He stands at an intimidating eight feet and is crafted of mangled human corpses, not exactly a common looking being. While he might at looked strange or scary, he had the mind of a very young child what needed guidance. Because of Victor’s guilt, he never gave the monster the teaching that it really needed. This feeds into the cycle and really makes the problem that ends up killing several people and twisting Victor into someone no reasonable person would strive to

John Gardner’s Grendel and Mary Shelley’s Frankenstein both include characters who are labeled as monsters. Grendel and the Monster share common characteristics such as being ugly, strong, large, and they kill others. They are both insecure about their appearance and how society portrays them. Grendel and the Monster use violence to try and cope with their insecurities. In the literary works Grendel and Frankenstein, both the monster’s physical appearance and their interactions with others cause them to become an outcast from society. This leads to rejection of themselves, low self-esteem, and ultimately they create havoc within their communities.

“When I looked around I saw and heard of none like me. Was I, the, a monster, a blot upon the earth from which all men fled and whom all men disowned?” (13.105). In the novel Frankenstein by Mary Shelly and the film Edward Scissorhands directed by Tim Burton, the theme of alienation is explored because the creature and Edward are unable to evolve into ordinary members of society due to long periods of isolation and monstrous characteristics. Firstly, The isolation that both the creature and Edward experience from being alienated by their creators leaves them both oblivious when trying to abide by the rules of society.

Victor creates the monster by scavenging through graves collecting body parts that he can create his monster with to bring him to life with the use

There are evident similarities between Victor Frankenstein and his creation. Both Frankenstein and his creation share a love for nature, a longing for knowledge, and a desire for companionship.

Victor Frankenstein is in many ways more monstrous than the monster he created. Victor and his creation demonstrate a thesis-antithesis correspondence wherein they reflect opposite character traits. Victor has no sense of empathy or compassion, whereas the monster, although hideous and rejected by society as an outcast, has

Victor Frankenstein travels to Ingolstadt to study. Once there, he was stuck to the sciences and especially for chemistry. He reads all the books he could come over and going at all lectures in the subject. In the end, one thing that interests him most and is the body's structure and origin of life's principles are based. He studies the anatomy and he gets very interested in death to thus get answers about the origins of life. After some time, he finds that he is inclined to give life to inanimate objects and decide to create your own creature from dead matter. This turns out to be not too successful. Frankenstein do not think through the consequences of his actions he may have and when the monster finally gets life and becomes Frankenstein

To be considered a monster the character must possess an appalling appearance or personality. Monsters have heavily been prevalent throughout human history, striking fear into the hearts of people for centuries. In Mary Shelley’s Frankenstein and Bram Stoker’s Dracula Frankenstein’s monster and Dracula possess appalling personalities and exterior that attributes to their own unique monstrosity. They are both iconic monsters that have terrified people around the world for ages. However, they are two very different creatures; for instance Frankenstein is a monster because he is shunned by society for his grotesque appearance. Dracula is a monster because he feasts upon the living for

Mary Shelley highlights the values of culture and society in the novel, Frankenstein. Victor Frankenstein, who is one of the main characters in this novel, seems to change throughout his time in the novel. Victor Frankenstein comes from a happy, fun, normal childhood. He became intriged by science, and found out he loved science. After the horrible death of his mother, Victor wanted to try to re-create life.

Victor Frankenstein is a brilliant scientist who has mastered everything he has learned from his professors. However, he has never learned how to master his emotions about his creation. In Frankenstein, Mary Shelley explores the relationship between Victor and the monster to show the reader that the dynamic between the two beings happens to be two-faced. On the surface, they are hell-bent on revenge; while deep down they need each other, and more importantly, they need each other's forgiveness.

Victor worked continuously on his experiment, obsessed with finding the correct building material. It would seem that after all this arduous work he put into making this Creature, he would be in awe when it was finally finished. Upon the completion of the Creature, he finds himself in shock, explaining in vivid detail about the Creature’s “yellow skin which scarcely covered the works of muscles and arteries underneath” and its “shriveled complexion,” and “straight black lips” (42). In the human nature, it is known that when a person creates something, no matter how ugly, or how deformed it is, the creator is proud of his creation. Although, immediately after he sees his creation, Victor is unable to stare at the “monster” any longer, and paralyzed with fear and guilt, abandons the creature all alone in the world, like a new born baby. Although it might not seem like this, this particular scene conveys a deep sense

Frankenstein and Edward Scissorhand are both about two different creators creating their own kind of creatures, and the journey through the whole process and the life after creation. In both the novel and film we are able to compare different aspects of both the novel and film. Mary Shelley’s novel Frankenstein and Tim Burton’s film Edward Scissorhands have many similarities and differences starting from the desire of wanting to feel love, to the cause of all the violence. A few of the similarities and differences visible throughout the novel and film are: quest for knowledge, companionship, and their creators.

The idea of pursuing knowledge clouded Victor’s mind and when his creature is born he is shocked to discover that what he has created is far off his own expectations. Not only did the monster destroy his expectations of developing a creature that went beyond human knowledge, but it also affected his life, dignity, and fears. Victor himself admits to his own mistake when he says, “The different accidents of life are not so changeable as the feelings of human nature...but now that I had finished, the beauty of the dream vanished, and breathless honor and disgust filled my heart ” (36). Victor Frankenstein realizes what his obsession with pursuing an extensive amount of knowledge has brought him. His destiny to achieve the impossible with no regard for anyone or anything but himself shows that he is blinded by knowledge when creating the monster and is incapable to foresee the outcome of his creation. Victor’s goal was meant to improve and help humanity, but instead it leads to

This rejection by society and the creatures response to it forms him into a monster. This is apparent when he tries to communicate with a family of cottagers. He is attacked by one of the cottagers, who acts out of the fear that the creature’s wretched appearance inspires. This invokes wrath in the creature, and he swears revenge against humanity, particularly his creator. He does this because he is lonely, and no one will accept him as a result of his appearance. This leads the creature to murder just about all of Victor’s family, his closest friend, and eventually drives Victor to his death. This merciless onslaught forms the creature into a monster, acting solely out of unrestrained anger, and his desire for revenge. This is particularly monstrous because all of the violence he causes can be traced back to his appearance, something that he could have dealt with in a more reasonable manner. One might argue he was ignorant of his appearance, but this is not the case. The creature himself recognized his fear inspiring image, proclaiming “I had sagacity enough to discover that the unnatural hideousness of my person was the chief object of horror with those who had formerly beheld me.”(121) The creature’s recognition of this fact along with his intelligence would have allowed it to find a reasonable approach, such as a disguise. This truly shows that the creature chose the monstrous path in dealing with its predicament.